Detroit’s Atkins and Berlin’s Von Oswald spin off a pair of proper deep techno wobblers from their Borderland axis with Angles, arriving in the wake of the Transport [2016] album and their Borderland [2013] debut.
Both tracks are built and cut lean and wide for the club, Concave 1 especially so, running at 45rpm and dug with the deepest, knee-quaking bassline which seems to practically suck the flared chords into its back hole, only buoyed by well-timed flashes of jacking claps. Pure pressure!
In sweet contrast, Concave 2 is rolled out for the long game like some BC or Infiniti classic, playing off the tension of grubbing bass and corkscrewing dub FX harnessed only by steady hi-hats and the return of the stentorian claps of the first mix. You’ve gotta let this one play out the duration.
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Detroit’s Atkins and Berlin’s Von Oswald spin off a pair of proper deep techno wobblers from their Borderland axis with Angles, arriving in the wake of the Transport [2016] album and their Borderland [2013] debut.
Both tracks are built and cut lean and wide for the club, Concave 1 especially so, running at 45rpm and dug with the deepest, knee-quaking bassline which seems to practically suck the flared chords into its back hole, only buoyed by well-timed flashes of jacking claps. Pure pressure!
In sweet contrast, Concave 2 is rolled out for the long game like some BC or Infiniti classic, playing off the tension of grubbing bass and corkscrewing dub FX harnessed only by steady hi-hats and the return of the stentorian claps of the first mix. You’ve gotta let this one play out the duration.
Detroit’s Atkins and Berlin’s Von Oswald spin off a pair of proper deep techno wobblers from their Borderland axis with Angles, arriving in the wake of the Transport [2016] album and their Borderland [2013] debut.
Both tracks are built and cut lean and wide for the club, Concave 1 especially so, running at 45rpm and dug with the deepest, knee-quaking bassline which seems to practically suck the flared chords into its back hole, only buoyed by well-timed flashes of jacking claps. Pure pressure!
In sweet contrast, Concave 2 is rolled out for the long game like some BC or Infiniti classic, playing off the tension of grubbing bass and corkscrewing dub FX harnessed only by steady hi-hats and the return of the stentorian claps of the first mix. You’ve gotta let this one play out the duration.
Detroit’s Atkins and Berlin’s Von Oswald spin off a pair of proper deep techno wobblers from their Borderland axis with Angles, arriving in the wake of the Transport [2016] album and their Borderland [2013] debut.
Both tracks are built and cut lean and wide for the club, Concave 1 especially so, running at 45rpm and dug with the deepest, knee-quaking bassline which seems to practically suck the flared chords into its back hole, only buoyed by well-timed flashes of jacking claps. Pure pressure!
In sweet contrast, Concave 2 is rolled out for the long game like some BC or Infiniti classic, playing off the tension of grubbing bass and corkscrewing dub FX harnessed only by steady hi-hats and the return of the stentorian claps of the first mix. You’ve gotta let this one play out the duration.
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Detroit’s Atkins and Berlin’s Von Oswald spin off a pair of proper deep techno wobblers from their Borderland axis with Angles, arriving in the wake of the Transport [2016] album and their Borderland [2013] debut.
Both tracks are built and cut lean and wide for the club, Concave 1 especially so, running at 45rpm and dug with the deepest, knee-quaking bassline which seems to practically suck the flared chords into its back hole, only buoyed by well-timed flashes of jacking claps. Pure pressure!
In sweet contrast, Concave 2 is rolled out for the long game like some BC or Infiniti classic, playing off the tension of grubbing bass and corkscrewing dub FX harnessed only by steady hi-hats and the return of the stentorian claps of the first mix. You’ve gotta let this one play out the duration.