Sticks ’n synths duo Kirk Barley (Church Andrews) & Matt Davies continues to adapt the vernacular of Mark Fell, Rian Treanor, Gábor Lázár, Beatrice Dillon, etc. in ‘floor-friendly offbeat twiss-ups for their label, Health
Since starting to dice with this sound around five years ago, Church Andrews (Kirk Barley, Bambooman) & Matt Davies have stripped it down to slinky fundamentals on a series of aces for their own label and an appearance on Thea HD's Odda Recordings.
‘Aquila’ now presents two of their best, knitting scything synth stabs with pointillist, jazzy percussion in sinuous motions on a titular sidewinder that feels like a laid-back Mark Fell getting loose at the start of a good night, before sharpening up on the pitching stepper ‘Shepherd’ with illusory, sliding Shepherd tones in a roll cage of trilling, angular drums that dance inside the buckling, ductile polychromatic synth lines, and sound great on a crisp system, and when tucked in the mix with other wiry polyrhythmic permutations.
View more
Sticks ’n synths duo Kirk Barley (Church Andrews) & Matt Davies continues to adapt the vernacular of Mark Fell, Rian Treanor, Gábor Lázár, Beatrice Dillon, etc. in ‘floor-friendly offbeat twiss-ups for their label, Health
Since starting to dice with this sound around five years ago, Church Andrews (Kirk Barley, Bambooman) & Matt Davies have stripped it down to slinky fundamentals on a series of aces for their own label and an appearance on Thea HD's Odda Recordings.
‘Aquila’ now presents two of their best, knitting scything synth stabs with pointillist, jazzy percussion in sinuous motions on a titular sidewinder that feels like a laid-back Mark Fell getting loose at the start of a good night, before sharpening up on the pitching stepper ‘Shepherd’ with illusory, sliding Shepherd tones in a roll cage of trilling, angular drums that dance inside the buckling, ductile polychromatic synth lines, and sound great on a crisp system, and when tucked in the mix with other wiry polyrhythmic permutations.
Sticks ’n synths duo Kirk Barley (Church Andrews) & Matt Davies continues to adapt the vernacular of Mark Fell, Rian Treanor, Gábor Lázár, Beatrice Dillon, etc. in ‘floor-friendly offbeat twiss-ups for their label, Health
Since starting to dice with this sound around five years ago, Church Andrews (Kirk Barley, Bambooman) & Matt Davies have stripped it down to slinky fundamentals on a series of aces for their own label and an appearance on Thea HD's Odda Recordings.
‘Aquila’ now presents two of their best, knitting scything synth stabs with pointillist, jazzy percussion in sinuous motions on a titular sidewinder that feels like a laid-back Mark Fell getting loose at the start of a good night, before sharpening up on the pitching stepper ‘Shepherd’ with illusory, sliding Shepherd tones in a roll cage of trilling, angular drums that dance inside the buckling, ductile polychromatic synth lines, and sound great on a crisp system, and when tucked in the mix with other wiry polyrhythmic permutations.
Sticks ’n synths duo Kirk Barley (Church Andrews) & Matt Davies continues to adapt the vernacular of Mark Fell, Rian Treanor, Gábor Lázár, Beatrice Dillon, etc. in ‘floor-friendly offbeat twiss-ups for their label, Health
Since starting to dice with this sound around five years ago, Church Andrews (Kirk Barley, Bambooman) & Matt Davies have stripped it down to slinky fundamentals on a series of aces for their own label and an appearance on Thea HD's Odda Recordings.
‘Aquila’ now presents two of their best, knitting scything synth stabs with pointillist, jazzy percussion in sinuous motions on a titular sidewinder that feels like a laid-back Mark Fell getting loose at the start of a good night, before sharpening up on the pitching stepper ‘Shepherd’ with illusory, sliding Shepherd tones in a roll cage of trilling, angular drums that dance inside the buckling, ductile polychromatic synth lines, and sound great on a crisp system, and when tucked in the mix with other wiry polyrhythmic permutations.