Goth junglist CdB clacks dem bones into aktion with a fierce payload for Singapore’s Midnight Shift, nearly 30 years since his debut on Alec Empire’s Digital Hardcore
Building on a renewal of his darkside energies over the past decade, ‘Ach, Mensch’ explores the idea of good and evil in a post-truth world, and the idea that “a person can’t always be good.” Of course, he’s not beating us round the head with that rhetoric, but more obliquely does it with a barrage of brittle drum breaks and malefic dungeon rave synths in a definitive style that has served him uniquely well, whilst trends have come and gone.
Sticking to his vintage blunderbusses, CdB urges you to dance off the shackles of so much bullshit in the dance with a rare abandon that feeds forward the energy of legendary squat raves such as Dead By Dawn or the ruggedest Berlin sessions into the sterilised safe spaces of modernity.
‘Non Human Things’ comes on chomping at the bit with sashay breaks and insurgent synths like a gnashing 2000s Loxy, next to more squirming, wraithlike drum programming and bitterest synth claws in ‘Backward Gallop’, before the cephalic chorales and storm und drang of ‘Taufe Der Zombies’ lands adjacent classic Hecate and Christoph Fringeli, and ‘Away With It’ summons the demons to dance with some proper tech step choppage swept up in bad-minded horror film score synths.
Class.
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Goth junglist CdB clacks dem bones into aktion with a fierce payload for Singapore’s Midnight Shift, nearly 30 years since his debut on Alec Empire’s Digital Hardcore
Building on a renewal of his darkside energies over the past decade, ‘Ach, Mensch’ explores the idea of good and evil in a post-truth world, and the idea that “a person can’t always be good.” Of course, he’s not beating us round the head with that rhetoric, but more obliquely does it with a barrage of brittle drum breaks and malefic dungeon rave synths in a definitive style that has served him uniquely well, whilst trends have come and gone.
Sticking to his vintage blunderbusses, CdB urges you to dance off the shackles of so much bullshit in the dance with a rare abandon that feeds forward the energy of legendary squat raves such as Dead By Dawn or the ruggedest Berlin sessions into the sterilised safe spaces of modernity.
‘Non Human Things’ comes on chomping at the bit with sashay breaks and insurgent synths like a gnashing 2000s Loxy, next to more squirming, wraithlike drum programming and bitterest synth claws in ‘Backward Gallop’, before the cephalic chorales and storm und drang of ‘Taufe Der Zombies’ lands adjacent classic Hecate and Christoph Fringeli, and ‘Away With It’ summons the demons to dance with some proper tech step choppage swept up in bad-minded horror film score synths.
Class.
Goth junglist CdB clacks dem bones into aktion with a fierce payload for Singapore’s Midnight Shift, nearly 30 years since his debut on Alec Empire’s Digital Hardcore
Building on a renewal of his darkside energies over the past decade, ‘Ach, Mensch’ explores the idea of good and evil in a post-truth world, and the idea that “a person can’t always be good.” Of course, he’s not beating us round the head with that rhetoric, but more obliquely does it with a barrage of brittle drum breaks and malefic dungeon rave synths in a definitive style that has served him uniquely well, whilst trends have come and gone.
Sticking to his vintage blunderbusses, CdB urges you to dance off the shackles of so much bullshit in the dance with a rare abandon that feeds forward the energy of legendary squat raves such as Dead By Dawn or the ruggedest Berlin sessions into the sterilised safe spaces of modernity.
‘Non Human Things’ comes on chomping at the bit with sashay breaks and insurgent synths like a gnashing 2000s Loxy, next to more squirming, wraithlike drum programming and bitterest synth claws in ‘Backward Gallop’, before the cephalic chorales and storm und drang of ‘Taufe Der Zombies’ lands adjacent classic Hecate and Christoph Fringeli, and ‘Away With It’ summons the demons to dance with some proper tech step choppage swept up in bad-minded horror film score synths.
Class.
Goth junglist CdB clacks dem bones into aktion with a fierce payload for Singapore’s Midnight Shift, nearly 30 years since his debut on Alec Empire’s Digital Hardcore
Building on a renewal of his darkside energies over the past decade, ‘Ach, Mensch’ explores the idea of good and evil in a post-truth world, and the idea that “a person can’t always be good.” Of course, he’s not beating us round the head with that rhetoric, but more obliquely does it with a barrage of brittle drum breaks and malefic dungeon rave synths in a definitive style that has served him uniquely well, whilst trends have come and gone.
Sticking to his vintage blunderbusses, CdB urges you to dance off the shackles of so much bullshit in the dance with a rare abandon that feeds forward the energy of legendary squat raves such as Dead By Dawn or the ruggedest Berlin sessions into the sterilised safe spaces of modernity.
‘Non Human Things’ comes on chomping at the bit with sashay breaks and insurgent synths like a gnashing 2000s Loxy, next to more squirming, wraithlike drum programming and bitterest synth claws in ‘Backward Gallop’, before the cephalic chorales and storm und drang of ‘Taufe Der Zombies’ lands adjacent classic Hecate and Christoph Fringeli, and ‘Away With It’ summons the demons to dance with some proper tech step choppage swept up in bad-minded horror film score synths.
Class.
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Goth junglist CdB clacks dem bones into aktion with a fierce payload for Singapore’s Midnight Shift, nearly 30 years since his debut on Alec Empire’s Digital Hardcore
Building on a renewal of his darkside energies over the past decade, ‘Ach, Mensch’ explores the idea of good and evil in a post-truth world, and the idea that “a person can’t always be good.” Of course, he’s not beating us round the head with that rhetoric, but more obliquely does it with a barrage of brittle drum breaks and malefic dungeon rave synths in a definitive style that has served him uniquely well, whilst trends have come and gone.
Sticking to his vintage blunderbusses, CdB urges you to dance off the shackles of so much bullshit in the dance with a rare abandon that feeds forward the energy of legendary squat raves such as Dead By Dawn or the ruggedest Berlin sessions into the sterilised safe spaces of modernity.
‘Non Human Things’ comes on chomping at the bit with sashay breaks and insurgent synths like a gnashing 2000s Loxy, next to more squirming, wraithlike drum programming and bitterest synth claws in ‘Backward Gallop’, before the cephalic chorales and storm und drang of ‘Taufe Der Zombies’ lands adjacent classic Hecate and Christoph Fringeli, and ‘Away With It’ summons the demons to dance with some proper tech step choppage swept up in bad-minded horror film score synths.
Class.