Stroom harvest a sublime 2nd survey of Hugh Small’s quietly evocative piano pieces, coincidentally acting as elegy to the late Fré De Vos, a close pal of the label, whose Forced Nostalgia label reintroduced Small’s legendary post-punk works to rapt ears over a decade ago
Successor to Small’s sets of piano music - ’Submerged Vessels and Other Stories / Piano Music (2014-2016)’, and ‘Cloud Over Maroma’ - this new, 50-part body of work returns the Glasgow-raised, Andalusia-based composer to his now favoured stool with a sound quite far removed from his Vazz works with Anna Howson, but nevertheless sharing a compelling sense of melancholic charm. Similar in scope to Stroom’s lauded Voice Actor salvo in terms of scale and depth, the nearly 2 hour wide suite of vignettes yields ample headroom for immersion in Small’s extended lines of melodic thought, performed with a time-slipping, personal sense of meter and intimacy that begs one make proper time and space for it.
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Stroom harvest a sublime 2nd survey of Hugh Small’s quietly evocative piano pieces, coincidentally acting as elegy to the late Fré De Vos, a close pal of the label, whose Forced Nostalgia label reintroduced Small’s legendary post-punk works to rapt ears over a decade ago
Successor to Small’s sets of piano music - ’Submerged Vessels and Other Stories / Piano Music (2014-2016)’, and ‘Cloud Over Maroma’ - this new, 50-part body of work returns the Glasgow-raised, Andalusia-based composer to his now favoured stool with a sound quite far removed from his Vazz works with Anna Howson, but nevertheless sharing a compelling sense of melancholic charm. Similar in scope to Stroom’s lauded Voice Actor salvo in terms of scale and depth, the nearly 2 hour wide suite of vignettes yields ample headroom for immersion in Small’s extended lines of melodic thought, performed with a time-slipping, personal sense of meter and intimacy that begs one make proper time and space for it.
Stroom harvest a sublime 2nd survey of Hugh Small’s quietly evocative piano pieces, coincidentally acting as elegy to the late Fré De Vos, a close pal of the label, whose Forced Nostalgia label reintroduced Small’s legendary post-punk works to rapt ears over a decade ago
Successor to Small’s sets of piano music - ’Submerged Vessels and Other Stories / Piano Music (2014-2016)’, and ‘Cloud Over Maroma’ - this new, 50-part body of work returns the Glasgow-raised, Andalusia-based composer to his now favoured stool with a sound quite far removed from his Vazz works with Anna Howson, but nevertheless sharing a compelling sense of melancholic charm. Similar in scope to Stroom’s lauded Voice Actor salvo in terms of scale and depth, the nearly 2 hour wide suite of vignettes yields ample headroom for immersion in Small’s extended lines of melodic thought, performed with a time-slipping, personal sense of meter and intimacy that begs one make proper time and space for it.
Stroom harvest a sublime 2nd survey of Hugh Small’s quietly evocative piano pieces, coincidentally acting as elegy to the late Fré De Vos, a close pal of the label, whose Forced Nostalgia label reintroduced Small’s legendary post-punk works to rapt ears over a decade ago
Successor to Small’s sets of piano music - ’Submerged Vessels and Other Stories / Piano Music (2014-2016)’, and ‘Cloud Over Maroma’ - this new, 50-part body of work returns the Glasgow-raised, Andalusia-based composer to his now favoured stool with a sound quite far removed from his Vazz works with Anna Howson, but nevertheless sharing a compelling sense of melancholic charm. Similar in scope to Stroom’s lauded Voice Actor salvo in terms of scale and depth, the nearly 2 hour wide suite of vignettes yields ample headroom for immersion in Small’s extended lines of melodic thought, performed with a time-slipping, personal sense of meter and intimacy that begs one make proper time and space for it.