Boomkat Product Review:
The persistent techno experimentalist - one of the most experienced and valued in his field - follows the oblique tonal abstractions of What You Hear (Is What You Hear) with the hyper-rhythmic, serlialist piano studies of A 1000 Keys to sustain a most uncompromising, current streak of output. This is Brinkmann firmly stepping away from the ‘floor and coming into his own within a more challenging avant-garde context, with arrestingly satisfying results
For a better technical grasp of the album, read on; “"Thomas Brinkmann takes his seductive reductionism to the next level. »A 1000 KEYS« is a harsh meditation on the expressive qualities of digital sound production. In translating the timbre of a grande piano into binary codes, thus rebuilding its corpus with 0 and 1s, Brinkmann subverts the sensual qualities of this proto-romantic instrument in a sardonic way. Replacing the musician with a mathematically precise series of frenetic repetition and intriguingly dissonant difference, the result sounds at times like a violent ride through the brains of Schönberg or Webern, drained in amphetamines, at others like Feldman's ephemeral sketches or Russolo's futurist outburst.
Brinkmann's conceptual framework is resonating in the tracktitles. Using shortcuts of international airports, he refers to non-places that establish their own space-and-time continuum, while lacking individual identity and history. These functional scenarios are steril passages for anonymous, objectified masses, at the same time there's hardly a better place to grasp the very subjective character of time.
A 1000 KEYS is a fatal hommage to minimalism and a consequent denial of virtuosity and the idea of creative genius. Paraphrasing the romantic idea of human perfection, Brinkmann found a way to create sonic algorithms of tenderness and brutality, establishing dramatic expressiveness in his constructivist analytics. The result is of radical beauty.”