Amulet
Recorded on Crys Cole's iPhone in July 2013, "Amulet" is a lengthy two-sided percussion drone workout from Oren Ambarchi that centers his interest in electroacoustic music and meditative ritual sounds. Think Eli Keszler, Chris Corsano or claire rousay.
"Amulet" is an oddity in Ambarchi's diverse back catalog - it's one of the most abstract releases of his career, straddling the line between Thomas Köner's pitch-black gong-led ambience and Eli Keszler's bowed cymbal material. The opening side is a revelation, and it's hard to believe it was recorded on an iPhone. Ambarchi's playing sizzles from scraped harborside drones into tickled micro-percussion and unusual foley sounds - even an audience response is added to the mix and clipped as if it's being spliced by Luc Ferrari.
The second side is less ominous somehow, as Ambarchi lowers the volume and concentrates on minuscule bell sounds, allowing his drones to form a buzzing, resonant backdrop. It's music that draws you into a trance-like state, and while it's one of Ambarchi's lesser-known full-lengths, to our minds it's just as essential as many of his established canon pieces. So good!
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Recorded on Crys Cole's iPhone in July 2013, "Amulet" is a lengthy two-sided percussion drone workout from Oren Ambarchi that centers his interest in electroacoustic music and meditative ritual sounds. Think Eli Keszler, Chris Corsano or claire rousay.
"Amulet" is an oddity in Ambarchi's diverse back catalog - it's one of the most abstract releases of his career, straddling the line between Thomas Köner's pitch-black gong-led ambience and Eli Keszler's bowed cymbal material. The opening side is a revelation, and it's hard to believe it was recorded on an iPhone. Ambarchi's playing sizzles from scraped harborside drones into tickled micro-percussion and unusual foley sounds - even an audience response is added to the mix and clipped as if it's being spliced by Luc Ferrari.
The second side is less ominous somehow, as Ambarchi lowers the volume and concentrates on minuscule bell sounds, allowing his drones to form a buzzing, resonant backdrop. It's music that draws you into a trance-like state, and while it's one of Ambarchi's lesser-known full-lengths, to our minds it's just as essential as many of his established canon pieces. So good!
Recorded on Crys Cole's iPhone in July 2013, "Amulet" is a lengthy two-sided percussion drone workout from Oren Ambarchi that centers his interest in electroacoustic music and meditative ritual sounds. Think Eli Keszler, Chris Corsano or claire rousay.
"Amulet" is an oddity in Ambarchi's diverse back catalog - it's one of the most abstract releases of his career, straddling the line between Thomas Köner's pitch-black gong-led ambience and Eli Keszler's bowed cymbal material. The opening side is a revelation, and it's hard to believe it was recorded on an iPhone. Ambarchi's playing sizzles from scraped harborside drones into tickled micro-percussion and unusual foley sounds - even an audience response is added to the mix and clipped as if it's being spliced by Luc Ferrari.
The second side is less ominous somehow, as Ambarchi lowers the volume and concentrates on minuscule bell sounds, allowing his drones to form a buzzing, resonant backdrop. It's music that draws you into a trance-like state, and while it's one of Ambarchi's lesser-known full-lengths, to our minds it's just as essential as many of his established canon pieces. So good!
Recorded on Crys Cole's iPhone in July 2013, "Amulet" is a lengthy two-sided percussion drone workout from Oren Ambarchi that centers his interest in electroacoustic music and meditative ritual sounds. Think Eli Keszler, Chris Corsano or claire rousay.
"Amulet" is an oddity in Ambarchi's diverse back catalog - it's one of the most abstract releases of his career, straddling the line between Thomas Köner's pitch-black gong-led ambience and Eli Keszler's bowed cymbal material. The opening side is a revelation, and it's hard to believe it was recorded on an iPhone. Ambarchi's playing sizzles from scraped harborside drones into tickled micro-percussion and unusual foley sounds - even an audience response is added to the mix and clipped as if it's being spliced by Luc Ferrari.
The second side is less ominous somehow, as Ambarchi lowers the volume and concentrates on minuscule bell sounds, allowing his drones to form a buzzing, resonant backdrop. It's music that draws you into a trance-like state, and while it's one of Ambarchi's lesser-known full-lengths, to our minds it's just as essential as many of his established canon pieces. So good!