Boomkat Product Review:
Pioneering post-industrialist Asmus Tietchens returns to his Hamburg worksite recordings of 2010 from a more detached, atmospheric perspective for the Universal Exports label ran by Yves De May, Allon Kaye and Roman Hiele
Where the original ‘Abraum’, or “rubble”, recordings on the 2010 release were pure musique concrète that relished the rawness of what he happened upon (a long steel pipe, 80cm wide, gushing with rubble from a worksite), the five pieces on ‘Abraum 2’ render a far more spacious abstraction that resonates with how the original site of recording has come to change over the past decade.
It’s effectively a meditation on the fidelity of memory and the shifting sands of time, executed with the typical lack of sentimentality one might have come to expect from Tietchens work, but nevertheless intriguing for its stony cold sober approach and meticulousness. Fans of isolationist sonics from Thomas Köner to Mika Vainio will surely be in their element among Tietchens’ rich harmonic resonances and haunting spectral convolutions, with only the barest hints of the original works tying it to any one place.