Enir Da
Accalmie
Boomkat Product Review:
Co-founder of Berlin’s Fith, Enir Da saddles up a brooding “imaginary soundtrack” featuring his bandmate Dice Miller’s vocals on one track, but mainly exploring a forlorn instrumental solo sound strung out somewhere between the intros of GY!BE, the Western filmic influences of Monte Cazzazza, or the dustbowl atmospheres of Jon Porras.
Definitely one for those who like to sketch full scenes on the back of their eyelids while in darkened rooms, Accalmie conjures an impending tension across its 38 minute span, animation the sort of sound that comes from a lifetime absorbed by the subtleties and enigmatic emotive signposts of underground and classic cinema and its soundtracks.
Reverberating guitars, electronic contours and stripped percussion frame its seven parts, arching up with a blood red dawning vibe with the horizon-scanning guitar jangle and cantering drums of Desert, teasing tape loops into slow swirling dust devils around Dice Miller’s gently plangent vocals in How I See You, and seemingly diffusing her into dynamics gasps around the electronically swept L écume, whilst the honky swagger of Present suggest some kind of quizzical saloon scene, and Sky and Colours smartly ties it all together with an uncertain, dreamlike resolution of scrabbly electronics and minor key molasses bass shift.
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Boomkat Product Review:
Co-founder of Berlin’s Fith, Enir Da saddles up a brooding “imaginary soundtrack” featuring his bandmate Dice Miller’s vocals on one track, but mainly exploring a forlorn instrumental solo sound strung out somewhere between the intros of GY!BE, the Western filmic influences of Monte Cazzazza, or the dustbowl atmospheres of Jon Porras.
Definitely one for those who like to sketch full scenes on the back of their eyelids while in darkened rooms, Accalmie conjures an impending tension across its 38 minute span, animation the sort of sound that comes from a lifetime absorbed by the subtleties and enigmatic emotive signposts of underground and classic cinema and its soundtracks.
Reverberating guitars, electronic contours and stripped percussion frame its seven parts, arching up with a blood red dawning vibe with the horizon-scanning guitar jangle and cantering drums of Desert, teasing tape loops into slow swirling dust devils around Dice Miller’s gently plangent vocals in How I See You, and seemingly diffusing her into dynamics gasps around the electronically swept L écume, whilst the honky swagger of Present suggest some kind of quizzical saloon scene, and Sky and Colours smartly ties it all together with an uncertain, dreamlike resolution of scrabbly electronics and minor key molasses bass shift.
Boomkat Product Review:
Co-founder of Berlin’s Fith, Enir Da saddles up a brooding “imaginary soundtrack” featuring his bandmate Dice Miller’s vocals on one track, but mainly exploring a forlorn instrumental solo sound strung out somewhere between the intros of GY!BE, the Western filmic influences of Monte Cazzazza, or the dustbowl atmospheres of Jon Porras.
Definitely one for those who like to sketch full scenes on the back of their eyelids while in darkened rooms, Accalmie conjures an impending tension across its 38 minute span, animation the sort of sound that comes from a lifetime absorbed by the subtleties and enigmatic emotive signposts of underground and classic cinema and its soundtracks.
Reverberating guitars, electronic contours and stripped percussion frame its seven parts, arching up with a blood red dawning vibe with the horizon-scanning guitar jangle and cantering drums of Desert, teasing tape loops into slow swirling dust devils around Dice Miller’s gently plangent vocals in How I See You, and seemingly diffusing her into dynamics gasps around the electronically swept L écume, whilst the honky swagger of Present suggest some kind of quizzical saloon scene, and Sky and Colours smartly ties it all together with an uncertain, dreamlike resolution of scrabbly electronics and minor key molasses bass shift.
Boomkat Product Review:
Co-founder of Berlin’s Fith, Enir Da saddles up a brooding “imaginary soundtrack” featuring his bandmate Dice Miller’s vocals on one track, but mainly exploring a forlorn instrumental solo sound strung out somewhere between the intros of GY!BE, the Western filmic influences of Monte Cazzazza, or the dustbowl atmospheres of Jon Porras.
Definitely one for those who like to sketch full scenes on the back of their eyelids while in darkened rooms, Accalmie conjures an impending tension across its 38 minute span, animation the sort of sound that comes from a lifetime absorbed by the subtleties and enigmatic emotive signposts of underground and classic cinema and its soundtracks.
Reverberating guitars, electronic contours and stripped percussion frame its seven parts, arching up with a blood red dawning vibe with the horizon-scanning guitar jangle and cantering drums of Desert, teasing tape loops into slow swirling dust devils around Dice Miller’s gently plangent vocals in How I See You, and seemingly diffusing her into dynamics gasps around the electronically swept L écume, whilst the honky swagger of Present suggest some kind of quizzical saloon scene, and Sky and Colours smartly ties it all together with an uncertain, dreamlike resolution of scrabbly electronics and minor key molasses bass shift.
Includes fold-out j-card.
Out of Stock
Boomkat Product Review:
Co-founder of Berlin’s Fith, Enir Da saddles up a brooding “imaginary soundtrack” featuring his bandmate Dice Miller’s vocals on one track, but mainly exploring a forlorn instrumental solo sound strung out somewhere between the intros of GY!BE, the Western filmic influences of Monte Cazzazza, or the dustbowl atmospheres of Jon Porras.
Definitely one for those who like to sketch full scenes on the back of their eyelids while in darkened rooms, Accalmie conjures an impending tension across its 38 minute span, animation the sort of sound that comes from a lifetime absorbed by the subtleties and enigmatic emotive signposts of underground and classic cinema and its soundtracks.
Reverberating guitars, electronic contours and stripped percussion frame its seven parts, arching up with a blood red dawning vibe with the horizon-scanning guitar jangle and cantering drums of Desert, teasing tape loops into slow swirling dust devils around Dice Miller’s gently plangent vocals in How I See You, and seemingly diffusing her into dynamics gasps around the electronically swept L écume, whilst the honky swagger of Present suggest some kind of quizzical saloon scene, and Sky and Colours smartly ties it all together with an uncertain, dreamlike resolution of scrabbly electronics and minor key molasses bass shift.
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