ANTIPODEAN ANOMALIES 2
Left Ear excavate another clutch of vintage new wave and experimental opals from down under, sure to pique interests of anyone tracking the contemporary Melbourne scene revolving around HTRK, CS + Kreme, YL Hooi, Laila Sakini etc.
Encompassing gems hitherto hidden from our northern hemisph-ears, ‘Antipodean Anomalies’ racks up memorable introductions to micro-scenes from Australia & New Zealand 1980-82, doubling down on the ambitions of their first volume in 2018 with twice as many tunes on vol. 2, again plucked from obscurity by Chris Bonato, now with Bridget Small on co-curating duties. It highlights how tight-knit communities of artist-musicians connected with each other, their landscapes, and the entwined histories of Antipodean immigrants and the continent’s native peoples via an abundance of captivating spirit, empathy and imagination.
Studded with nuggets such as Jane Stevenson’s meditation on a skipping record ’Soloaloha’, or the ahead-of-its-time new age dance music of ‘Jungles’ by Tim Gruchy, and thru to Dome-like post-punk haunting of TCH or the lounging sublime of Clout; the sets portrays a wider picture of disparate artists linked by a contemplative quality and sensuousness to their musics. Some, like Colin Offord with ‘Absolutely Wired’ channel an earthy bluesiness that resonates indigenous African as much as Aborigine Australian styles, and patently shares a vision with Roger Frampton’s dusky evocation of landscape in ‘Open as the Sky’, and likewise Back To Back Zithers’ duet with its troglofauna on ‘Cicadas’.
More pertinently for anyone keeping tabs on contemporary Aussie music, the dreamy drum machine and synth bop of DNA Lounge clearly pre-echoes the likes of HTRK, and Height/Dismay’s cover of ‘Girl from Ipanema’ could likewise by compared with YL Hooi, or Will Kuiper’s ‘Diffusion’ with Carla Dal Forno, while (left) ear candy by Kiri uu and Buchanan Holbrook’s 9 min new age odyssey ‘Hunger’ keep the set wide open and brimming with a seductive, unexplored, optimist allure that’s hard to shake once inside.
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Left Ear excavate another clutch of vintage new wave and experimental opals from down under, sure to pique interests of anyone tracking the contemporary Melbourne scene revolving around HTRK, CS + Kreme, YL Hooi, Laila Sakini etc.
Encompassing gems hitherto hidden from our northern hemisph-ears, ‘Antipodean Anomalies’ racks up memorable introductions to micro-scenes from Australia & New Zealand 1980-82, doubling down on the ambitions of their first volume in 2018 with twice as many tunes on vol. 2, again plucked from obscurity by Chris Bonato, now with Bridget Small on co-curating duties. It highlights how tight-knit communities of artist-musicians connected with each other, their landscapes, and the entwined histories of Antipodean immigrants and the continent’s native peoples via an abundance of captivating spirit, empathy and imagination.
Studded with nuggets such as Jane Stevenson’s meditation on a skipping record ’Soloaloha’, or the ahead-of-its-time new age dance music of ‘Jungles’ by Tim Gruchy, and thru to Dome-like post-punk haunting of TCH or the lounging sublime of Clout; the sets portrays a wider picture of disparate artists linked by a contemplative quality and sensuousness to their musics. Some, like Colin Offord with ‘Absolutely Wired’ channel an earthy bluesiness that resonates indigenous African as much as Aborigine Australian styles, and patently shares a vision with Roger Frampton’s dusky evocation of landscape in ‘Open as the Sky’, and likewise Back To Back Zithers’ duet with its troglofauna on ‘Cicadas’.
More pertinently for anyone keeping tabs on contemporary Aussie music, the dreamy drum machine and synth bop of DNA Lounge clearly pre-echoes the likes of HTRK, and Height/Dismay’s cover of ‘Girl from Ipanema’ could likewise by compared with YL Hooi, or Will Kuiper’s ‘Diffusion’ with Carla Dal Forno, while (left) ear candy by Kiri uu and Buchanan Holbrook’s 9 min new age odyssey ‘Hunger’ keep the set wide open and brimming with a seductive, unexplored, optimist allure that’s hard to shake once inside.
Left Ear excavate another clutch of vintage new wave and experimental opals from down under, sure to pique interests of anyone tracking the contemporary Melbourne scene revolving around HTRK, CS + Kreme, YL Hooi, Laila Sakini etc.
Encompassing gems hitherto hidden from our northern hemisph-ears, ‘Antipodean Anomalies’ racks up memorable introductions to micro-scenes from Australia & New Zealand 1980-82, doubling down on the ambitions of their first volume in 2018 with twice as many tunes on vol. 2, again plucked from obscurity by Chris Bonato, now with Bridget Small on co-curating duties. It highlights how tight-knit communities of artist-musicians connected with each other, their landscapes, and the entwined histories of Antipodean immigrants and the continent’s native peoples via an abundance of captivating spirit, empathy and imagination.
