Eartheater unfurls her operatic wings alongside the Leya duo in a chamber-like suite for PAN
Swanning on a year after Eartheater’s ‘IRISIRI’ album and her recent, self-released ‘Trinity’ LP, the four songs of ‘Angel Lust’ see her sylvan vocals harmonised with Leya’s and carried by their oneiric arrangements of prim but subtly detuned strings and drones, reprising their collaboration started on ‘666’ from 2018’s ‘The Fool’ cassette for NNA Tapes.
It feels a bit to our ears like a strange reflux of shoegaze, early-mid ‘00s freak-folk and nods to the magick of Julia Holter via Julianna Barwick, all neatly refreshing the timeless appeal of well-worn tropes with a mix of saccharine pucker and narcotic nose drip dissonance that really gets under the skin in their ‘Salty Eye’ and the curdled tones of ’Stronger’.
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Eartheater unfurls her operatic wings alongside the Leya duo in a chamber-like suite for PAN
Swanning on a year after Eartheater’s ‘IRISIRI’ album and her recent, self-released ‘Trinity’ LP, the four songs of ‘Angel Lust’ see her sylvan vocals harmonised with Leya’s and carried by their oneiric arrangements of prim but subtly detuned strings and drones, reprising their collaboration started on ‘666’ from 2018’s ‘The Fool’ cassette for NNA Tapes.
It feels a bit to our ears like a strange reflux of shoegaze, early-mid ‘00s freak-folk and nods to the magick of Julia Holter via Julianna Barwick, all neatly refreshing the timeless appeal of well-worn tropes with a mix of saccharine pucker and narcotic nose drip dissonance that really gets under the skin in their ‘Salty Eye’ and the curdled tones of ’Stronger’.
Eartheater unfurls her operatic wings alongside the Leya duo in a chamber-like suite for PAN
Swanning on a year after Eartheater’s ‘IRISIRI’ album and her recent, self-released ‘Trinity’ LP, the four songs of ‘Angel Lust’ see her sylvan vocals harmonised with Leya’s and carried by their oneiric arrangements of prim but subtly detuned strings and drones, reprising their collaboration started on ‘666’ from 2018’s ‘The Fool’ cassette for NNA Tapes.
It feels a bit to our ears like a strange reflux of shoegaze, early-mid ‘00s freak-folk and nods to the magick of Julia Holter via Julianna Barwick, all neatly refreshing the timeless appeal of well-worn tropes with a mix of saccharine pucker and narcotic nose drip dissonance that really gets under the skin in their ‘Salty Eye’ and the curdled tones of ’Stronger’.
Eartheater unfurls her operatic wings alongside the Leya duo in a chamber-like suite for PAN
Swanning on a year after Eartheater’s ‘IRISIRI’ album and her recent, self-released ‘Trinity’ LP, the four songs of ‘Angel Lust’ see her sylvan vocals harmonised with Leya’s and carried by their oneiric arrangements of prim but subtly detuned strings and drones, reprising their collaboration started on ‘666’ from 2018’s ‘The Fool’ cassette for NNA Tapes.
It feels a bit to our ears like a strange reflux of shoegaze, early-mid ‘00s freak-folk and nods to the magick of Julia Holter via Julianna Barwick, all neatly refreshing the timeless appeal of well-worn tropes with a mix of saccharine pucker and narcotic nose drip dissonance that really gets under the skin in their ‘Salty Eye’ and the curdled tones of ’Stronger’.