The outré spirits of Ghédalia Tazartès, Scott Walker, HR Giger and Mabe Fratti feel to inhabit the uncanniness of Nzʉmbe’s eerily curdled aether worlds, which features exquisite vocal processing by Rashad Becker, piano by Michael Pisaro, pipes from Wojciech Rusin, and more beside, bringing us with clammy touching distance of his fever dream-world.
“Ardor or Entropy is Nzʉmbe’s first album in nine years, following 2015's Titubeo.During this period, philosopher and artist Miguel Prado’s sonic output has included synthesizing a sonic Gernika with his band HARRGA alongside Dali de Saint Paul, and crafting a hallucinatory sci-fi mythology for Lucrecia Dalt’s latest album, ¡Ay!."
Rewiring the conventions of chamber electronics and postmodern songwriting. Here it is presented A Spanish’ song cycle on love and cosmological redshift. The distant echo of Tristan‐and‐Iseult’s smoking gun where lovemaking becomes an enactment of entropy, a transformation between the dynamic and the static, the human and the fetish, illustrating the inevitable decline into chaos and stillness.
A beached singing voice (beautifully processed by Rashad Becker) against electro-acoustic backdrops ranging from the caustic, viscous to the bonecrushingly dense worldbuilding shared by HR Giger, Ballard and Pynchon. Transcendental and psychotic vistas that boldly examine human fragility and the surrounding abyss of godlessness.”
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The outré spirits of Ghédalia Tazartès, Scott Walker, HR Giger and Mabe Fratti feel to inhabit the uncanniness of Nzʉmbe’s eerily curdled aether worlds, which features exquisite vocal processing by Rashad Becker, piano by Michael Pisaro, pipes from Wojciech Rusin, and more beside, bringing us with clammy touching distance of his fever dream-world.
“Ardor or Entropy is Nzʉmbe’s first album in nine years, following 2015's Titubeo.During this period, philosopher and artist Miguel Prado’s sonic output has included synthesizing a sonic Gernika with his band HARRGA alongside Dali de Saint Paul, and crafting a hallucinatory sci-fi mythology for Lucrecia Dalt’s latest album, ¡Ay!."
Rewiring the conventions of chamber electronics and postmodern songwriting. Here it is presented A Spanish’ song cycle on love and cosmological redshift. The distant echo of Tristan‐and‐Iseult’s smoking gun where lovemaking becomes an enactment of entropy, a transformation between the dynamic and the static, the human and the fetish, illustrating the inevitable decline into chaos and stillness.
A beached singing voice (beautifully processed by Rashad Becker) against electro-acoustic backdrops ranging from the caustic, viscous to the bonecrushingly dense worldbuilding shared by HR Giger, Ballard and Pynchon. Transcendental and psychotic vistas that boldly examine human fragility and the surrounding abyss of godlessness.”
The outré spirits of Ghédalia Tazartès, Scott Walker, HR Giger and Mabe Fratti feel to inhabit the uncanniness of Nzʉmbe’s eerily curdled aether worlds, which features exquisite vocal processing by Rashad Becker, piano by Michael Pisaro, pipes from Wojciech Rusin, and more beside, bringing us with clammy touching distance of his fever dream-world.
“Ardor or Entropy is Nzʉmbe’s first album in nine years, following 2015's Titubeo.During this period, philosopher and artist Miguel Prado’s sonic output has included synthesizing a sonic Gernika with his band HARRGA alongside Dali de Saint Paul, and crafting a hallucinatory sci-fi mythology for Lucrecia Dalt’s latest album, ¡Ay!."
Rewiring the conventions of chamber electronics and postmodern songwriting. Here it is presented A Spanish’ song cycle on love and cosmological redshift. The distant echo of Tristan‐and‐Iseult’s smoking gun where lovemaking becomes an enactment of entropy, a transformation between the dynamic and the static, the human and the fetish, illustrating the inevitable decline into chaos and stillness.
A beached singing voice (beautifully processed by Rashad Becker) against electro-acoustic backdrops ranging from the caustic, viscous to the bonecrushingly dense worldbuilding shared by HR Giger, Ballard and Pynchon. Transcendental and psychotic vistas that boldly examine human fragility and the surrounding abyss of godlessness.”
The outré spirits of Ghédalia Tazartès, Scott Walker, HR Giger and Mabe Fratti feel to inhabit the uncanniness of Nzʉmbe’s eerily curdled aether worlds, which features exquisite vocal processing by Rashad Becker, piano by Michael Pisaro, pipes from Wojciech Rusin, and more beside, bringing us with clammy touching distance of his fever dream-world.
“Ardor or Entropy is Nzʉmbe’s first album in nine years, following 2015's Titubeo.During this period, philosopher and artist Miguel Prado’s sonic output has included synthesizing a sonic Gernika with his band HARRGA alongside Dali de Saint Paul, and crafting a hallucinatory sci-fi mythology for Lucrecia Dalt’s latest album, ¡Ay!."
Rewiring the conventions of chamber electronics and postmodern songwriting. Here it is presented A Spanish’ song cycle on love and cosmological redshift. The distant echo of Tristan‐and‐Iseult’s smoking gun where lovemaking becomes an enactment of entropy, a transformation between the dynamic and the static, the human and the fetish, illustrating the inevitable decline into chaos and stillness.
A beached singing voice (beautifully processed by Rashad Becker) against electro-acoustic backdrops ranging from the caustic, viscous to the bonecrushingly dense worldbuilding shared by HR Giger, Ballard and Pynchon. Transcendental and psychotic vistas that boldly examine human fragility and the surrounding abyss of godlessness.”
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The outré spirits of Ghédalia Tazartès, Scott Walker, HR Giger and Mabe Fratti feel to inhabit the uncanniness of Nzʉmbe’s eerily curdled aether worlds, which features exquisite vocal processing by Rashad Becker, piano by Michael Pisaro, pipes from Wojciech Rusin, and more beside, bringing us with clammy touching distance of his fever dream-world.
“Ardor or Entropy is Nzʉmbe’s first album in nine years, following 2015's Titubeo.During this period, philosopher and artist Miguel Prado’s sonic output has included synthesizing a sonic Gernika with his band HARRGA alongside Dali de Saint Paul, and crafting a hallucinatory sci-fi mythology for Lucrecia Dalt’s latest album, ¡Ay!."
Rewiring the conventions of chamber electronics and postmodern songwriting. Here it is presented A Spanish’ song cycle on love and cosmological redshift. The distant echo of Tristan‐and‐Iseult’s smoking gun where lovemaking becomes an enactment of entropy, a transformation between the dynamic and the static, the human and the fetish, illustrating the inevitable decline into chaos and stillness.
A beached singing voice (beautifully processed by Rashad Becker) against electro-acoustic backdrops ranging from the caustic, viscous to the bonecrushingly dense worldbuilding shared by HR Giger, Ballard and Pynchon. Transcendental and psychotic vistas that boldly examine human fragility and the surrounding abyss of godlessness.”