A Ragged Ghost
Soaring kosmiche synth saga by an alum of Kranky and Not Not Fun, wrapping up thoughts on life/death and the netherworld in proggy narrative longform - RIYL early 0PN, Tangerine Dream, Jürgen Müller
‘A Ragged Ghost’ is Reinhardt’s first full length outing since 2018, proceeding from a decade of work with likes of Trans Am’s Phil Manley and fictional new age figure Jürgen Müller to refine his solo vision as a fine balance of sincere pastiche. Exploring what the artist describes as “a dance of religious syncretism, navigating spaces between the living and the dead,” he matches his lofty concepts with super spacious synth designs that weave a plethora of classic strands - German kosmische, US new age, library music and Italo disco - with a transportive sense of motion and classic, wide-eyed emotion sure to ring true with more romantic synth fanciers.
A perennial, if lifelong, pursuit for most synth obsessives, the idea of crafting your own stellar journey catalyses Reinhardt to his most evocative and succinct work here. In 11 neat steps we’re guided from the lift-off fanfare of ‘Ape & The Universal Axis’ to the sublime glyde of ‘In Lotto Commodore’ and feathered pulses recalling Werkbund on ‘Earthshaking Patsy’, an Roedelius via Global Communication in ‘Oxus’, leading to a pinnacle of Vangelis-esque synth and sax by Maxim Starcke on ‘Wretched Orchestra of Armistice’. We can hear distant shades of Italo via Carpenter’s pulsating film scores in ‘Quest or Go Fanatic’, with glorious choral pads in ‘An Alleged Jeremiad’ trailing off into his sublime new age curtain closer ‘The Five Paper Tell’.
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Soaring kosmiche synth saga by an alum of Kranky and Not Not Fun, wrapping up thoughts on life/death and the netherworld in proggy narrative longform - RIYL early 0PN, Tangerine Dream, Jürgen Müller
‘A Ragged Ghost’ is Reinhardt’s first full length outing since 2018, proceeding from a decade of work with likes of Trans Am’s Phil Manley and fictional new age figure Jürgen Müller to refine his solo vision as a fine balance of sincere pastiche. Exploring what the artist describes as “a dance of religious syncretism, navigating spaces between the living and the dead,” he matches his lofty concepts with super spacious synth designs that weave a plethora of classic strands - German kosmische, US new age, library music and Italo disco - with a transportive sense of motion and classic, wide-eyed emotion sure to ring true with more romantic synth fanciers.
A perennial, if lifelong, pursuit for most synth obsessives, the idea of crafting your own stellar journey catalyses Reinhardt to his most evocative and succinct work here. In 11 neat steps we’re guided from the lift-off fanfare of ‘Ape & The Universal Axis’ to the sublime glyde of ‘In Lotto Commodore’ and feathered pulses recalling Werkbund on ‘Earthshaking Patsy’, an Roedelius via Global Communication in ‘Oxus’, leading to a pinnacle of Vangelis-esque synth and sax by Maxim Starcke on ‘Wretched Orchestra of Armistice’. We can hear distant shades of Italo via Carpenter’s pulsating film scores in ‘Quest or Go Fanatic’, with glorious choral pads in ‘An Alleged Jeremiad’ trailing off into his sublime new age curtain closer ‘The Five Paper Tell’.
Soaring kosmiche synth saga by an alum of Kranky and Not Not Fun, wrapping up thoughts on life/death and the netherworld in proggy narrative longform - RIYL early 0PN, Tangerine Dream, Jürgen Müller
‘A Ragged Ghost’ is Reinhardt’s first full length outing since 2018, proceeding from a decade of work with likes of Trans Am’s Phil Manley and fictional new age figure Jürgen Müller to refine his solo vision as a fine balance of sincere pastiche. Exploring what the artist describes as “a dance of religious syncretism, navigating spaces between the living and the dead,” he matches his lofty concepts with super spacious synth designs that weave a plethora of classic strands - German kosmische, US new age, library music and Italo disco - with a transportive sense of motion and classic, wide-eyed emotion sure to ring true with more romantic synth fanciers.
A perennial, if lifelong, pursuit for most synth obsessives, the idea of crafting your own stellar journey catalyses Reinhardt to his most evocative and succinct work here. In 11 neat steps we’re guided from the lift-off fanfare of ‘Ape & The Universal Axis’ to the sublime glyde of ‘In Lotto Commodore’ and feathered pulses recalling Werkbund on ‘Earthshaking Patsy’, an Roedelius via Global Communication in ‘Oxus’, leading to a pinnacle of Vangelis-esque synth and sax by Maxim Starcke on ‘Wretched Orchestra of Armistice’. We can hear distant shades of Italo via Carpenter’s pulsating film scores in ‘Quest or Go Fanatic’, with glorious choral pads in ‘An Alleged Jeremiad’ trailing off into his sublime new age curtain closer ‘The Five Paper Tell’.