Studded with nuggets such as Jane Stevenson’s meditation on a skipping record ’Soloaloha’, or the ahead-of-its-time new age dance music of ‘Jungles’ by Tim Gruchy, and thru to Dome-like post-punk haunting of TCH or the lounging sublime of Clout; the sets portrays a wider picture of disparate artists linked by a contemplative quality and sensuousness to their musics. Some, like Colin Offord with ‘Absolutely Wired’ channel an earthy bluesiness that resonates indigenous African as much as Aborigine Australian styles, and patently shares a vision with Roger Frampton’s dusky evocation of landscape in ‘Open as the Sky’, and likewise Back To Back Zithers’ duet with its troglofauna on ‘Cicadas’.
More pertinently for anyone keeping tabs on contemporary Aussie music, the dreamy drum machine and synth bop of DNA Lounge clearly pre-echoes the likes of HTRK, and Height/Dismay’s cover of ‘Girl from Ipanema’ could likewise by compared with YL Hooi, or Will Kuiper’s ‘Diffusion’ with Carla Dal Forno, while (left) ear candy by Kiri uu and Buchanan Holbrook’s 9 min new age odyssey ‘Hunger’ keep the set wide open and brimming with a seductive, unexplored, optimist allure that’s hard to shake once inside.
Left Ear excavate another clutch of vintage new wave and experimental opals from down under, sure to pique interests of anyone tracking the contemporary Melbourne scene revolving around HTRK, CS + Kreme, YL Hooi, Laila Sakini etc.
Encompassing gems hitherto hidden from our northern hemisph-ears, ‘Antipodean Anomalies’ racks up memorable introductions to micro-scenes from Australia & New Zealand 1980-82, doubling down on the ambitions of their first volume in 2018 with twice as many tunes on vol. 2, again plucked from obscurity by Chris Bonato, now with Bridget Small on co-curating duties. It highlights how tight-knit communities of artist-musicians connected with each other, their landscapes, and the entwined histories of Antipodean immigrants and the continent’s native peoples via an abundance of captivating spirit, empathy and imagination.
Studded with nuggets such as Jane Stevenson’s meditation on a skipping record ’Soloaloha’, or the ahead-of-its-time new age dance music of ‘Jungles’ by Tim Gruchy, and thru to Dome-like post-punk haunting of TCH or the lounging sublime of Clout; the sets portrays a wider picture of disparate artists linked by a contemplative quality and sensuousness to their musics. Some, like Colin Offord with ‘Absolutely Wired’ channel an earthy bluesiness that resonates indigenous African as much as Aborigine Australian styles, and patently shares a vision with Roger Frampton’s dusky evocation of landscape in ‘Open as the Sky’, and likewise Back To Back Zithers’ duet with its troglofauna on ‘Cicadas’.
More pertinently for anyone keeping tabs on contemporary Aussie music, the dreamy drum machine and synth bop of DNA Lounge clearly pre-echoes the likes of HTRK, and Height/Dismay’s cover of ‘Girl from Ipanema’ could likewise by compared with YL Hooi, or Will Kuiper’s ‘Diffusion’ with Carla Dal Forno, while (left) ear candy by Kiri uu and Buchanan Holbrook’s 9 min new age odyssey ‘Hunger’ keep the set wide open and brimming with a seductive, unexplored, optimist allure that’s hard to shake once inside.
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Left Ear excavate another clutch of vintage new wave and experimental opals from down under, sure to pique interests of anyone tracking the contemporary Melbourne scene revolving around HTRK, CS + Kreme, YL Hooi, Laila Sakini etc.
Encompassing gems hitherto hidden from our northern hemisph-ears, ‘Antipodean Anomalies’ racks up memorable introductions to micro-scenes from Australia & New Zealand 1980-82, doubling down on the ambitions of their first volume in 2018 with twice as many tunes on vol. 2, again plucked from obscurity by Chris Bonato, now with Bridget Small on co-curating duties. It highlights how tight-knit communities of artist-musicians connected with each other, their landscapes, and the entwined histories of Antipodean immigrants and the continent’s native peoples via an abundance of captivating spirit, empathy and imagination.
Studded with nuggets such as Jane Stevenson’s meditation on a skipping record ’Soloaloha’, or the ahead-of-its-time new age dance music of ‘Jungles’ by Tim Gruchy, and thru to Dome-like post-punk haunting of TCH or the lounging sublime of Clout; the sets portrays a wider picture of disparate artists linked by a contemplative quality and sensuousness to their musics. Some, like Colin Offord with ‘Absolutely Wired’ channel an earthy bluesiness that resonates indigenous African as much as Aborigine Australian styles, and patently shares a vision with Roger Frampton’s dusky evocation of landscape in ‘Open as the Sky’, and likewise Back To Back Zithers’ duet with its troglofauna on ‘Cicadas’.
More pertinently for anyone keeping tabs on contemporary Aussie music, the dreamy drum machine and synth bop of DNA Lounge clearly pre-echoes the likes of HTRK, and Height/Dismay’s cover of ‘Girl from Ipanema’ could likewise by compared with YL Hooi, or Will Kuiper’s ‘Diffusion’ with Carla Dal Forno, while (left) ear candy by Kiri uu and Buchanan Holbrook’s 9 min new age odyssey ‘Hunger’ keep the set wide open and brimming with a seductive, unexplored, optimist allure that’s hard to shake once inside.