Squashed, heavy electronics from Brittany-based pair of free-party renegades on Andrea Parker’s Aperture label
The ‘Aghori’ EP explores ideas of techno minus energy, working at the point where rolling, massive structures feel at the point of collapse, succumbing to entropy but still standing, just about. On the A-side they render this take on knackered techno with the exhausted lurch of ’Shmashana’ which appears to pass-out in a K-hole and reawaken while the system is being dismantled, leaving us in the muddy shallows of ‘Moksha’.
A second wind comes with the zombied cadaver of ‘Antim Sanskar’ and its charred bass charge, before they dissolve into the murk of ‘Vamachara.’
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Squashed, heavy electronics from Brittany-based pair of free-party renegades on Andrea Parker’s Aperture label
The ‘Aghori’ EP explores ideas of techno minus energy, working at the point where rolling, massive structures feel at the point of collapse, succumbing to entropy but still standing, just about. On the A-side they render this take on knackered techno with the exhausted lurch of ’Shmashana’ which appears to pass-out in a K-hole and reawaken while the system is being dismantled, leaving us in the muddy shallows of ‘Moksha’.
A second wind comes with the zombied cadaver of ‘Antim Sanskar’ and its charred bass charge, before they dissolve into the murk of ‘Vamachara.’
Squashed, heavy electronics from Brittany-based pair of free-party renegades on Andrea Parker’s Aperture label
The ‘Aghori’ EP explores ideas of techno minus energy, working at the point where rolling, massive structures feel at the point of collapse, succumbing to entropy but still standing, just about. On the A-side they render this take on knackered techno with the exhausted lurch of ’Shmashana’ which appears to pass-out in a K-hole and reawaken while the system is being dismantled, leaving us in the muddy shallows of ‘Moksha’.
A second wind comes with the zombied cadaver of ‘Antim Sanskar’ and its charred bass charge, before they dissolve into the murk of ‘Vamachara.’
Squashed, heavy electronics from Brittany-based pair of free-party renegades on Andrea Parker’s Aperture label
The ‘Aghori’ EP explores ideas of techno minus energy, working at the point where rolling, massive structures feel at the point of collapse, succumbing to entropy but still standing, just about. On the A-side they render this take on knackered techno with the exhausted lurch of ’Shmashana’ which appears to pass-out in a K-hole and reawaken while the system is being dismantled, leaving us in the muddy shallows of ‘Moksha’.
A second wind comes with the zombied cadaver of ‘Antim Sanskar’ and its charred bass charge, before they dissolve into the murk of ‘Vamachara.’
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Squashed, heavy electronics from Brittany-based pair of free-party renegades on Andrea Parker’s Aperture label
The ‘Aghori’ EP explores ideas of techno minus energy, working at the point where rolling, massive structures feel at the point of collapse, succumbing to entropy but still standing, just about. On the A-side they render this take on knackered techno with the exhausted lurch of ’Shmashana’ which appears to pass-out in a K-hole and reawaken while the system is being dismantled, leaving us in the muddy shallows of ‘Moksha’.
A second wind comes with the zombied cadaver of ‘Antim Sanskar’ and its charred bass charge, before they dissolve into the murk of ‘Vamachara.’