Andreas Tilliander traces swirling underwater acid vectors in his widely-favoured TM404 guise for Kontra-Musik.
The premise is simple; FX laden Roland 303 and drum machine spun down saltwater whirlpools; and the effect is really quite something, carrying some serious dub weight with a techno elegance that works wonders in the dance when played thru reactive sound systems.
Starting up grungy and nasty with Alinge, the trip is diverted thru slow, hunched chug rent with star-eyed hi-registers in Sapto, before flowing upwards to the heady techno-bends of Pade and keeping it up with the splashing acid daubs and scaly rimshot flickers of Treso, which all feels like it was setting you up for the lush, abyssal dive of MP4 Ende, and the slow, silvery early Plastikman-styles of Don’t Defend Mascot before the solemn chamber epilogue, MC202 Quartet gently brigns us back to the surface.
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Andreas Tilliander traces swirling underwater acid vectors in his widely-favoured TM404 guise for Kontra-Musik.
The premise is simple; FX laden Roland 303 and drum machine spun down saltwater whirlpools; and the effect is really quite something, carrying some serious dub weight with a techno elegance that works wonders in the dance when played thru reactive sound systems.
Starting up grungy and nasty with Alinge, the trip is diverted thru slow, hunched chug rent with star-eyed hi-registers in Sapto, before flowing upwards to the heady techno-bends of Pade and keeping it up with the splashing acid daubs and scaly rimshot flickers of Treso, which all feels like it was setting you up for the lush, abyssal dive of MP4 Ende, and the slow, silvery early Plastikman-styles of Don’t Defend Mascot before the solemn chamber epilogue, MC202 Quartet gently brigns us back to the surface.
Andreas Tilliander traces swirling underwater acid vectors in his widely-favoured TM404 guise for Kontra-Musik.
The premise is simple; FX laden Roland 303 and drum machine spun down saltwater whirlpools; and the effect is really quite something, carrying some serious dub weight with a techno elegance that works wonders in the dance when played thru reactive sound systems.
Starting up grungy and nasty with Alinge, the trip is diverted thru slow, hunched chug rent with star-eyed hi-registers in Sapto, before flowing upwards to the heady techno-bends of Pade and keeping it up with the splashing acid daubs and scaly rimshot flickers of Treso, which all feels like it was setting you up for the lush, abyssal dive of MP4 Ende, and the slow, silvery early Plastikman-styles of Don’t Defend Mascot before the solemn chamber epilogue, MC202 Quartet gently brigns us back to the surface.
Andreas Tilliander traces swirling underwater acid vectors in his widely-favoured TM404 guise for Kontra-Musik.
The premise is simple; FX laden Roland 303 and drum machine spun down saltwater whirlpools; and the effect is really quite something, carrying some serious dub weight with a techno elegance that works wonders in the dance when played thru reactive sound systems.
Starting up grungy and nasty with Alinge, the trip is diverted thru slow, hunched chug rent with star-eyed hi-registers in Sapto, before flowing upwards to the heady techno-bends of Pade and keeping it up with the splashing acid daubs and scaly rimshot flickers of Treso, which all feels like it was setting you up for the lush, abyssal dive of MP4 Ende, and the slow, silvery early Plastikman-styles of Don’t Defend Mascot before the solemn chamber epilogue, MC202 Quartet gently brigns us back to the surface.