Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"
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Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"
Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"
Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"
Limited picture disc edition, housed in a spined sleeve with artwork by Marc Bessant, with digital download card
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Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"
Out of Stock
Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"