Vienna/Sydney’s Beatrix Curran and Berlin-based Franziska Aigner pair violin & cello with an articulate fluency of discord and harmony in their debut meeting for Superpang.
‘Angelwhack’ marks Frankie & Battle-Ax’s first encounter with a compelling suite of shearing strings wrought in soberly urgent experimentation, where their acoustic gestures are subtly trimmed and emphasised with FX sorcery. The 15 minute suite speaks to their combined years working with everyone from DJ Paypal to Anne Imhof, and extensive concert performances, with a striking dynamic that makes the most of their stripped back set-up in procession from the tense stereo unfurling of ‘Concord West’ to a ravishing ‘XXX’, the vaulted reverb chicanery and near brutally bittersweet sting of ‘Third Movement’, and melancholic elegance of ‘ With Aplomb’.
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Vienna/Sydney’s Beatrix Curran and Berlin-based Franziska Aigner pair violin & cello with an articulate fluency of discord and harmony in their debut meeting for Superpang.
‘Angelwhack’ marks Frankie & Battle-Ax’s first encounter with a compelling suite of shearing strings wrought in soberly urgent experimentation, where their acoustic gestures are subtly trimmed and emphasised with FX sorcery. The 15 minute suite speaks to their combined years working with everyone from DJ Paypal to Anne Imhof, and extensive concert performances, with a striking dynamic that makes the most of their stripped back set-up in procession from the tense stereo unfurling of ‘Concord West’ to a ravishing ‘XXX’, the vaulted reverb chicanery and near brutally bittersweet sting of ‘Third Movement’, and melancholic elegance of ‘ With Aplomb’.
Vienna/Sydney’s Beatrix Curran and Berlin-based Franziska Aigner pair violin & cello with an articulate fluency of discord and harmony in their debut meeting for Superpang.
‘Angelwhack’ marks Frankie & Battle-Ax’s first encounter with a compelling suite of shearing strings wrought in soberly urgent experimentation, where their acoustic gestures are subtly trimmed and emphasised with FX sorcery. The 15 minute suite speaks to their combined years working with everyone from DJ Paypal to Anne Imhof, and extensive concert performances, with a striking dynamic that makes the most of their stripped back set-up in procession from the tense stereo unfurling of ‘Concord West’ to a ravishing ‘XXX’, the vaulted reverb chicanery and near brutally bittersweet sting of ‘Third Movement’, and melancholic elegance of ‘ With Aplomb’.
Vienna/Sydney’s Beatrix Curran and Berlin-based Franziska Aigner pair violin & cello with an articulate fluency of discord and harmony in their debut meeting for Superpang.
‘Angelwhack’ marks Frankie & Battle-Ax’s first encounter with a compelling suite of shearing strings wrought in soberly urgent experimentation, where their acoustic gestures are subtly trimmed and emphasised with FX sorcery. The 15 minute suite speaks to their combined years working with everyone from DJ Paypal to Anne Imhof, and extensive concert performances, with a striking dynamic that makes the most of their stripped back set-up in procession from the tense stereo unfurling of ‘Concord West’ to a ravishing ‘XXX’, the vaulted reverb chicanery and near brutally bittersweet sting of ‘Third Movement’, and melancholic elegance of ‘ With Aplomb’.