Soaring kosmiche synth saga by an alum of Kranky and Not Not Fun, wrapping up thoughts on life/death and the netherworld in proggy narrative longform - RIYL early 0PN, Tangerine Dream, Jürgen Müller
‘A Ragged Ghost’ is Reinhardt’s first full length outing since 2018, proceeding from a decade of work with likes of Trans Am’s Phil Manley and fictional new age figure Jürgen Müller to refine his solo vision as a fine balance of sincere pastiche. Exploring what the artist describes as “a dance of religious syncretism, navigating spaces between the living and the dead,” he matches his lofty concepts with super spacious synth designs that weave a plethora of classic strands - German kosmische, US new age, library music and Italo disco - with a transportive sense of motion and classic, wide-eyed emotion sure to ring true with more romantic synth fanciers.
A perennial, if lifelong, pursuit for most synth obsessives, the idea of crafting your own stellar journey catalyses Reinhardt to his most evocative and succinct work here. In 11 neat steps we’re guided from the lift-off fanfare of ‘Ape & The Universal Axis’ to the sublime glyde of ‘In Lotto Commodore’ and feathered pulses recalling Werkbund on ‘Earthshaking Patsy’, an Roedelius via Global Communication in ‘Oxus’, leading to a pinnacle of Vangelis-esque synth and sax by Maxim Starcke on ‘Wretched Orchestra of Armistice’. We can hear distant shades of Italo via Carpenter’s pulsating film scores in ‘Quest or Go Fanatic’, with glorious choral pads in ‘An Alleged Jeremiad’ trailing off into his sublime new age curtain closer ‘The Five Paper Tell’.
Pressed on metallic silver vinyl.
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Soaring kosmiche synth saga by an alum of Kranky and Not Not Fun, wrapping up thoughts on life/death and the netherworld in proggy narrative longform - RIYL early 0PN, Tangerine Dream, Jürgen Müller
‘A Ragged Ghost’ is Reinhardt’s first full length outing since 2018, proceeding from a decade of work with likes of Trans Am’s Phil Manley and fictional new age figure Jürgen Müller to refine his solo vision as a fine balance of sincere pastiche. Exploring what the artist describes as “a dance of religious syncretism, navigating spaces between the living and the dead,” he matches his lofty concepts with super spacious synth designs that weave a plethora of classic strands - German kosmische, US new age, library music and Italo disco - with a transportive sense of motion and classic, wide-eyed emotion sure to ring true with more romantic synth fanciers.
A perennial, if lifelong, pursuit for most synth obsessives, the idea of crafting your own stellar journey catalyses Reinhardt to his most evocative and succinct work here. In 11 neat steps we’re guided from the lift-off fanfare of ‘Ape & The Universal Axis’ to the sublime glyde of ‘In Lotto Commodore’ and feathered pulses recalling Werkbund on ‘Earthshaking Patsy’, an Roedelius via Global Communication in ‘Oxus’, leading to a pinnacle of Vangelis-esque synth and sax by Maxim Starcke on ‘Wretched Orchestra of Armistice’. We can hear distant shades of Italo via Carpenter’s pulsating film scores in ‘Quest or Go Fanatic’, with glorious choral pads in ‘An Alleged Jeremiad’ trailing off into his sublime new age curtain closer ‘The Five Paper Tell’.
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Soaring kosmiche synth saga by an alum of Kranky and Not Not Fun, wrapping up thoughts on life/death and the netherworld in proggy narrative longform - RIYL early 0PN, Tangerine Dream, Jürgen Müller
‘A Ragged Ghost’ is Reinhardt’s first full length outing since 2018, proceeding from a decade of work with likes of Trans Am’s Phil Manley and fictional new age figure Jürgen Müller to refine his solo vision as a fine balance of sincere pastiche. Exploring what the artist describes as “a dance of religious syncretism, navigating spaces between the living and the dead,” he matches his lofty concepts with super spacious synth designs that weave a plethora of classic strands - German kosmische, US new age, library music and Italo disco - with a transportive sense of motion and classic, wide-eyed emotion sure to ring true with more romantic synth fanciers.
A perennial, if lifelong, pursuit for most synth obsessives, the idea of crafting your own stellar journey catalyses Reinhardt to his most evocative and succinct work here. In 11 neat steps we’re guided from the lift-off fanfare of ‘Ape & The Universal Axis’ to the sublime glyde of ‘In Lotto Commodore’ and feathered pulses recalling Werkbund on ‘Earthshaking Patsy’, an Roedelius via Global Communication in ‘Oxus’, leading to a pinnacle of Vangelis-esque synth and sax by Maxim Starcke on ‘Wretched Orchestra of Armistice’. We can hear distant shades of Italo via Carpenter’s pulsating film scores in ‘Quest or Go Fanatic’, with glorious choral pads in ‘An Alleged Jeremiad’ trailing off into his sublime new age curtain closer ‘The Five Paper Tell’.