Boomkat Product Review:
Koreless returns with keenly awaited debut album ‘Agor,’ fine-tuning inspirations ranging from Benjamin Britton to UK rave within distinctive electro-acoustic sound designs.
Prizing the futureshock and enigma of electronic music as much as the immediacy of dance-pop and finesse of ambient classical composition, Koreless achieves a high watermarkwith ‘Agor.’ Arriving a decade since they debuted on Peckham’s Picture Music, which ultimately led to their appearance at Young Turk’s clubnight, and a small but promising clutch of singles for the label between 2012-2015; the album finally unveils a bold new sound at its fullest, calibrating instrumental flourishes with generative vocals and sheer computer music tekkers in plush, spacious designs that benefit from immaculate mixing and mastering.
The ten tracks of ‘Agor’ makes their 33’ run time feel even shorter thanks to the artist’s mercurial grasp of refractive harmonic colour and diffractive pacing. Synth-pop in effect, but soundtrack-like in scope, they cascade from the pendulous metric freedom of widescreen opener ‘Yonder’ to the valley sweeping choral majesty of ‘Strangers’ in measured turns that coalesce into a dramatic description of landscape, both external, hyperreal; and inner.
Previous single ‘Black Rainbow’ plucks the heartstrings with a piquant sort of hiraeth, bringing to light a remarkably precise, bespoke sound design that underlies its windswept highlights, from the Barker-esque weightless flight and choral dramaturgy of ‘White Picket Fence’ and digitized chamber music of ‘Act(s),’ thru to standout darkside bouts of droogy electro in ‘Joy Squad,’ crystalline AI R&B in ‘Frozen,’ and scalp-tingling elision of trance-pop arps and classical pastoral elegance in ‘Shellshock.’
Since their early singles, Koreless has been busy producing for FKA Twigs and Rita Ora, but ‘Agor’ sees them step from behind the scenes into the light of the uncanny valley.