Antiphonals
Chock full of humid, resonant soundscapes that bend time and emphasize texture, tone and timbre, Sarah Davachi's latest is her most defining and rewarding full-length to date. We're floored, again - there's nobody else doing it quite like this.
Composed using a Mellotron, electric organ, piano and synthesizers, "Antiphonals" takes all the elements we know and love from Davachi's impressive catalogue to date and refines them into eight tracks of expertly-sculpted deep listening stickiness. If you're familiar with her work, the content won't be surprising, but Davachi's dedication to her craft has resulted in music that feels more and more revelatory each time.
Here, she brings her obsession with the tonal and textural character of early music to the fore, playing confidently with sounds that exist two or three steps from the contemporary sonic spectrum. Her favored outpost is a cocoon of soft-focus resonance, where sounds graze lightly and hypnotize rather than scrape or bruise. It's not background music - this is art that requires attention and understanding to appreciate its layered beauty and subtle complexity.
There are no real standouts or big moments, rather "Antiphonals" is a single long-running excerpt of Davachi's sonic thesis that plays continuously without a defined beginning or a defined end. It's a privilege to spend time in her world, listening to sacred music melt into prog rock and sensual, experimental drone into blurry neoclassical ambience. There are plenty of musicians who attempt to reach this jewelled nirvana, and precious few who get close - Davachi is currently sitting near the center. Breathtaking.
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Chock full of humid, resonant soundscapes that bend time and emphasize texture, tone and timbre, Sarah Davachi's latest is her most defining and rewarding full-length to date. We're floored, again - there's nobody else doing it quite like this.
Composed using a Mellotron, electric organ, piano and synthesizers, "Antiphonals" takes all the elements we know and love from Davachi's impressive catalogue to date and refines them into eight tracks of expertly-sculpted deep listening stickiness. If you're familiar with her work, the content won't be surprising, but Davachi's dedication to her craft has resulted in music that feels more and more revelatory each time.
Here, she brings her obsession with the tonal and textural character of early music to the fore, playing confidently with sounds that exist two or three steps from the contemporary sonic spectrum. Her favored outpost is a cocoon of soft-focus resonance, where sounds graze lightly and hypnotize rather than scrape or bruise. It's not background music - this is art that requires attention and understanding to appreciate its layered beauty and subtle complexity.
There are no real standouts or big moments, rather "Antiphonals" is a single long-running excerpt of Davachi's sonic thesis that plays continuously without a defined beginning or a defined end. It's a privilege to spend time in her world, listening to sacred music melt into prog rock and sensual, experimental drone into blurry neoclassical ambience. There are plenty of musicians who attempt to reach this jewelled nirvana, and precious few who get close - Davachi is currently sitting near the center. Breathtaking.
Chock full of humid, resonant soundscapes that bend time and emphasize texture, tone and timbre, Sarah Davachi's latest is her most defining and rewarding full-length to date. We're floored, again - there's nobody else doing it quite like this.
Composed using a Mellotron, electric organ, piano and synthesizers, "Antiphonals" takes all the elements we know and love from Davachi's impressive catalogue to date and refines them into eight tracks of expertly-sculpted deep listening stickiness. If you're familiar with her work, the content won't be surprising, but Davachi's dedication to her craft has resulted in music that feels more and more revelatory each time.
Here, she brings her obsession with the tonal and textural character of early music to the fore, playing confidently with sounds that exist two or three steps from the contemporary sonic spectrum. Her favored outpost is a cocoon of soft-focus resonance, where sounds graze lightly and hypnotize rather than scrape or bruise. It's not background music - this is art that requires attention and understanding to appreciate its layered beauty and subtle complexity.
There are no real standouts or big moments, rather "Antiphonals" is a single long-running excerpt of Davachi's sonic thesis that plays continuously without a defined beginning or a defined end. It's a privilege to spend time in her world, listening to sacred music melt into prog rock and sensual, experimental drone into blurry neoclassical ambience. There are plenty of musicians who attempt to reach this jewelled nirvana, and precious few who get close - Davachi is currently sitting near the center. Breathtaking.
Chock full of humid, resonant soundscapes that bend time and emphasize texture, tone and timbre, Sarah Davachi's latest is her most defining and rewarding full-length to date. We're floored, again - there's nobody else doing it quite like this.
Composed using a Mellotron, electric organ, piano and synthesizers, "Antiphonals" takes all the elements we know and love from Davachi's impressive catalogue to date and refines them into eight tracks of expertly-sculpted deep listening stickiness. If you're familiar with her work, the content won't be surprising, but Davachi's dedication to her craft has resulted in music that feels more and more revelatory each time.
Here, she brings her obsession with the tonal and textural character of early music to the fore, playing confidently with sounds that exist two or three steps from the contemporary sonic spectrum. Her favored outpost is a cocoon of soft-focus resonance, where sounds graze lightly and hypnotize rather than scrape or bruise. It's not background music - this is art that requires attention and understanding to appreciate its layered beauty and subtle complexity.
