Aluminum Tunes [Switched On Volume 3]
Stereolab’s 1998 singles and rarities collection, ever ripe for (re)discovery, all perennial ’60s-skooled, retro-vintage treats with timeless appeal.
‘Aluminum Tunes [Switched On Volume 3]’ is a 25-part, 2 hour feast of spacey pop and library-shaped morsels harvested from Stereolab’s early years. Notably including remixes by John McEntire (Tortoise, Gastr Del Sol) and Luke Vibert as Wagon Christ, the assorted pick ’n mix makes up a fine album in its own right that highlights the breadth of Stereolab’s sound, variegated with strains of ‘60s bachelor pad space rock, krautrock, indie-pop and Radiophonic experimentation that would be distilled into a singular sound and variously be hailed as key to the ‘90s notion of eclecticism, as much as hauntology.
The fathomless tastes of core duo Gane & Sadier’s manifest in crafty, recombinant cover version of Antonio Carlos Jobim’s bossa nova staples ‘One Note Samba’ and ’Surfboard’, and a deadly cool take on Roy Budd’s ‘Get Carter’ theme, and manifest across the abundance of original hooks and fine-wrought sounds strewn elsewhere. It’s hard not to be charmed by the bucolic optimism of ‘Pop Quiz’, or urged to the ‘floor by their fizzing psych rock breaks on ‘Iron Man’, or the space rock glyder ‘The Long hair of Death’, while ‘Golden Atoms’ bares their noisier psych teeth, and ‘Ulan Bator’ trades in bittersweet, deliquescent dissonance that gets right up the nose.
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Stereolab’s 1998 singles and rarities collection, ever ripe for (re)discovery, all perennial ’60s-skooled, retro-vintage treats with timeless appeal.
‘Aluminum Tunes [Switched On Volume 3]’ is a 25-part, 2 hour feast of spacey pop and library-shaped morsels harvested from Stereolab’s early years. Notably including remixes by John McEntire (Tortoise, Gastr Del Sol) and Luke Vibert as Wagon Christ, the assorted pick ’n mix makes up a fine album in its own right that highlights the breadth of Stereolab’s sound, variegated with strains of ‘60s bachelor pad space rock, krautrock, indie-pop and Radiophonic experimentation that would be distilled into a singular sound and variously be hailed as key to the ‘90s notion of eclecticism, as much as hauntology.
The fathomless tastes of core duo Gane & Sadier’s manifest in crafty, recombinant cover version of Antonio Carlos Jobim’s bossa nova staples ‘One Note Samba’ and ’Surfboard’, and a deadly cool take on Roy Budd’s ‘Get Carter’ theme, and manifest across the abundance of original hooks and fine-wrought sounds strewn elsewhere. It’s hard not to be charmed by the bucolic optimism of ‘Pop Quiz’, or urged to the ‘floor by their fizzing psych rock breaks on ‘Iron Man’, or the space rock glyder ‘The Long hair of Death’, while ‘Golden Atoms’ bares their noisier psych teeth, and ‘Ulan Bator’ trades in bittersweet, deliquescent dissonance that gets right up the nose.
Stereolab’s 1998 singles and rarities collection, ever ripe for (re)discovery, all perennial ’60s-skooled, retro-vintage treats with timeless appeal.
‘Aluminum Tunes [Switched On Volume 3]’ is a 25-part, 2 hour feast of spacey pop and library-shaped morsels harvested from Stereolab’s early years. Notably including remixes by John McEntire (Tortoise, Gastr Del Sol) and Luke Vibert as Wagon Christ, the assorted pick ’n mix makes up a fine album in its own right that highlights the breadth of Stereolab’s sound, variegated with strains of ‘60s bachelor pad space rock, krautrock, indie-pop and Radiophonic experimentation that would be distilled into a singular sound and variously be hailed as key to the ‘90s notion of eclecticism, as much as hauntology.
