Isle of Jura cook up a special DJ edition of the lead burner to Cameroonian outfit Esa’s debut LP of ’86, blending Makossa fusion with Antillean zouk and local bikitsi grooves.
‘A Muto’ is a horny heater symptomatic of Cameroonian musicians recording in Paris during the ‘80s, and lent studio stardust to distinctive styles and patterns developed back home. Devilishly swingeing rhythms knit scalding horns, harmonised call and response vox about a woman who leaves her husband (only to complain of loneliness), and disco-adjacent guitars, lit up with crackshot Linn percussion drops and piano vamps that do not let go ’til the end.
Crafty DJs will get use out of the delineated acapella, synthetic DX7 kalimba-like synth cadence of the ‘Keys Mix’, a sinuous instrumental, and spacious dub allowing those cracking drum detonations to ricochet thru the mix, all remarkably bright and crisp thanks to careful rescue of the original 2-track tape masters by the artist in Paris, after 40 year of under safe keeping.
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Isle of Jura cook up a special DJ edition of the lead burner to Cameroonian outfit Esa’s debut LP of ’86, blending Makossa fusion with Antillean zouk and local bikitsi grooves.
‘A Muto’ is a horny heater symptomatic of Cameroonian musicians recording in Paris during the ‘80s, and lent studio stardust to distinctive styles and patterns developed back home. Devilishly swingeing rhythms knit scalding horns, harmonised call and response vox about a woman who leaves her husband (only to complain of loneliness), and disco-adjacent guitars, lit up with crackshot Linn percussion drops and piano vamps that do not let go ’til the end.
Crafty DJs will get use out of the delineated acapella, synthetic DX7 kalimba-like synth cadence of the ‘Keys Mix’, a sinuous instrumental, and spacious dub allowing those cracking drum detonations to ricochet thru the mix, all remarkably bright and crisp thanks to careful rescue of the original 2-track tape masters by the artist in Paris, after 40 year of under safe keeping.
Isle of Jura cook up a special DJ edition of the lead burner to Cameroonian outfit Esa’s debut LP of ’86, blending Makossa fusion with Antillean zouk and local bikitsi grooves.
‘A Muto’ is a horny heater symptomatic of Cameroonian musicians recording in Paris during the ‘80s, and lent studio stardust to distinctive styles and patterns developed back home. Devilishly swingeing rhythms knit scalding horns, harmonised call and response vox about a woman who leaves her husband (only to complain of loneliness), and disco-adjacent guitars, lit up with crackshot Linn percussion drops and piano vamps that do not let go ’til the end.
Crafty DJs will get use out of the delineated acapella, synthetic DX7 kalimba-like synth cadence of the ‘Keys Mix’, a sinuous instrumental, and spacious dub allowing those cracking drum detonations to ricochet thru the mix, all remarkably bright and crisp thanks to careful rescue of the original 2-track tape masters by the artist in Paris, after 40 year of under safe keeping.
Isle of Jura cook up a special DJ edition of the lead burner to Cameroonian outfit Esa’s debut LP of ’86, blending Makossa fusion with Antillean zouk and local bikitsi grooves.
‘A Muto’ is a horny heater symptomatic of Cameroonian musicians recording in Paris during the ‘80s, and lent studio stardust to distinctive styles and patterns developed back home. Devilishly swingeing rhythms knit scalding horns, harmonised call and response vox about a woman who leaves her husband (only to complain of loneliness), and disco-adjacent guitars, lit up with crackshot Linn percussion drops and piano vamps that do not let go ’til the end.
Crafty DJs will get use out of the delineated acapella, synthetic DX7 kalimba-like synth cadence of the ‘Keys Mix’, a sinuous instrumental, and spacious dub allowing those cracking drum detonations to ricochet thru the mix, all remarkably bright and crisp thanks to careful rescue of the original 2-track tape masters by the artist in Paris, after 40 year of under safe keeping.
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Isle of Jura cook up a special DJ edition of the lead burner to Cameroonian outfit Esa’s debut LP of ’86, blending Makossa fusion with Antillean zouk and local bikitsi grooves.
‘A Muto’ is a horny heater symptomatic of Cameroonian musicians recording in Paris during the ‘80s, and lent studio stardust to distinctive styles and patterns developed back home. Devilishly swingeing rhythms knit scalding horns, harmonised call and response vox about a woman who leaves her husband (only to complain of loneliness), and disco-adjacent guitars, lit up with crackshot Linn percussion drops and piano vamps that do not let go ’til the end.
Crafty DJs will get use out of the delineated acapella, synthetic DX7 kalimba-like synth cadence of the ‘Keys Mix’, a sinuous instrumental, and spacious dub allowing those cracking drum detonations to ricochet thru the mix, all remarkably bright and crisp thanks to careful rescue of the original 2-track tape masters by the artist in Paris, after 40 year of under safe keeping.