Shifted takes a quieter, creepier tack towards cinematic industrial scapes and pulsing rhythms on 'Part 2' of his 'Arrangements in Monochrome' session. Dangerously opiated and out-of-reach, his sound here marks a subtle step forward/away in terms of sound design, and a more noxious reduction of his signature palette, guiding us from lightless drone and drizzle in 'The Incoherent' to urgently scan ocean floor depths in 'Arrangement In Monochrome II' and the bleakly gorgeous 'Second Wash', while 'Entartung' gets tangled in a flux of rusty aquatic rhythm and 'Lenine' leaves us stranded in alien space station atmospheres.
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Shifted takes a quieter, creepier tack towards cinematic industrial scapes and pulsing rhythms on 'Part 2' of his 'Arrangements in Monochrome' session. Dangerously opiated and out-of-reach, his sound here marks a subtle step forward/away in terms of sound design, and a more noxious reduction of his signature palette, guiding us from lightless drone and drizzle in 'The Incoherent' to urgently scan ocean floor depths in 'Arrangement In Monochrome II' and the bleakly gorgeous 'Second Wash', while 'Entartung' gets tangled in a flux of rusty aquatic rhythm and 'Lenine' leaves us stranded in alien space station atmospheres.
Shifted takes a quieter, creepier tack towards cinematic industrial scapes and pulsing rhythms on 'Part 2' of his 'Arrangements in Monochrome' session. Dangerously opiated and out-of-reach, his sound here marks a subtle step forward/away in terms of sound design, and a more noxious reduction of his signature palette, guiding us from lightless drone and drizzle in 'The Incoherent' to urgently scan ocean floor depths in 'Arrangement In Monochrome II' and the bleakly gorgeous 'Second Wash', while 'Entartung' gets tangled in a flux of rusty aquatic rhythm and 'Lenine' leaves us stranded in alien space station atmospheres.
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Shifted takes a quieter, creepier tack towards cinematic industrial scapes and pulsing rhythms on 'Part 2' of his 'Arrangements in Monochrome' session. Dangerously opiated and out-of-reach, his sound here marks a subtle step forward/away in terms of sound design, and a more noxious reduction of his signature palette, guiding us from lightless drone and drizzle in 'The Incoherent' to urgently scan ocean floor depths in 'Arrangement In Monochrome II' and the bleakly gorgeous 'Second Wash', while 'Entartung' gets tangled in a flux of rusty aquatic rhythm and 'Lenine' leaves us stranded in alien space station atmospheres.
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Shifted takes a quieter, creepier tack towards cinematic industrial scapes and pulsing rhythms on 'Part 2' of his 'Arrangements in Monochrome' session. Dangerously opiated and out-of-reach, his sound here marks a subtle step forward/away in terms of sound design, and a more noxious reduction of his signature palette, guiding us from lightless drone and drizzle in 'The Incoherent' to urgently scan ocean floor depths in 'Arrangement In Monochrome II' and the bleakly gorgeous 'Second Wash', while 'Entartung' gets tangled in a flux of rusty aquatic rhythm and 'Lenine' leaves us stranded in alien space station atmospheres.