Boomkat Product Review:
Destroyed beyond recognition, 200bpm edits of mainstream 2018 dance trax, plus a trio of ace digital bonus remixes from numèric, PLOU PLIM, dj))water)) on the reliably bonkers Fluf label
“Recording documenting the soundtrack of PLOM's sporadic performance at La Capella (BCN) during the exhibition 'Les escenes. 25 anys després. Escena 2 '. An exaltation of the peripheral.
Made between December and February during his daily trips to work using the regional train network, PLOM uses as a base material, the songs contained in the last Top 51 of 2018 on the Maxima FM radio station.
At full throttle and under the eyes of the rest of passengers, uses his laptop to square Trance EDM, Big Room House and Pop and homogenize them to 200 bpm, accelerated mixes that then silenced using French audio signal tracking techniques. It ends up filling and superimposing a string of noises and nervous modified rhythms from his own sake that lead the crew towards their cathartic final destination.
An appropriationist massacre of the best 51 dance anthems of late 2018 on Máxima FM, whose visual equivalent would be a 4K HD film on a 50-inch screen that would explode over and over again and be rebuilt in 3D graphics made from tiny fragments of glass and plastic.””