Adore You
Downwards host the emergence of goth techno mistress Rosa Damask, metamorphosing from techno work as Nastia Reigel into a striking, fully-formed darkwave and post punk-toned sound - RIYL ‘90s Depeche Mode, NIN, Boy Harsher, Cold Cave, EROS
As previewed in a pair of cuts galvanised for club play by Dave Clarke, ‘Adore You’ follows up on their promise, and a self-released glimpse in 2023, with eight brooding and propulsive songs, proper, that warrant repeat play. Thrumming bass revs, reverb-tailed vox and sinewy guitars are sculpted with a techno producer’s finesse whilst keeping the grit of their touchstones (tombstones?) intact in their own way.
They’re not trying to break the mould; rather, they just play odes to their influences, taking in their stride the shadow dancer élan of ‘Adore You’ at the front, thru to the rope-end glum strum of ‘The Sun’ at the back. They register strong highlights in a prowling and restless ‘Hallway Polly Waterfall’, the machine-chained jangle of ‘Psycho, Leave Me Alone’, and thru to the original version of ‘Bored’ nodding to ‘90s DM, whilst a slack-strung ‘Yesterday’ should seal the deal for any moody cunts needing a new fix of the dark stuff.
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Downwards host the emergence of goth techno mistress Rosa Damask, metamorphosing from techno work as Nastia Reigel into a striking, fully-formed darkwave and post punk-toned sound - RIYL ‘90s Depeche Mode, NIN, Boy Harsher, Cold Cave, EROS
As previewed in a pair of cuts galvanised for club play by Dave Clarke, ‘Adore You’ follows up on their promise, and a self-released glimpse in 2023, with eight brooding and propulsive songs, proper, that warrant repeat play. Thrumming bass revs, reverb-tailed vox and sinewy guitars are sculpted with a techno producer’s finesse whilst keeping the grit of their touchstones (tombstones?) intact in their own way.
They’re not trying to break the mould; rather, they just play odes to their influences, taking in their stride the shadow dancer élan of ‘Adore You’ at the front, thru to the rope-end glum strum of ‘The Sun’ at the back. They register strong highlights in a prowling and restless ‘Hallway Polly Waterfall’, the machine-chained jangle of ‘Psycho, Leave Me Alone’, and thru to the original version of ‘Bored’ nodding to ‘90s DM, whilst a slack-strung ‘Yesterday’ should seal the deal for any moody cunts needing a new fix of the dark stuff.
Downwards host the emergence of goth techno mistress Rosa Damask, metamorphosing from techno work as Nastia Reigel into a striking, fully-formed darkwave and post punk-toned sound - RIYL ‘90s Depeche Mode, NIN, Boy Harsher, Cold Cave, EROS
As previewed in a pair of cuts galvanised for club play by Dave Clarke, ‘Adore You’ follows up on their promise, and a self-released glimpse in 2023, with eight brooding and propulsive songs, proper, that warrant repeat play. Thrumming bass revs, reverb-tailed vox and sinewy guitars are sculpted with a techno producer’s finesse whilst keeping the grit of their touchstones (tombstones?) intact in their own way.
They’re not trying to break the mould; rather, they just play odes to their influences, taking in their stride the shadow dancer élan of ‘Adore You’ at the front, thru to the rope-end glum strum of ‘The Sun’ at the back. They register strong highlights in a prowling and restless ‘Hallway Polly Waterfall’, the machine-chained jangle of ‘Psycho, Leave Me Alone’, and thru to the original version of ‘Bored’ nodding to ‘90s DM, whilst a slack-strung ‘Yesterday’ should seal the deal for any moody cunts needing a new fix of the dark stuff.
Downwards host the emergence of goth techno mistress Rosa Damask, metamorphosing from techno work as Nastia Reigel into a striking, fully-formed darkwave and post punk-toned sound - RIYL ‘90s Depeche Mode, NIN, Boy Harsher, Cold Cave, EROS
As previewed in a pair of cuts galvanised for club play by Dave Clarke, ‘Adore You’ follows up on their promise, and a self-released glimpse in 2023, with eight brooding and propulsive songs, proper, that warrant repeat play. Thrumming bass revs, reverb-tailed vox and sinewy guitars are sculpted with a techno producer’s finesse whilst keeping the grit of their touchstones (tombstones?) intact in their own way.
They’re not trying to break the mould; rather, they just play odes to their influences, taking in their stride the shadow dancer élan of ‘Adore You’ at the front, thru to the rope-end glum strum of ‘The Sun’ at the back. They register strong highlights in a prowling and restless ‘Hallway Polly Waterfall’, the machine-chained jangle of ‘Psycho, Leave Me Alone’, and thru to the original version of ‘Bored’ nodding to ‘90s DM, whilst a slack-strung ‘Yesterday’ should seal the deal for any moody cunts needing a new fix of the dark stuff.