Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"
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Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"
Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"
Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"
Limited picture disc edition, housed in a spined sleeve with artwork by Marc Bessant, with digital download card
Out of Stock
Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"
Out of Stock
Written over the last year and, for the most part, written and recorded live in the Invada studios, Beak> continue to forge a path through their own genre of oddness.
"The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, but without forfeiting what the band see as its ‘wrongness’. This could be the result of having played bigger stages and festivals - something that was never part of the plan - or perhaps it is just a reaction to the infinite cut & paste fuzz pedal kraut bands on the planet.” – Redg Weeks, Invada Label Manager"