A Smile Is a Curve That Straightens Most Things
If you're able to produce the kind of bass-drops and low-end charges that inhabit much of this excellent debut album from Ralph Cumbers' Bass Clef project, you'll find yourself in very good company at the tail-end of 2006, a year that's ushered in Low-End theorists with the kind of feverish excitement not seen since the heady days of 1970's towering dub.
Bass Clef don't quite straddle the tried and tested Dubstep templates that have become de rigueur for the scene as the months have passed, instead opting for a more split approach that takes-in Cumbers' evidently well-worn collection Dub and Jungle records, mashed up and re-processed with a heavy analogue underlay that gives each of the 13 tracks here much of their charm. Not unlike the Actress, Bass Clef doesn't discriminate against any given style, pairing off Cumbers' Bristol roots against his current surroundings in Hackney - a sort of geographic trawl through bass culture that's modern yet well-grounded in over 30 years of beat science.
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If you're able to produce the kind of bass-drops and low-end charges that inhabit much of this excellent debut album from Ralph Cumbers' Bass Clef project, you'll find yourself in very good company at the tail-end of 2006, a year that's ushered in Low-End theorists with the kind of feverish excitement not seen since the heady days of 1970's towering dub.
Bass Clef don't quite straddle the tried and tested Dubstep templates that have become de rigueur for the scene as the months have passed, instead opting for a more split approach that takes-in Cumbers' evidently well-worn collection Dub and Jungle records, mashed up and re-processed with a heavy analogue underlay that gives each of the 13 tracks here much of their charm. Not unlike the Actress, Bass Clef doesn't discriminate against any given style, pairing off Cumbers' Bristol roots against his current surroundings in Hackney - a sort of geographic trawl through bass culture that's modern yet well-grounded in over 30 years of beat science.
If you're able to produce the kind of bass-drops and low-end charges that inhabit much of this excellent debut album from Ralph Cumbers' Bass Clef project, you'll find yourself in very good company at the tail-end of 2006, a year that's ushered in Low-End theorists with the kind of feverish excitement not seen since the heady days of 1970's towering dub.
Bass Clef don't quite straddle the tried and tested Dubstep templates that have become de rigueur for the scene as the months have passed, instead opting for a more split approach that takes-in Cumbers' evidently well-worn collection Dub and Jungle records, mashed up and re-processed with a heavy analogue underlay that gives each of the 13 tracks here much of their charm. Not unlike the Actress, Bass Clef doesn't discriminate against any given style, pairing off Cumbers' Bristol roots against his current surroundings in Hackney - a sort of geographic trawl through bass culture that's modern yet well-grounded in over 30 years of beat science.
If you're able to produce the kind of bass-drops and low-end charges that inhabit much of this excellent debut album from Ralph Cumbers' Bass Clef project, you'll find yourself in very good company at the tail-end of 2006, a year that's ushered in Low-End theorists with the kind of feverish excitement not seen since the heady days of 1970's towering dub.
Bass Clef don't quite straddle the tried and tested Dubstep templates that have become de rigueur for the scene as the months have passed, instead opting for a more split approach that takes-in Cumbers' evidently well-worn collection Dub and Jungle records, mashed up and re-processed with a heavy analogue underlay that gives each of the 13 tracks here much of their charm. Not unlike the Actress, Bass Clef doesn't discriminate against any given style, pairing off Cumbers' Bristol roots against his current surroundings in Hackney - a sort of geographic trawl through bass culture that's modern yet well-grounded in over 30 years of beat science.