A Pair of Remixes
Herbert serves his totally classic Moloko dub backed with a sought-after, strutting rework of Austrian crooner Louie Austen
Harking to Herbert’s golden run of late ‘90s/early ‘00s remixes, as found on the seminal ‘Secondhand Sounds: Herbert Remixes’ compilation, the dub of Moloko’s ‘Sing It Back’ is a pure perennial, stripped to the bone and patently still packing nuff bounce to the ounce, while making its classic chords and vox ache that little bit deeper.
The High Dub of Louie Austen’s ‘Hoping’ was a Balearic classic of the minimal era and likewise still carries itself elegantly nearly 20 years later with its hopeful marimba lead and Louie’s ratpack-style croon cooled off for the island crew.
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Herbert serves his totally classic Moloko dub backed with a sought-after, strutting rework of Austrian crooner Louie Austen
Harking to Herbert’s golden run of late ‘90s/early ‘00s remixes, as found on the seminal ‘Secondhand Sounds: Herbert Remixes’ compilation, the dub of Moloko’s ‘Sing It Back’ is a pure perennial, stripped to the bone and patently still packing nuff bounce to the ounce, while making its classic chords and vox ache that little bit deeper.
The High Dub of Louie Austen’s ‘Hoping’ was a Balearic classic of the minimal era and likewise still carries itself elegantly nearly 20 years later with its hopeful marimba lead and Louie’s ratpack-style croon cooled off for the island crew.
Herbert serves his totally classic Moloko dub backed with a sought-after, strutting rework of Austrian crooner Louie Austen
Harking to Herbert’s golden run of late ‘90s/early ‘00s remixes, as found on the seminal ‘Secondhand Sounds: Herbert Remixes’ compilation, the dub of Moloko’s ‘Sing It Back’ is a pure perennial, stripped to the bone and patently still packing nuff bounce to the ounce, while making its classic chords and vox ache that little bit deeper.
The High Dub of Louie Austen’s ‘Hoping’ was a Balearic classic of the minimal era and likewise still carries itself elegantly nearly 20 years later with its hopeful marimba lead and Louie’s ratpack-style croon cooled off for the island crew.
Herbert serves his totally classic Moloko dub backed with a sought-after, strutting rework of Austrian crooner Louie Austen
Harking to Herbert’s golden run of late ‘90s/early ‘00s remixes, as found on the seminal ‘Secondhand Sounds: Herbert Remixes’ compilation, the dub of Moloko’s ‘Sing It Back’ is a pure perennial, stripped to the bone and patently still packing nuff bounce to the ounce, while making its classic chords and vox ache that little bit deeper.
The High Dub of Louie Austen’s ‘Hoping’ was a Balearic classic of the minimal era and likewise still carries itself elegantly nearly 20 years later with its hopeful marimba lead and Louie’s ratpack-style croon cooled off for the island crew.
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Herbert serves his totally classic Moloko dub backed with a sought-after, strutting rework of Austrian crooner Louie Austen
Harking to Herbert’s golden run of late ‘90s/early ‘00s remixes, as found on the seminal ‘Secondhand Sounds: Herbert Remixes’ compilation, the dub of Moloko’s ‘Sing It Back’ is a pure perennial, stripped to the bone and patently still packing nuff bounce to the ounce, while making its classic chords and vox ache that little bit deeper.
The High Dub of Louie Austen’s ‘Hoping’ was a Balearic classic of the minimal era and likewise still carries itself elegantly nearly 20 years later with its hopeful marimba lead and Louie’s ratpack-style croon cooled off for the island crew.