There are no real standouts or big moments, rather "Antiphonals" is a single long-running excerpt of Davachi's sonic thesis that plays continuously without a defined beginning or a defined end. It's a privilege to spend time in her world, listening to sacred music melt into prog rock and sensual, experimental drone into blurry neoclassical ambience. There are plenty of musicians who attempt to reach this jewelled nirvana, and precious few who get close - Davachi is currently sitting near the center. Breathtaking.
*Last copies - have a small crease to the cover* Silver Vinyl LP in printed 3mm spine sleeve + download card
Out of Stock
Chock full of humid, resonant soundscapes that bend time and emphasize texture, tone and timbre, Sarah Davachi's latest is her most defining and rewarding full-length to date. We're floored, again - there's nobody else doing it quite like this.
Composed using a Mellotron, electric organ, piano and synthesizers, "Antiphonals" takes all the elements we know and love from Davachi's impressive catalogue to date and refines them into eight tracks of expertly-sculpted deep listening stickiness. If you're familiar with her work, the content won't be surprising, but Davachi's dedication to her craft has resulted in music that feels more and more revelatory each time.
Here, she brings her obsession with the tonal and textural character of early music to the fore, playing confidently with sounds that exist two or three steps from the contemporary sonic spectrum. Her favored outpost is a cocoon of soft-focus resonance, where sounds graze lightly and hypnotize rather than scrape or bruise. It's not background music - this is art that requires attention and understanding to appreciate its layered beauty and subtle complexity.
There are no real standouts or big moments, rather "Antiphonals" is a single long-running excerpt of Davachi's sonic thesis that plays continuously without a defined beginning or a defined end. It's a privilege to spend time in her world, listening to sacred music melt into prog rock and sensual, experimental drone into blurry neoclassical ambience. There are plenty of musicians who attempt to reach this jewelled nirvana, and precious few who get close - Davachi is currently sitting near the center. Breathtaking.
Back in stock. Black Vinyl 1LP in printed 3mm spine sleeve + download card
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Chock full of humid, resonant soundscapes that bend time and emphasize texture, tone and timbre, Sarah Davachi's latest is her most defining and rewarding full-length to date. We're floored, again - there's nobody else doing it quite like this.
Composed using a Mellotron, electric organ, piano and synthesizers, "Antiphonals" takes all the elements we know and love from Davachi's impressive catalogue to date and refines them into eight tracks of expertly-sculpted deep listening stickiness. If you're familiar with her work, the content won't be surprising, but Davachi's dedication to her craft has resulted in music that feels more and more revelatory each time.
Here, she brings her obsession with the tonal and textural character of early music to the fore, playing confidently with sounds that exist two or three steps from the contemporary sonic spectrum. Her favored outpost is a cocoon of soft-focus resonance, where sounds graze lightly and hypnotize rather than scrape or bruise. It's not background music - this is art that requires attention and understanding to appreciate its layered beauty and subtle complexity.
There are no real standouts or big moments, rather "Antiphonals" is a single long-running excerpt of Davachi's sonic thesis that plays continuously without a defined beginning or a defined end. It's a privilege to spend time in her world, listening to sacred music melt into prog rock and sensual, experimental drone into blurry neoclassical ambience. There are plenty of musicians who attempt to reach this jewelled nirvana, and precious few who get close - Davachi is currently sitting near the center. Breathtaking.
CD in 4 panel gatefold lancing pack
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Chock full of humid, resonant soundscapes that bend time and emphasize texture, tone and timbre, Sarah Davachi's latest is her most defining and rewarding full-length to date. We're floored, again - there's nobody else doing it quite like this.
Composed using a Mellotron, electric organ, piano and synthesizers, "Antiphonals" takes all the elements we know and love from Davachi's impressive catalogue to date and refines them into eight tracks of expertly-sculpted deep listening stickiness. If you're familiar with her work, the content won't be surprising, but Davachi's dedication to her craft has resulted in music that feels more and more revelatory each time.
Here, she brings her obsession with the tonal and textural character of early music to the fore, playing confidently with sounds that exist two or three steps from the contemporary sonic spectrum. Her favored outpost is a cocoon of soft-focus resonance, where sounds graze lightly and hypnotize rather than scrape or bruise. It's not background music - this is art that requires attention and understanding to appreciate its layered beauty and subtle complexity.
There are no real standouts or big moments, rather "Antiphonals" is a single long-running excerpt of Davachi's sonic thesis that plays continuously without a defined beginning or a defined end. It's a privilege to spend time in her world, listening to sacred music melt into prog rock and sensual, experimental drone into blurry neoclassical ambience. There are plenty of musicians who attempt to reach this jewelled nirvana, and precious few who get close - Davachi is currently sitting near the center. Breathtaking.