A Perfect Punctual Paradise Under My Own Name
Proper heavy-as-your-life blinder this; Penultimate Press caretaker Mark Harwood stages a midlife existential crisis on vinyl with a rawly penetrating mix of vulnerable candour and oblique mundanity riddled in its unpredictable transitions of field recordings and f*ck knows wot. It’s difficult, paranoid, but somehow deeply empathetic and uncannily also one of the most acute articulations of lockdown mindsets that we’ve heard. Don’t sleep. RIYL Graham Lambkin obvs
“A Perfect Punctual Paradise Under My Own Name is a two part audio drama that charts the life of a middle-aged Australian man in the throes of an existential crisis, brought about through a series of unforeseen circumstances that collectively threaten to undermine the fundamentals of his existence. It’s a work that explores the sound of a mind collapsing under pressure, where lucidity is traded for mania, and eloquence reduced to a scattershot of primal rambling and abstract self-reflection. It’s man-as-animal, cowering in a cage, teeth exposed, as vulnerable as it is unpredictable. It’s the sad musings of a failed musician turned stand-up comic, left alone in his squalid flat to reflect on life’s undelivered promise with only the constant playback of his odd routines for distraction. It’s a palimpsest of derelict ideas and unloved skits, etched onto the tattered skin of Salmon Run and worn before an audience of no one. It’s a series of wrong turns and dead ends, a puzzle, a game, a confession, but above all else, A Perfect Punctual Paradise Under My Own Name is the greatest record Astor never made. – Graham Lambkin”
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Proper heavy-as-your-life blinder this; Penultimate Press caretaker Mark Harwood stages a midlife existential crisis on vinyl with a rawly penetrating mix of vulnerable candour and oblique mundanity riddled in its unpredictable transitions of field recordings and f*ck knows wot. It’s difficult, paranoid, but somehow deeply empathetic and uncannily also one of the most acute articulations of lockdown mindsets that we’ve heard. Don’t sleep. RIYL Graham Lambkin obvs
“A Perfect Punctual Paradise Under My Own Name is a two part audio drama that charts the life of a middle-aged Australian man in the throes of an existential crisis, brought about through a series of unforeseen circumstances that collectively threaten to undermine the fundamentals of his existence. It’s a work that explores the sound of a mind collapsing under pressure, where lucidity is traded for mania, and eloquence reduced to a scattershot of primal rambling and abstract self-reflection. It’s man-as-animal, cowering in a cage, teeth exposed, as vulnerable as it is unpredictable. It’s the sad musings of a failed musician turned stand-up comic, left alone in his squalid flat to reflect on life’s undelivered promise with only the constant playback of his odd routines for distraction. It’s a palimpsest of derelict ideas and unloved skits, etched onto the tattered skin of Salmon Run and worn before an audience of no one. It’s a series of wrong turns and dead ends, a puzzle, a game, a confession, but above all else, A Perfect Punctual Paradise Under My Own Name is the greatest record Astor never made. – Graham Lambkin”
Proper heavy-as-your-life blinder this; Penultimate Press caretaker Mark Harwood stages a midlife existential crisis on vinyl with a rawly penetrating mix of vulnerable candour and oblique mundanity riddled in its unpredictable transitions of field recordings and f*ck knows wot. It’s difficult, paranoid, but somehow deeply empathetic and uncannily also one of the most acute articulations of lockdown mindsets that we’ve heard. Don’t sleep. RIYL Graham Lambkin obvs
“A Perfect Punctual Paradise Under My Own Name is a two part audio drama that charts the life of a middle-aged Australian man in the throes of an existential crisis, brought about through a series of unforeseen circumstances that collectively threaten to undermine the fundamentals of his existence. It’s a work that explores the sound of a mind collapsing under pressure, where lucidity is traded for mania, and eloquence reduced to a scattershot of primal rambling and abstract self-reflection. It’s man-as-animal, cowering in a cage, teeth exposed, as vulnerable as it is unpredictable. It’s the sad musings of a failed musician turned stand-up comic, left alone in his squalid flat to reflect on life’s undelivered promise with only the constant playback of his odd routines for distraction. It’s a palimpsest of derelict ideas and unloved skits, etched onto the tattered skin of Salmon Run and worn before an audience of no one. It’s a series of wrong turns and dead ends, a puzzle, a game, a confession, but above all else, A Perfect Punctual Paradise Under My Own Name is the greatest record Astor never made. – Graham Lambkin”
Proper heavy-as-your-life blinder this; Penultimate Press caretaker Mark Harwood stages a midlife existential crisis on vinyl with a rawly penetrating mix of vulnerable candour and oblique mundanity riddled in its unpredictable transitions of field recordings and f*ck knows wot. It’s difficult, paranoid, but somehow deeply empathetic and uncannily also one of the most acute articulations of lockdown mindsets that we’ve heard. Don’t sleep. RIYL Graham Lambkin obvs
“A Perfect Punctual Paradise Under My Own Name is a two part audio drama that charts the life of a middle-aged Australian man in the throes of an existential crisis, brought about through a series of unforeseen circumstances that collectively threaten to undermine the fundamentals of his existence. It’s a work that explores the sound of a mind collapsing under pressure, where lucidity is traded for mania, and eloquence reduced to a scattershot of primal rambling and abstract self-reflection. It’s man-as-animal, cowering in a cage, teeth exposed, as vulnerable as it is unpredictable. It’s the sad musings of a failed musician turned stand-up comic, left alone in his squalid flat to reflect on life’s undelivered promise with only the constant playback of his odd routines for distraction. It’s a palimpsest of derelict ideas and unloved skits, etched onto the tattered skin of Salmon Run and worn before an audience of no one. It’s a series of wrong turns and dead ends, a puzzle, a game, a confession, but above all else, A Perfect Punctual Paradise Under My Own Name is the greatest record Astor never made. – Graham Lambkin”
Limited Edition LP, includes school report insert.
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Proper heavy-as-your-life blinder this; Penultimate Press caretaker Mark Harwood stages a midlife existential crisis on vinyl with a rawly penetrating mix of vulnerable candour and oblique mundanity riddled in its unpredictable transitions of field recordings and f*ck knows wot. It’s difficult, paranoid, but somehow deeply empathetic and uncannily also one of the most acute articulations of lockdown mindsets that we’ve heard. Don’t sleep. RIYL Graham Lambkin obvs
“A Perfect Punctual Paradise Under My Own Name is a two part audio drama that charts the life of a middle-aged Australian man in the throes of an existential crisis, brought about through a series of unforeseen circumstances that collectively threaten to undermine the fundamentals of his existence. It’s a work that explores the sound of a mind collapsing under pressure, where lucidity is traded for mania, and eloquence reduced to a scattershot of primal rambling and abstract self-reflection. It’s man-as-animal, cowering in a cage, teeth exposed, as vulnerable as it is unpredictable. It’s the sad musings of a failed musician turned stand-up comic, left alone in his squalid flat to reflect on life’s undelivered promise with only the constant playback of his odd routines for distraction. It’s a palimpsest of derelict ideas and unloved skits, etched onto the tattered skin of Salmon Run and worn before an audience of no one. It’s a series of wrong turns and dead ends, a puzzle, a game, a confession, but above all else, A Perfect Punctual Paradise Under My Own Name is the greatest record Astor never made. – Graham Lambkin”