Boomkat Product Review:
FUJI||||||||||TA's new album is a time-dilating soundtrack to butoh dancer Kentaro Kujirai's 'Gingan Arahabaki', and might just be his deepest work to date. Watery environmental recordings wash against resonant tones from the Japanese instrument builder's unique DIY pump organ = completely singular, evocative sound to file alongside your Kali Malone, BJ Nilsen and Davachis.
For “Gingan Arahabaki”, Kujirai looked to the life of his writer grandfather and painter father - who died only days after the show's premiere - to develop a performance rooted in memory and identity. Fujita responds by playing slow and careful drones with his custom-built pipe organ, mimicking the body's movement with glassy resonance and evocative tonal variations, overlaying more recognizable sounds to paint a time and place lost between history and perception.
Waves rumble and crash far in the distance on opening track 'Umi', growing closer and gaining clarity as the piece develops. It almost feels as if we're walking through a cave, greeted by the guttoral animal groans of Fujita's pipe organ. On 'Taki', Fujita plays with high-frequency tones like an inverse Sunn O))), and meets these with gentle koto plucks and strums, suggesting a fusion of Japan's past and present. Closing track 'Ibuki' returns to rumbling waves, but this time the organ sounds are harder to place, and eventually lost in the water.
'Arahabaki' is a poetic, theatrical work even without Kujirai's physical accompaniment; anyone who enjoyed last year's "Kōmori" or the artist's stunning run of Bandcamp drops should grab this immediately; it's the opposite of "power ambient" somehow - minimal, unashamedly beautiful drone pieces whose power lies in its context and gestural quality. It's an immersive, revitalizing listening experience.