A Sonic Womb: Live Buchla Performance at Lapsus
Pioneering synth sorcerer Suzanne Ciani celebrates over four decades of innovation with "a sonic voyage to the very heart of her beloved machine" in this utterly cosmic eight-part Buchla improvisation.
Ciani hardly needs any introduction; the influential synth pioneer has been contributing albums, soundtracks and sound effects for over forty years at this point and has shifted the global perception of electronic music multiple times. Her primary instrument has been the Buchla 200e synthesizer, and on "A Sonic Womb" she highlights her skill with a long-form improvisation split into eight parts.
Recorded in December 2019 in Barcelona, the piece was described by Ciani as ”an improvisation that I began using in the ’70s and continue to use now as raw material. Each performance based on this material has its own expression and one could liken it to jazz." We can't think of a more apt description, as Ciani contorts now-familiar sounds, exploring the farthest reaches of the instrument. There's little room for saccharine hauntology here, rather Ciani toys with pulsing rhythmic sequences, segments of tidal white noise and electric birdsong and and chiming gong-like pulses.
Required listening for anyone who's fiddled with patch cables in the last few years.
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Pioneering synth sorcerer Suzanne Ciani celebrates over four decades of innovation with "a sonic voyage to the very heart of her beloved machine" in this utterly cosmic eight-part Buchla improvisation.
Ciani hardly needs any introduction; the influential synth pioneer has been contributing albums, soundtracks and sound effects for over forty years at this point and has shifted the global perception of electronic music multiple times. Her primary instrument has been the Buchla 200e synthesizer, and on "A Sonic Womb" she highlights her skill with a long-form improvisation split into eight parts.
Recorded in December 2019 in Barcelona, the piece was described by Ciani as ”an improvisation that I began using in the ’70s and continue to use now as raw material. Each performance based on this material has its own expression and one could liken it to jazz." We can't think of a more apt description, as Ciani contorts now-familiar sounds, exploring the farthest reaches of the instrument. There's little room for saccharine hauntology here, rather Ciani toys with pulsing rhythmic sequences, segments of tidal white noise and electric birdsong and and chiming gong-like pulses.
Required listening for anyone who's fiddled with patch cables in the last few years.
Pioneering synth sorcerer Suzanne Ciani celebrates over four decades of innovation with "a sonic voyage to the very heart of her beloved machine" in this utterly cosmic eight-part Buchla improvisation.
Ciani hardly needs any introduction; the influential synth pioneer has been contributing albums, soundtracks and sound effects for over forty years at this point and has shifted the global perception of electronic music multiple times. Her primary instrument has been the Buchla 200e synthesizer, and on "A Sonic Womb" she highlights her skill with a long-form improvisation split into eight parts.
Recorded in December 2019 in Barcelona, the piece was described by Ciani as ”an improvisation that I began using in the ’70s and continue to use now as raw material. Each performance based on this material has its own expression and one could liken it to jazz." We can't think of a more apt description, as Ciani contorts now-familiar sounds, exploring the farthest reaches of the instrument. There's little room for saccharine hauntology here, rather Ciani toys with pulsing rhythmic sequences, segments of tidal white noise and electric birdsong and and chiming gong-like pulses.
Required listening for anyone who's fiddled with patch cables in the last few years.
Pioneering synth sorcerer Suzanne Ciani celebrates over four decades of innovation with "a sonic voyage to the very heart of her beloved machine" in this utterly cosmic eight-part Buchla improvisation.
Ciani hardly needs any introduction; the influential synth pioneer has been contributing albums, soundtracks and sound effects for over forty years at this point and has shifted the global perception of electronic music multiple times. Her primary instrument has been the Buchla 200e synthesizer, and on "A Sonic Womb" she highlights her skill with a long-form improvisation split into eight parts.
Recorded in December 2019 in Barcelona, the piece was described by Ciani as ”an improvisation that I began using in the ’70s and continue to use now as raw material. Each performance based on this material has its own expression and one could liken it to jazz." We can't think of a more apt description, as Ciani contorts now-familiar sounds, exploring the farthest reaches of the instrument. There's little room for saccharine hauntology here, rather Ciani toys with pulsing rhythmic sequences, segments of tidal white noise and electric birdsong and and chiming gong-like pulses.
Required listening for anyone who's fiddled with patch cables in the last few years.
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Pioneering synth sorcerer Suzanne Ciani celebrates over four decades of innovation with "a sonic voyage to the very heart of her beloved machine" in this utterly cosmic eight-part Buchla improvisation.
Ciani hardly needs any introduction; the influential synth pioneer has been contributing albums, soundtracks and sound effects for over forty years at this point and has shifted the global perception of electronic music multiple times. Her primary instrument has been the Buchla 200e synthesizer, and on "A Sonic Womb" she highlights her skill with a long-form improvisation split into eight parts.
Recorded in December 2019 in Barcelona, the piece was described by Ciani as ”an improvisation that I began using in the ’70s and continue to use now as raw material. Each performance based on this material has its own expression and one could liken it to jazz." We can't think of a more apt description, as Ciani contorts now-familiar sounds, exploring the farthest reaches of the instrument. There's little room for saccharine hauntology here, rather Ciani toys with pulsing rhythmic sequences, segments of tidal white noise and electric birdsong and and chiming gong-like pulses.
Required listening for anyone who's fiddled with patch cables in the last few years.