Cuts distills the world’s troubles into a starkly percussive and brooding new EP for Village Green
Following in cinematic suit from the ‘Exist’ EP, Cuts’ new EP opens with the coruscating greyscale drones, pealing synths and dry pounding crack of ‘A Gradual Decline’ in a way recalling Jóhann Jóhannsson’s more aggressive moments, whereas the B-side tends to more introspective needs with the low register 808 bumps and chapped melody of ‘Carbon’, which recalls Alva Noto’s ‘Xerox’ before the breaks splinter thru, and ‘Drowning’ pushes out into precipitous, beatless drone terrain calling to mind Ian William Craig’s cracked panoramas.
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Cuts distills the world’s troubles into a starkly percussive and brooding new EP for Village Green
Following in cinematic suit from the ‘Exist’ EP, Cuts’ new EP opens with the coruscating greyscale drones, pealing synths and dry pounding crack of ‘A Gradual Decline’ in a way recalling Jóhann Jóhannsson’s more aggressive moments, whereas the B-side tends to more introspective needs with the low register 808 bumps and chapped melody of ‘Carbon’, which recalls Alva Noto’s ‘Xerox’ before the breaks splinter thru, and ‘Drowning’ pushes out into precipitous, beatless drone terrain calling to mind Ian William Craig’s cracked panoramas.
Cuts distills the world’s troubles into a starkly percussive and brooding new EP for Village Green
Following in cinematic suit from the ‘Exist’ EP, Cuts’ new EP opens with the coruscating greyscale drones, pealing synths and dry pounding crack of ‘A Gradual Decline’ in a way recalling Jóhann Jóhannsson’s more aggressive moments, whereas the B-side tends to more introspective needs with the low register 808 bumps and chapped melody of ‘Carbon’, which recalls Alva Noto’s ‘Xerox’ before the breaks splinter thru, and ‘Drowning’ pushes out into precipitous, beatless drone terrain calling to mind Ian William Craig’s cracked panoramas.
Cuts distills the world’s troubles into a starkly percussive and brooding new EP for Village Green
Following in cinematic suit from the ‘Exist’ EP, Cuts’ new EP opens with the coruscating greyscale drones, pealing synths and dry pounding crack of ‘A Gradual Decline’ in a way recalling Jóhann Jóhannsson’s more aggressive moments, whereas the B-side tends to more introspective needs with the low register 808 bumps and chapped melody of ‘Carbon’, which recalls Alva Noto’s ‘Xerox’ before the breaks splinter thru, and ‘Drowning’ pushes out into precipitous, beatless drone terrain calling to mind Ian William Craig’s cracked panoramas.
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Cuts distills the world’s troubles into a starkly percussive and brooding new EP for Village Green
Following in cinematic suit from the ‘Exist’ EP, Cuts’ new EP opens with the coruscating greyscale drones, pealing synths and dry pounding crack of ‘A Gradual Decline’ in a way recalling Jóhann Jóhannsson’s more aggressive moments, whereas the B-side tends to more introspective needs with the low register 808 bumps and chapped melody of ‘Carbon’, which recalls Alva Noto’s ‘Xerox’ before the breaks splinter thru, and ‘Drowning’ pushes out into precipitous, beatless drone terrain calling to mind Ian William Craig’s cracked panoramas.