NOVI_SAD
ΚΕΡΑΥΝΟΣ
Boomkat Product Review:
Raster mark their 25th anniversary with Greek composer Novi_sad’s epic episode of elemental field recordings made on five continents and sculpted into thunderous and sublime scapes.
Rooted in Greek mythology, ‘Κεραυνóς’ is composed of environmental recordings made in Oceania (Tarkine Forests), Asia (Okinawa), Europe (Ancient Olympia and Iceland), Africa (Uganda, Botswana and Namibia), and America (Amazon rainforest and Niagara Falls) to impressionistically relate a mythos that connects Gods of thunder from Greek, Celtic, Slavic, Norse, Finnish, Indian, Chinese and Roman traditions. Aye, it doesn’t sweat the small stuff, and tends to the broadest frame of references for a release befitting of Raster’s lofty reputation.
The five durational works obliquely and evocatively elicit their subject by means of textural inference and timbral nuance; Oceania’s Tarkine forest recordings result a wall of nocturnal bird calls that become soused in flames and give way to lush aftermath; location sounds of Okinawa form a rich blanket of insectoid chatter that sounds like recordings of cicadas slowed 1000%; the various locations of Europe are knitted into a transition from foreboding low end to sublime noise; the Africa piece offers the most haunting, suspenseful scenes of warbling drone wow and flutter; and America’s transformed sounds rainforest squall and cascading water are pregnant with portent.
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Boomkat Product Review:
Raster mark their 25th anniversary with Greek composer Novi_sad’s epic episode of elemental field recordings made on five continents and sculpted into thunderous and sublime scapes.
Rooted in Greek mythology, ‘Κεραυνóς’ is composed of environmental recordings made in Oceania (Tarkine Forests), Asia (Okinawa), Europe (Ancient Olympia and Iceland), Africa (Uganda, Botswana and Namibia), and America (Amazon rainforest and Niagara Falls) to impressionistically relate a mythos that connects Gods of thunder from Greek, Celtic, Slavic, Norse, Finnish, Indian, Chinese and Roman traditions. Aye, it doesn’t sweat the small stuff, and tends to the broadest frame of references for a release befitting of Raster’s lofty reputation.
The five durational works obliquely and evocatively elicit their subject by means of textural inference and timbral nuance; Oceania’s Tarkine forest recordings result a wall of nocturnal bird calls that become soused in flames and give way to lush aftermath; location sounds of Okinawa form a rich blanket of insectoid chatter that sounds like recordings of cicadas slowed 1000%; the various locations of Europe are knitted into a transition from foreboding low end to sublime noise; the Africa piece offers the most haunting, suspenseful scenes of warbling drone wow and flutter; and America’s transformed sounds rainforest squall and cascading water are pregnant with portent.
Boomkat Product Review:
Raster mark their 25th anniversary with Greek composer Novi_sad’s epic episode of elemental field recordings made on five continents and sculpted into thunderous and sublime scapes.
Rooted in Greek mythology, ‘Κεραυνóς’ is composed of environmental recordings made in Oceania (Tarkine Forests), Asia (Okinawa), Europe (Ancient Olympia and Iceland), Africa (Uganda, Botswana and Namibia), and America (Amazon rainforest and Niagara Falls) to impressionistically relate a mythos that connects Gods of thunder from Greek, Celtic, Slavic, Norse, Finnish, Indian, Chinese and Roman traditions. Aye, it doesn’t sweat the small stuff, and tends to the broadest frame of references for a release befitting of Raster’s lofty reputation.
The five durational works obliquely and evocatively elicit their subject by means of textural inference and timbral nuance; Oceania’s Tarkine forest recordings result a wall of nocturnal bird calls that become soused in flames and give way to lush aftermath; location sounds of Okinawa form a rich blanket of insectoid chatter that sounds like recordings of cicadas slowed 1000%; the various locations of Europe are knitted into a transition from foreboding low end to sublime noise; the Africa piece offers the most haunting, suspenseful scenes of warbling drone wow and flutter; and America’s transformed sounds rainforest squall and cascading water are pregnant with portent.
Boomkat Product Review:
Raster mark their 25th anniversary with Greek composer Novi_sad’s epic episode of elemental field recordings made on five continents and sculpted into thunderous and sublime scapes.
Rooted in Greek mythology, ‘Κεραυνóς’ is composed of environmental recordings made in Oceania (Tarkine Forests), Asia (Okinawa), Europe (Ancient Olympia and Iceland), Africa (Uganda, Botswana and Namibia), and America (Amazon rainforest and Niagara Falls) to impressionistically relate a mythos that connects Gods of thunder from Greek, Celtic, Slavic, Norse, Finnish, Indian, Chinese and Roman traditions. Aye, it doesn’t sweat the small stuff, and tends to the broadest frame of references for a release befitting of Raster’s lofty reputation.
The five durational works obliquely and evocatively elicit their subject by means of textural inference and timbral nuance; Oceania’s Tarkine forest recordings result a wall of nocturnal bird calls that become soused in flames and give way to lush aftermath; location sounds of Okinawa form a rich blanket of insectoid chatter that sounds like recordings of cicadas slowed 1000%; the various locations of Europe are knitted into a transition from foreboding low end to sublime noise; the Africa piece offers the most haunting, suspenseful scenes of warbling drone wow and flutter; and America’s transformed sounds rainforest squall and cascading water are pregnant with portent.
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Boomkat Product Review:
Raster mark their 25th anniversary with Greek composer Novi_sad’s epic episode of elemental field recordings made on five continents and sculpted into thunderous and sublime scapes.
Rooted in Greek mythology, ‘Κεραυνóς’ is composed of environmental recordings made in Oceania (Tarkine Forests), Asia (Okinawa), Europe (Ancient Olympia and Iceland), Africa (Uganda, Botswana and Namibia), and America (Amazon rainforest and Niagara Falls) to impressionistically relate a mythos that connects Gods of thunder from Greek, Celtic, Slavic, Norse, Finnish, Indian, Chinese and Roman traditions. Aye, it doesn’t sweat the small stuff, and tends to the broadest frame of references for a release befitting of Raster’s lofty reputation.
The five durational works obliquely and evocatively elicit their subject by means of textural inference and timbral nuance; Oceania’s Tarkine forest recordings result a wall of nocturnal bird calls that become soused in flames and give way to lush aftermath; location sounds of Okinawa form a rich blanket of insectoid chatter that sounds like recordings of cicadas slowed 1000%; the various locations of Europe are knitted into a transition from foreboding low end to sublime noise; the Africa piece offers the most haunting, suspenseful scenes of warbling drone wow and flutter; and America’s transformed sounds rainforest squall and cascading water are pregnant with portent.
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