A Young Person's Guide To The Early Welttraumforscher
Perpetually keeping us on our toes, a Colourful Storm assemble previously unreleased works by cult Swiss synth-pop and NDW legend Christian Pfluger aka Die Welttraumforscher, essential listening if yr into owt from Cleaners From Venus to Skanfrom, Stano to Frederik Schikowski and The Kitchen Cynics.
Pfluger's sorely unsung, naïf pop recordings - loved and cited as an influence by everyone from Felix Kubin to Yello’s Dieter Meier and astronaut Hans-Joachim Roloff are introduced here with a kind of primer for newbs, packing sterling, previously unreleased examples of his endearingly oddball, near-mythical NDW style, perfectly distilling the oneiric appeal of the lo-fi imaginary universe he inhabits.
Since the early ‘80s he’s dished out dozens of releases spanning records to films and illustrations, mostly on his label, Das Moniflabel, but thanks to his German language lyrics, Pfluger’s music has been largely reserved to German speakers who perhaps best pick up on the subtleties of his wit and pathos. However, the sharply melodic instrumentals and vocal delivery are so timelessly enigmatic, that his music is surely ripe for wider appreciation by new ears.
The spirit of early ‘80s DIY craft is integral to the charm of Die Welttraumforscher music, imbuing his fanciful arrangements with a kitchen sink quality so prevalent in UK post-punk at the time. Daily life, or “coffee, cake, and comets” as he pithily puts it, provides the impetus behind each vignette-like song; channelling the eccentricities of waking life via guitar, synth, drum machine and tapes into discretely self-contained songs that sound as though they were recalled from a dream while still rubbing the sleep out of his eyes. As far as introductions go, one could hardly ask for a more carefully assembled, immersive entry point to this secretive, fantastical microcosm.
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Perpetually keeping us on our toes, a Colourful Storm assemble previously unreleased works by cult Swiss synth-pop and NDW legend Christian Pfluger aka Die Welttraumforscher, essential listening if yr into owt from Cleaners From Venus to Skanfrom, Stano to Frederik Schikowski and The Kitchen Cynics.
Pfluger's sorely unsung, naïf pop recordings - loved and cited as an influence by everyone from Felix Kubin to Yello’s Dieter Meier and astronaut Hans-Joachim Roloff are introduced here with a kind of primer for newbs, packing sterling, previously unreleased examples of his endearingly oddball, near-mythical NDW style, perfectly distilling the oneiric appeal of the lo-fi imaginary universe he inhabits.
Since the early ‘80s he’s dished out dozens of releases spanning records to films and illustrations, mostly on his label, Das Moniflabel, but thanks to his German language lyrics, Pfluger’s music has been largely reserved to German speakers who perhaps best pick up on the subtleties of his wit and pathos. However, the sharply melodic instrumentals and vocal delivery are so timelessly enigmatic, that his music is surely ripe for wider appreciation by new ears.
The spirit of early ‘80s DIY craft is integral to the charm of Die Welttraumforscher music, imbuing his fanciful arrangements with a kitchen sink quality so prevalent in UK post-punk at the time. Daily life, or “coffee, cake, and comets” as he pithily puts it, provides the impetus behind each vignette-like song; channelling the eccentricities of waking life via guitar, synth, drum machine and tapes into discretely self-contained songs that sound as though they were recalled from a dream while still rubbing the sleep out of his eyes. As far as introductions go, one could hardly ask for a more carefully assembled, immersive entry point to this secretive, fantastical microcosm.
Perpetually keeping us on our toes, a Colourful Storm assemble previously unreleased works by cult Swiss synth-pop and NDW legend Christian Pfluger aka Die Welttraumforscher, essential listening if yr into owt from Cleaners From Venus to Skanfrom, Stano to Frederik Schikowski and The Kitchen Cynics.
Pfluger's sorely unsung, naïf pop recordings - loved and cited as an influence by everyone from Felix Kubin to Yello’s Dieter Meier and astronaut Hans-Joachim Roloff are introduced here with a kind of primer for newbs, packing sterling, previously unreleased examples of his endearingly oddball, near-mythical NDW style, perfectly distilling the oneiric appeal of the lo-fi imaginary universe he inhabits.
Since the early ‘80s he’s dished out dozens of releases spanning records to films and illustrations, mostly on his label, Das Moniflabel, but thanks to his German language lyrics, Pfluger’s music has been largely reserved to German speakers who perhaps best pick up on the subtleties of his wit and pathos. However, the sharply melodic instrumentals and vocal delivery are so timelessly enigmatic, that his music is surely ripe for wider appreciation by new ears.
The spirit of early ‘80s DIY craft is integral to the charm of Die Welttraumforscher music, imbuing his fanciful arrangements with a kitchen sink quality so prevalent in UK post-punk at the time. Daily life, or “coffee, cake, and comets” as he pithily puts it, provides the impetus behind each vignette-like song; channelling the eccentricities of waking life via guitar, synth, drum machine and tapes into discretely self-contained songs that sound as though they were recalled from a dream while still rubbing the sleep out of his eyes. As far as introductions go, one could hardly ask for a more carefully assembled, immersive entry point to this secretive, fantastical microcosm.
Perpetually keeping us on our toes, a Colourful Storm assemble previously unreleased works by cult Swiss synth-pop and NDW legend Christian Pfluger aka Die Welttraumforscher, essential listening if yr into owt from Cleaners From Venus to Skanfrom, Stano to Frederik Schikowski and The Kitchen Cynics.
Pfluger's sorely unsung, naïf pop recordings - loved and cited as an influence by everyone from Felix Kubin to Yello’s Dieter Meier and astronaut Hans-Joachim Roloff are introduced here with a kind of primer for newbs, packing sterling, previously unreleased examples of his endearingly oddball, near-mythical NDW style, perfectly distilling the oneiric appeal of the lo-fi imaginary universe he inhabits.
Since the early ‘80s he’s dished out dozens of releases spanning records to films and illustrations, mostly on his label, Das Moniflabel, but thanks to his German language lyrics, Pfluger’s music has been largely reserved to German speakers who perhaps best pick up on the subtleties of his wit and pathos. However, the sharply melodic instrumentals and vocal delivery are so timelessly enigmatic, that his music is surely ripe for wider appreciation by new ears.
The spirit of early ‘80s DIY craft is integral to the charm of Die Welttraumforscher music, imbuing his fanciful arrangements with a kitchen sink quality so prevalent in UK post-punk at the time. Daily life, or “coffee, cake, and comets” as he pithily puts it, provides the impetus behind each vignette-like song; channelling the eccentricities of waking life via guitar, synth, drum machine and tapes into discretely self-contained songs that sound as though they were recalled from a dream while still rubbing the sleep out of his eyes. As far as introductions go, one could hardly ask for a more carefully assembled, immersive entry point to this secretive, fantastical microcosm.