Slav to the Rhythm co-host Catherine Backhouse (aka Xylitol) looks back to the glory days of AFX, µ-Ziq and Squarepusher on her debut, letting yearning, soft-focus melodies cascade over expertly chopped amens and speaker-rupturing subs.
There's nothing particularly new about 'Anemones', but it's so well done it hardly matters. On 'Jelena', Backhouse adheres to the melodic logic of 'I Care Because You Do', playing wistful synth tones over frequency-shifted breaks. And there's an even more playful edge to 'Miha' that can't help but remind us of Planet Mu boss Mike Paradinas' classic '70s TV theme-fuelled hooks. But it's Backhouse's sense of rhythm that anchors 'Anemones'; even though it's an album that lives and dies on the strength of its stargazing synths, Backhouse balances everything with a rumbling momentum that keep us twitching throughout.
On 'Dobro Jutro' she manages to cross two-step with Eski and balearic trance, and sails hypnotically off the grid on 'Monte Mare', letting the melodies run away from the beat completely.
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Slav to the Rhythm co-host Catherine Backhouse (aka Xylitol) looks back to the glory days of AFX, µ-Ziq and Squarepusher on her debut, letting yearning, soft-focus melodies cascade over expertly chopped amens and speaker-rupturing subs.
There's nothing particularly new about 'Anemones', but it's so well done it hardly matters. On 'Jelena', Backhouse adheres to the melodic logic of 'I Care Because You Do', playing wistful synth tones over frequency-shifted breaks. And there's an even more playful edge to 'Miha' that can't help but remind us of Planet Mu boss Mike Paradinas' classic '70s TV theme-fuelled hooks. But it's Backhouse's sense of rhythm that anchors 'Anemones'; even though it's an album that lives and dies on the strength of its stargazing synths, Backhouse balances everything with a rumbling momentum that keep us twitching throughout.
On 'Dobro Jutro' she manages to cross two-step with Eski and balearic trance, and sails hypnotically off the grid on 'Monte Mare', letting the melodies run away from the beat completely.
Slav to the Rhythm co-host Catherine Backhouse (aka Xylitol) looks back to the glory days of AFX, µ-Ziq and Squarepusher on her debut, letting yearning, soft-focus melodies cascade over expertly chopped amens and speaker-rupturing subs.
There's nothing particularly new about 'Anemones', but it's so well done it hardly matters. On 'Jelena', Backhouse adheres to the melodic logic of 'I Care Because You Do', playing wistful synth tones over frequency-shifted breaks. And there's an even more playful edge to 'Miha' that can't help but remind us of Planet Mu boss Mike Paradinas' classic '70s TV theme-fuelled hooks. But it's Backhouse's sense of rhythm that anchors 'Anemones'; even though it's an album that lives and dies on the strength of its stargazing synths, Backhouse balances everything with a rumbling momentum that keep us twitching throughout.
On 'Dobro Jutro' she manages to cross two-step with Eski and balearic trance, and sails hypnotically off the grid on 'Monte Mare', letting the melodies run away from the beat completely.
Slav to the Rhythm co-host Catherine Backhouse (aka Xylitol) looks back to the glory days of AFX, µ-Ziq and Squarepusher on her debut, letting yearning, soft-focus melodies cascade over expertly chopped amens and speaker-rupturing subs.
There's nothing particularly new about 'Anemones', but it's so well done it hardly matters. On 'Jelena', Backhouse adheres to the melodic logic of 'I Care Because You Do', playing wistful synth tones over frequency-shifted breaks. And there's an even more playful edge to 'Miha' that can't help but remind us of Planet Mu boss Mike Paradinas' classic '70s TV theme-fuelled hooks. But it's Backhouse's sense of rhythm that anchors 'Anemones'; even though it's an album that lives and dies on the strength of its stargazing synths, Backhouse balances everything with a rumbling momentum that keep us twitching throughout.
On 'Dobro Jutro' she manages to cross two-step with Eski and balearic trance, and sails hypnotically off the grid on 'Monte Mare', letting the melodies run away from the beat completely.
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Slav to the Rhythm co-host Catherine Backhouse (aka Xylitol) looks back to the glory days of AFX, µ-Ziq and Squarepusher on her debut, letting yearning, soft-focus melodies cascade over expertly chopped amens and speaker-rupturing subs.
There's nothing particularly new about 'Anemones', but it's so well done it hardly matters. On 'Jelena', Backhouse adheres to the melodic logic of 'I Care Because You Do', playing wistful synth tones over frequency-shifted breaks. And there's an even more playful edge to 'Miha' that can't help but remind us of Planet Mu boss Mike Paradinas' classic '70s TV theme-fuelled hooks. But it's Backhouse's sense of rhythm that anchors 'Anemones'; even though it's an album that lives and dies on the strength of its stargazing synths, Backhouse balances everything with a rumbling momentum that keep us twitching throughout.
On 'Dobro Jutro' she manages to cross two-step with Eski and balearic trance, and sails hypnotically off the grid on 'Monte Mare', letting the melodies run away from the beat completely.