8001PID
The soundtrack to British artist Jermaine Francis' 'Lost in Music: Post Industrial Dreamscape', remixed by Full Circle in their signature chopped & screwed drug chug style.
‘80001PID’ derives from the full soundtrack to ‘Lost in Music: Post Industrial Dreamscape’, a semi autobiographic film by British artist Jermaine Francis, said to reflect “the dissonance of the visuals, exploring the social and political landscape of Post-Industrial Britain through the artist's life.”
Full Circle’s Alexis Le Tan and Joakim chime with the feel of the film and its score in a Full Circle treatment that largely leaves the groove intact, but doubles it in length and adds a forlorn, FSOL-esque diva siren for hypnotic, swampy traction. Ukraine’s shjva resets the original elements to an effortlessly rolling psy-techno-trance tilt in the ‘Visionary Mix’ connoting links between early ‘90s club Omen and Goan beaches and modern day yoghurt-weaver needs.
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The soundtrack to British artist Jermaine Francis' 'Lost in Music: Post Industrial Dreamscape', remixed by Full Circle in their signature chopped & screwed drug chug style.
‘80001PID’ derives from the full soundtrack to ‘Lost in Music: Post Industrial Dreamscape’, a semi autobiographic film by British artist Jermaine Francis, said to reflect “the dissonance of the visuals, exploring the social and political landscape of Post-Industrial Britain through the artist's life.”
Full Circle’s Alexis Le Tan and Joakim chime with the feel of the film and its score in a Full Circle treatment that largely leaves the groove intact, but doubles it in length and adds a forlorn, FSOL-esque diva siren for hypnotic, swampy traction. Ukraine’s shjva resets the original elements to an effortlessly rolling psy-techno-trance tilt in the ‘Visionary Mix’ connoting links between early ‘90s club Omen and Goan beaches and modern day yoghurt-weaver needs.
The soundtrack to British artist Jermaine Francis' 'Lost in Music: Post Industrial Dreamscape', remixed by Full Circle in their signature chopped & screwed drug chug style.
‘80001PID’ derives from the full soundtrack to ‘Lost in Music: Post Industrial Dreamscape’, a semi autobiographic film by British artist Jermaine Francis, said to reflect “the dissonance of the visuals, exploring the social and political landscape of Post-Industrial Britain through the artist's life.”
Full Circle’s Alexis Le Tan and Joakim chime with the feel of the film and its score in a Full Circle treatment that largely leaves the groove intact, but doubles it in length and adds a forlorn, FSOL-esque diva siren for hypnotic, swampy traction. Ukraine’s shjva resets the original elements to an effortlessly rolling psy-techno-trance tilt in the ‘Visionary Mix’ connoting links between early ‘90s club Omen and Goan beaches and modern day yoghurt-weaver needs.
The soundtrack to British artist Jermaine Francis' 'Lost in Music: Post Industrial Dreamscape', remixed by Full Circle in their signature chopped & screwed drug chug style.
‘80001PID’ derives from the full soundtrack to ‘Lost in Music: Post Industrial Dreamscape’, a semi autobiographic film by British artist Jermaine Francis, said to reflect “the dissonance of the visuals, exploring the social and political landscape of Post-Industrial Britain through the artist's life.”
Full Circle’s Alexis Le Tan and Joakim chime with the feel of the film and its score in a Full Circle treatment that largely leaves the groove intact, but doubles it in length and adds a forlorn, FSOL-esque diva siren for hypnotic, swampy traction. Ukraine’s shjva resets the original elements to an effortlessly rolling psy-techno-trance tilt in the ‘Visionary Mix’ connoting links between early ‘90s club Omen and Goan beaches and modern day yoghurt-weaver needs.
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The soundtrack to British artist Jermaine Francis' 'Lost in Music: Post Industrial Dreamscape', remixed by Full Circle in their signature chopped & screwed drug chug style.
‘80001PID’ derives from the full soundtrack to ‘Lost in Music: Post Industrial Dreamscape’, a semi autobiographic film by British artist Jermaine Francis, said to reflect “the dissonance of the visuals, exploring the social and political landscape of Post-Industrial Britain through the artist's life.”
Full Circle’s Alexis Le Tan and Joakim chime with the feel of the film and its score in a Full Circle treatment that largely leaves the groove intact, but doubles it in length and adds a forlorn, FSOL-esque diva siren for hypnotic, swampy traction. Ukraine’s shjva resets the original elements to an effortlessly rolling psy-techno-trance tilt in the ‘Visionary Mix’ connoting links between early ‘90s club Omen and Goan beaches and modern day yoghurt-weaver needs.