Boomkat Product Review:
Charmingly fluffy and melodic tech-house bubblers from the artist also known as Baths.
“Ask Will Wiesenfeld to contrast his project Baths with the music made under his Geotic alias and you’ll get a simple response: Baths is active listening, Geotic is passive listening. But behind this straightforward duality exists two projects that are equally poignant yet starkly distinct, reflective of the emotional complexities of its creator.
Don’t mistake “passive listening” for anything remotely resembling apathy. Released on Ghostly International, Geotic’s Abysma might be dance music created for at-home listening, but it’s replete with a quiet beauty and private communion that can rival anything made to command the totality of your attention span. In a world riven by noise and distraction, Abysma is as subtle as Sunday morning ritual, a tender epiphany in a bombastic fireworks show.
As with almost everything American, our dance music gravitates towards extremes. There’s big-room spectacle and strobelites, epileptic lights and steroidal drops, or stripped down techno and house cool. Big Macs or organic grass-fed Wagyu on brioche. What’s rare are albums like Abysma—ones that offer propulsive beats and immersive grooves, refined piano and string compositions occasionally buoyed by Wiesenfeld’s seraphic croon.
Abysma’s unspoken goal is to offer a finishing touch of décor to the apartment—eight celestial burners to rest alongside the Japanese flourishes, comic art, and framed prints. A song like “Laura Corporeal” strikes an atmospheric tone, sad and distant but still danceable. The finale, “Valiance” takes an opposite tack, ending the album on a more positive uplifting note.
It’s a very colorful but simultaneously muted album—a reflection of the music that emerged from the apartment, a rich space in physical and sonic expression.”