The fathomless tastes of core duo Gane & Sadier’s manifest in crafty, recombinant cover version of Antonio Carlos Jobim’s bossa nova staples ‘One Note Samba’ and ’Surfboard’, and a deadly cool take on Roy Budd’s ‘Get Carter’ theme, and manifest across the abundance of original hooks and fine-wrought sounds strewn elsewhere. It’s hard not to be charmed by the bucolic optimism of ‘Pop Quiz’, or urged to the ‘floor by their fizzing psych rock breaks on ‘Iron Man’, or the space rock glyder ‘The Long hair of Death’, while ‘Golden Atoms’ bares their noisier psych teeth, and ‘Ulan Bator’ trades in bittersweet, deliquescent dissonance that gets right up the nose.
Stereolab’s 1998 singles and rarities collection, ever ripe for (re)discovery, all perennial ’60s-skooled, retro-vintage treats with timeless appeal.
‘Aluminum Tunes [Switched On Volume 3]’ is a 25-part, 2 hour feast of spacey pop and library-shaped morsels harvested from Stereolab’s early years. Notably including remixes by John McEntire (Tortoise, Gastr Del Sol) and Luke Vibert as Wagon Christ, the assorted pick ’n mix makes up a fine album in its own right that highlights the breadth of Stereolab’s sound, variegated with strains of ‘60s bachelor pad space rock, krautrock, indie-pop and Radiophonic experimentation that would be distilled into a singular sound and variously be hailed as key to the ‘90s notion of eclecticism, as much as hauntology.
The fathomless tastes of core duo Gane & Sadier’s manifest in crafty, recombinant cover version of Antonio Carlos Jobim’s bossa nova staples ‘One Note Samba’ and ’Surfboard’, and a deadly cool take on Roy Budd’s ‘Get Carter’ theme, and manifest across the abundance of original hooks and fine-wrought sounds strewn elsewhere. It’s hard not to be charmed by the bucolic optimism of ‘Pop Quiz’, or urged to the ‘floor by their fizzing psych rock breaks on ‘Iron Man’, or the space rock glyder ‘The Long hair of Death’, while ‘Golden Atoms’ bares their noisier psych teeth, and ‘Ulan Bator’ trades in bittersweet, deliquescent dissonance that gets right up the nose.
Remastered edition. Housed in screenprinted gatefold sleeve. Includes download code from the label.
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Stereolab’s 1998 singles and rarities collection, ever ripe for (re)discovery, all perennial ’60s-skooled, retro-vintage treats with timeless appeal.
‘Aluminum Tunes [Switched On Volume 3]’ is a 25-part, 2 hour feast of spacey pop and library-shaped morsels harvested from Stereolab’s early years. Notably including remixes by John McEntire (Tortoise, Gastr Del Sol) and Luke Vibert as Wagon Christ, the assorted pick ’n mix makes up a fine album in its own right that highlights the breadth of Stereolab’s sound, variegated with strains of ‘60s bachelor pad space rock, krautrock, indie-pop and Radiophonic experimentation that would be distilled into a singular sound and variously be hailed as key to the ‘90s notion of eclecticism, as much as hauntology.
The fathomless tastes of core duo Gane & Sadier’s manifest in crafty, recombinant cover version of Antonio Carlos Jobim’s bossa nova staples ‘One Note Samba’ and ’Surfboard’, and a deadly cool take on Roy Budd’s ‘Get Carter’ theme, and manifest across the abundance of original hooks and fine-wrought sounds strewn elsewhere. It’s hard not to be charmed by the bucolic optimism of ‘Pop Quiz’, or urged to the ‘floor by their fizzing psych rock breaks on ‘Iron Man’, or the space rock glyder ‘The Long hair of Death’, while ‘Golden Atoms’ bares their noisier psych teeth, and ‘Ulan Bator’ trades in bittersweet, deliquescent dissonance that gets right up the nose.