Over a decade since emerging under this alias, Matthew Dear’s Audion project pursues an elusive, industrialised house geist thru the 13 tracks of its 2nd album; Alpha.
Timeless in structure and function but detailed with a devilish modernism, it’s packed with ready-to-play dancefloor bombs, each defined with enough nuance and alternating lighting that it also works as a gripping, darkly psyched album sequence, too.
Instant highlights comes up in the likes of Gut Man Cometh with its mix of bendy bell chime synths and blunted vocal motifs; the ketty spangle of Traanc; his rave-sweeping Destroyer; and dry, rutting torque of Zunk Synth or the drip-off tang of Sicko.
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Over a decade since emerging under this alias, Matthew Dear’s Audion project pursues an elusive, industrialised house geist thru the 13 tracks of its 2nd album; Alpha.
Timeless in structure and function but detailed with a devilish modernism, it’s packed with ready-to-play dancefloor bombs, each defined with enough nuance and alternating lighting that it also works as a gripping, darkly psyched album sequence, too.
Instant highlights comes up in the likes of Gut Man Cometh with its mix of bendy bell chime synths and blunted vocal motifs; the ketty spangle of Traanc; his rave-sweeping Destroyer; and dry, rutting torque of Zunk Synth or the drip-off tang of Sicko.
Over a decade since emerging under this alias, Matthew Dear’s Audion project pursues an elusive, industrialised house geist thru the 13 tracks of its 2nd album; Alpha.
Timeless in structure and function but detailed with a devilish modernism, it’s packed with ready-to-play dancefloor bombs, each defined with enough nuance and alternating lighting that it also works as a gripping, darkly psyched album sequence, too.
Instant highlights comes up in the likes of Gut Man Cometh with its mix of bendy bell chime synths and blunted vocal motifs; the ketty spangle of Traanc; his rave-sweeping Destroyer; and dry, rutting torque of Zunk Synth or the drip-off tang of Sicko.
Over a decade since emerging under this alias, Matthew Dear’s Audion project pursues an elusive, industrialised house geist thru the 13 tracks of its 2nd album; Alpha.
Timeless in structure and function but detailed with a devilish modernism, it’s packed with ready-to-play dancefloor bombs, each defined with enough nuance and alternating lighting that it also works as a gripping, darkly psyched album sequence, too.
Instant highlights comes up in the likes of Gut Man Cometh with its mix of bendy bell chime synths and blunted vocal motifs; the ketty spangle of Traanc; his rave-sweeping Destroyer; and dry, rutting torque of Zunk Synth or the drip-off tang of Sicko.
Gatefold 2LP. Includes CD version.
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Over a decade since emerging under this alias, Matthew Dear’s Audion project pursues an elusive, industrialised house geist thru the 13 tracks of its 2nd album; Alpha.
Timeless in structure and function but detailed with a devilish modernism, it’s packed with ready-to-play dancefloor bombs, each defined with enough nuance and alternating lighting that it also works as a gripping, darkly psyched album sequence, too.
Instant highlights comes up in the likes of Gut Man Cometh with its mix of bendy bell chime synths and blunted vocal motifs; the ketty spangle of Traanc; his rave-sweeping Destroyer; and dry, rutting torque of Zunk Synth or the drip-off tang of Sicko.
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Over a decade since emerging under this alias, Matthew Dear’s Audion project pursues an elusive, industrialised house geist thru the 13 tracks of its 2nd album; Alpha.
Timeless in structure and function but detailed with a devilish modernism, it’s packed with ready-to-play dancefloor bombs, each defined with enough nuance and alternating lighting that it also works as a gripping, darkly psyched album sequence, too.
Instant highlights comes up in the likes of Gut Man Cometh with its mix of bendy bell chime synths and blunted vocal motifs; the ketty spangle of Traanc; his rave-sweeping Destroyer; and dry, rutting torque of Zunk Synth or the drip-off tang of Sicko.