Electronic soul food - just like mama used to make it - from Italian siblings D’Arcangelo, granting their first EP to A Colourful Storm after a series of canonical Rephlex releases and recent runs.
Flying the flag for intricate post-club electro mood music since the mid ‘90s, D’Arcangelo are well recognised as key players of the Braindance movement of “IDM” which, like its standard bearers, Æ and AFX, probed and experimented with the space between ‘90s dance music and its avant-electronic music parallels in modern classical, ambient, and folk musicks.
On ‘Arium’ the brothers D’Arcangelo remain keenly inquisitive in their tricksy, displaced drum programming and searching melodic nature, resulting in a fine new iteration of classic electronics that wears its retro-futurist nostalgia beautifully, sashaying between something like B12 on their jollies in Atlantis on ‘Godsonix’, to a sort of ruggedly elegant Autechrian chamber musique with their title tune, and a simpler turn to bucolic hip hop dub-tronica on ‘Spacing Out’, with Plaid-like melodic sensibilities heightened on the nippy IDM of ‘Duty’, and weft off into the ether with ’Familiarity’.
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Electronic soul food - just like mama used to make it - from Italian siblings D’Arcangelo, granting their first EP to A Colourful Storm after a series of canonical Rephlex releases and recent runs.
Flying the flag for intricate post-club electro mood music since the mid ‘90s, D’Arcangelo are well recognised as key players of the Braindance movement of “IDM” which, like its standard bearers, Æ and AFX, probed and experimented with the space between ‘90s dance music and its avant-electronic music parallels in modern classical, ambient, and folk musicks.
On ‘Arium’ the brothers D’Arcangelo remain keenly inquisitive in their tricksy, displaced drum programming and searching melodic nature, resulting in a fine new iteration of classic electronics that wears its retro-futurist nostalgia beautifully, sashaying between something like B12 on their jollies in Atlantis on ‘Godsonix’, to a sort of ruggedly elegant Autechrian chamber musique with their title tune, and a simpler turn to bucolic hip hop dub-tronica on ‘Spacing Out’, with Plaid-like melodic sensibilities heightened on the nippy IDM of ‘Duty’, and weft off into the ether with ’Familiarity’.
Electronic soul food - just like mama used to make it - from Italian siblings D’Arcangelo, granting their first EP to A Colourful Storm after a series of canonical Rephlex releases and recent runs.
Flying the flag for intricate post-club electro mood music since the mid ‘90s, D’Arcangelo are well recognised as key players of the Braindance movement of “IDM” which, like its standard bearers, Æ and AFX, probed and experimented with the space between ‘90s dance music and its avant-electronic music parallels in modern classical, ambient, and folk musicks.
On ‘Arium’ the brothers D’Arcangelo remain keenly inquisitive in their tricksy, displaced drum programming and searching melodic nature, resulting in a fine new iteration of classic electronics that wears its retro-futurist nostalgia beautifully, sashaying between something like B12 on their jollies in Atlantis on ‘Godsonix’, to a sort of ruggedly elegant Autechrian chamber musique with their title tune, and a simpler turn to bucolic hip hop dub-tronica on ‘Spacing Out’, with Plaid-like melodic sensibilities heightened on the nippy IDM of ‘Duty’, and weft off into the ether with ’Familiarity’.
Electronic soul food - just like mama used to make it - from Italian siblings D’Arcangelo, granting their first EP to A Colourful Storm after a series of canonical Rephlex releases and recent runs.
Flying the flag for intricate post-club electro mood music since the mid ‘90s, D’Arcangelo are well recognised as key players of the Braindance movement of “IDM” which, like its standard bearers, Æ and AFX, probed and experimented with the space between ‘90s dance music and its avant-electronic music parallels in modern classical, ambient, and folk musicks.
On ‘Arium’ the brothers D’Arcangelo remain keenly inquisitive in their tricksy, displaced drum programming and searching melodic nature, resulting in a fine new iteration of classic electronics that wears its retro-futurist nostalgia beautifully, sashaying between something like B12 on their jollies in Atlantis on ‘Godsonix’, to a sort of ruggedly elegant Autechrian chamber musique with their title tune, and a simpler turn to bucolic hip hop dub-tronica on ‘Spacing Out’, with Plaid-like melodic sensibilities heightened on the nippy IDM of ‘Duty’, and weft off into the ether with ’Familiarity’.
Full colour sleeve with insert and liner notes by Marco D'Arcangelo
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Electronic soul food - just like mama used to make it - from Italian siblings D’Arcangelo, granting their first EP to A Colourful Storm after a series of canonical Rephlex releases and recent runs.
Flying the flag for intricate post-club electro mood music since the mid ‘90s, D’Arcangelo are well recognised as key players of the Braindance movement of “IDM” which, like its standard bearers, Æ and AFX, probed and experimented with the space between ‘90s dance music and its avant-electronic music parallels in modern classical, ambient, and folk musicks.
On ‘Arium’ the brothers D’Arcangelo remain keenly inquisitive in their tricksy, displaced drum programming and searching melodic nature, resulting in a fine new iteration of classic electronics that wears its retro-futurist nostalgia beautifully, sashaying between something like B12 on their jollies in Atlantis on ‘Godsonix’, to a sort of ruggedly elegant Autechrian chamber musique with their title tune, and a simpler turn to bucolic hip hop dub-tronica on ‘Spacing Out’, with Plaid-like melodic sensibilities heightened on the nippy IDM of ‘Duty’, and weft off into the ether with ’Familiarity’.