Tim Goss
Afterfly
Boomkat Product Review:
Supremely zonked and groggy synth sprouts by Tim Goss ov Call Back The Giants - erstwhile bandmate of Graham Lambkin in The Shadow Ring - on his first outing in yonks.
Pinging a space between our ear’s eyes somewhere between Lucrecia Dalt & Aaron Dilloway, the wonky mysteries of Pekka Airaksinen, Decimus and Black Zone Myth Chant; this is a proper zoner. It’s the first from Tim Goss in nearly decades, and sounds as though it’s been fermenting to perfection in the back of cupboard somewhere, resulting a taste like aural kimchi. Nom fucking nom, as annoying people on social media say. There’s definitely a sense of humour at play, and something very compelling that will pique the earbuds of keener listeners with its pungency and sheer oddness. Honestly it’s making us salivate right now, especially when he gets right into it on the 11 minute centrepiece of ‘Fly IV’.
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Boomkat Product Review:
Supremely zonked and groggy synth sprouts by Tim Goss ov Call Back The Giants - erstwhile bandmate of Graham Lambkin in The Shadow Ring - on his first outing in yonks.
Pinging a space between our ear’s eyes somewhere between Lucrecia Dalt & Aaron Dilloway, the wonky mysteries of Pekka Airaksinen, Decimus and Black Zone Myth Chant; this is a proper zoner. It’s the first from Tim Goss in nearly decades, and sounds as though it’s been fermenting to perfection in the back of cupboard somewhere, resulting a taste like aural kimchi. Nom fucking nom, as annoying people on social media say. There’s definitely a sense of humour at play, and something very compelling that will pique the earbuds of keener listeners with its pungency and sheer oddness. Honestly it’s making us salivate right now, especially when he gets right into it on the 11 minute centrepiece of ‘Fly IV’.
Boomkat Product Review:
Supremely zonked and groggy synth sprouts by Tim Goss ov Call Back The Giants - erstwhile bandmate of Graham Lambkin in The Shadow Ring - on his first outing in yonks.
Pinging a space between our ear’s eyes somewhere between Lucrecia Dalt & Aaron Dilloway, the wonky mysteries of Pekka Airaksinen, Decimus and Black Zone Myth Chant; this is a proper zoner. It’s the first from Tim Goss in nearly decades, and sounds as though it’s been fermenting to perfection in the back of cupboard somewhere, resulting a taste like aural kimchi. Nom fucking nom, as annoying people on social media say. There’s definitely a sense of humour at play, and something very compelling that will pique the earbuds of keener listeners with its pungency and sheer oddness. Honestly it’s making us salivate right now, especially when he gets right into it on the 11 minute centrepiece of ‘Fly IV’.
Boomkat Product Review:
Supremely zonked and groggy synth sprouts by Tim Goss ov Call Back The Giants - erstwhile bandmate of Graham Lambkin in The Shadow Ring - on his first outing in yonks.
Pinging a space between our ear’s eyes somewhere between Lucrecia Dalt & Aaron Dilloway, the wonky mysteries of Pekka Airaksinen, Decimus and Black Zone Myth Chant; this is a proper zoner. It’s the first from Tim Goss in nearly decades, and sounds as though it’s been fermenting to perfection in the back of cupboard somewhere, resulting a taste like aural kimchi. Nom fucking nom, as annoying people on social media say. There’s definitely a sense of humour at play, and something very compelling that will pique the earbuds of keener listeners with its pungency and sheer oddness. Honestly it’s making us salivate right now, especially when he gets right into it on the 11 minute centrepiece of ‘Fly IV’.
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Boomkat Product Review:
Supremely zonked and groggy synth sprouts by Tim Goss ov Call Back The Giants - erstwhile bandmate of Graham Lambkin in The Shadow Ring - on his first outing in yonks.
Pinging a space between our ear’s eyes somewhere between Lucrecia Dalt & Aaron Dilloway, the wonky mysteries of Pekka Airaksinen, Decimus and Black Zone Myth Chant; this is a proper zoner. It’s the first from Tim Goss in nearly decades, and sounds as though it’s been fermenting to perfection in the back of cupboard somewhere, resulting a taste like aural kimchi. Nom fucking nom, as annoying people on social media say. There’s definitely a sense of humour at play, and something very compelling that will pique the earbuds of keener listeners with its pungency and sheer oddness. Honestly it’s making us salivate right now, especially when he gets right into it on the 11 minute centrepiece of ‘Fly IV’.
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