Solid three-tracker from Manchester-based Walton, building on the bashy grimeXhouse sound he laid down on his 2011 debut.
'All Night' is a seemingly chaotic but in fact coolly controlled floor-wrecker, all coin-op FX, life-affirming string pads and blissed-out vocal pressure, really nice indeed; 'Mallet' is as functional as its title suggests, a cheeky, bleepy Funky roller for the DJs, but it's closer 'Kush' that' lingers in the mind - Walton drops the tempo right down to explore trippy but thugged-out hip-hop atmospherics with shades of Lone's Ecstasy & Friends and even Boards of Canada.
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Solid three-tracker from Manchester-based Walton, building on the bashy grimeXhouse sound he laid down on his 2011 debut.
'All Night' is a seemingly chaotic but in fact coolly controlled floor-wrecker, all coin-op FX, life-affirming string pads and blissed-out vocal pressure, really nice indeed; 'Mallet' is as functional as its title suggests, a cheeky, bleepy Funky roller for the DJs, but it's closer 'Kush' that' lingers in the mind - Walton drops the tempo right down to explore trippy but thugged-out hip-hop atmospherics with shades of Lone's Ecstasy & Friends and even Boards of Canada.
Solid three-tracker from Manchester-based Walton, building on the bashy grimeXhouse sound he laid down on his 2011 debut.
'All Night' is a seemingly chaotic but in fact coolly controlled floor-wrecker, all coin-op FX, life-affirming string pads and blissed-out vocal pressure, really nice indeed; 'Mallet' is as functional as its title suggests, a cheeky, bleepy Funky roller for the DJs, but it's closer 'Kush' that' lingers in the mind - Walton drops the tempo right down to explore trippy but thugged-out hip-hop atmospherics with shades of Lone's Ecstasy & Friends and even Boards of Canada.
Solid three-tracker from Manchester-based Walton, building on the bashy grimeXhouse sound he laid down on his 2011 debut.
'All Night' is a seemingly chaotic but in fact coolly controlled floor-wrecker, all coin-op FX, life-affirming string pads and blissed-out vocal pressure, really nice indeed; 'Mallet' is as functional as its title suggests, a cheeky, bleepy Funky roller for the DJs, but it's closer 'Kush' that' lingers in the mind - Walton drops the tempo right down to explore trippy but thugged-out hip-hop atmospherics with shades of Lone's Ecstasy & Friends and even Boards of Canada.
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Solid three-tracker from Manchester-based Walton, building on the bashy grimeXhouse sound he laid down on his 2011 debut.
'All Night' is a seemingly chaotic but in fact coolly controlled floor-wrecker, all coin-op FX, life-affirming string pads and blissed-out vocal pressure, really nice indeed; 'Mallet' is as functional as its title suggests, a cheeky, bleepy Funky roller for the DJs, but it's closer 'Kush' that' lingers in the mind - Walton drops the tempo right down to explore trippy but thugged-out hip-hop atmospherics with shades of Lone's Ecstasy & Friends and even Boards of Canada.