Various Artists
5 Years of No Corner
Boomkat Product Review:
Bristol’s No Corner celebrate 5 years of singular-minded dub mutations with a killer gangbang of classic and new, exclusive gear from El Kid (Sam Kidel), Asda, Seekersinternational, Spiritflesh, October, Jabu, Andy Mac & Ossia, Lurka, Lily, Hodge, October, O$VMV$M, Mark, Japan Blues and more.
Since its inception in 2012, No Corner the label has been a wide open meeting place for contemporary dubbers of all stripes, setting a rooted yet loosely mutable precedent that strongly echoes Bristol’s sound system heritage and is best defined as a product of that city’s post-punk, house and dubstep-drenched environment.
At 28 tracks wide, there’s a lot to take in, so we’ll head to our highlights. The Asda tracks by Seb Gainsborough (Vessel) and Chester Giles (Jabu) exemplify the breadth and dilated focus of the label somewhere between dub poetry, chamber music and concrète, best in the wist of The Desire for Light and Stars and Jubilant Songs, and no less in Japan Blues’ cracking, dub-weighted remix. Filter Dread’s Oddity meanwhile renders lushly vaporous traces of techno and up-to-the-second electronica, and Vessel’s Psychosis remix of We Need Mirrors by El Kid (Sam Kidel) spies a lesser heard, cranky niche of their industry-dub aesthetics, whereas Seekersinternational dub it hauntological on TekWeh.
However, the main thrust of the set leans towards recent, new and upcoming No Corner sounds, taking in the elusive smoke curls of Hodge’s Body Drive along with new introduction to the label such as Kinlaw with the hall-of-mirrors chords of d.3 Hash and Lurka on the weightless pressure of Friday Night Sit In The Dark, plus highly promising new projects in Spiritflesh’s echo chamber excursion, Ever Impending Doom, an exclooosey SKRS dub, TroubleRoundDiCorner, a steeply abstract one from Robin Stewart (Giant Swan), and the gully drill of Wu-Yen’s Splurge.
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Boomkat Product Review:
Bristol’s No Corner celebrate 5 years of singular-minded dub mutations with a killer gangbang of classic and new, exclusive gear from El Kid (Sam Kidel), Asda, Seekersinternational, Spiritflesh, October, Jabu, Andy Mac & Ossia, Lurka, Lily, Hodge, October, O$VMV$M, Mark, Japan Blues and more.
Since its inception in 2012, No Corner the label has been a wide open meeting place for contemporary dubbers of all stripes, setting a rooted yet loosely mutable precedent that strongly echoes Bristol’s sound system heritage and is best defined as a product of that city’s post-punk, house and dubstep-drenched environment.
At 28 tracks wide, there’s a lot to take in, so we’ll head to our highlights. The Asda tracks by Seb Gainsborough (Vessel) and Chester Giles (Jabu) exemplify the breadth and dilated focus of the label somewhere between dub poetry, chamber music and concrète, best in the wist of The Desire for Light and Stars and Jubilant Songs, and no less in Japan Blues’ cracking, dub-weighted remix. Filter Dread’s Oddity meanwhile renders lushly vaporous traces of techno and up-to-the-second electronica, and Vessel’s Psychosis remix of We Need Mirrors by El Kid (Sam Kidel) spies a lesser heard, cranky niche of their industry-dub aesthetics, whereas Seekersinternational dub it hauntological on TekWeh.
However, the main thrust of the set leans towards recent, new and upcoming No Corner sounds, taking in the elusive smoke curls of Hodge’s Body Drive along with new introduction to the label such as Kinlaw with the hall-of-mirrors chords of d.3 Hash and Lurka on the weightless pressure of Friday Night Sit In The Dark, plus highly promising new projects in Spiritflesh’s echo chamber excursion, Ever Impending Doom, an exclooosey SKRS dub, TroubleRoundDiCorner, a steeply abstract one from Robin Stewart (Giant Swan), and the gully drill of Wu-Yen’s Splurge.
Boomkat Product Review:
Bristol’s No Corner celebrate 5 years of singular-minded dub mutations with a killer gangbang of classic and new, exclusive gear from El Kid (Sam Kidel), Asda, Seekersinternational, Spiritflesh, October, Jabu, Andy Mac & Ossia, Lurka, Lily, Hodge, October, O$VMV$M, Mark, Japan Blues and more.
Since its inception in 2012, No Corner the label has been a wide open meeting place for contemporary dubbers of all stripes, setting a rooted yet loosely mutable precedent that strongly echoes Bristol’s sound system heritage and is best defined as a product of that city’s post-punk, house and dubstep-drenched environment.
At 28 tracks wide, there’s a lot to take in, so we’ll head to our highlights. The Asda tracks by Seb Gainsborough (Vessel) and Chester Giles (Jabu) exemplify the breadth and dilated focus of the label somewhere between dub poetry, chamber music and concrète, best in the wist of The Desire for Light and Stars and Jubilant Songs, and no less in Japan Blues’ cracking, dub-weighted remix. Filter Dread’s Oddity meanwhile renders lushly vaporous traces of techno and up-to-the-second electronica, and Vessel’s Psychosis remix of We Need Mirrors by El Kid (Sam Kidel) spies a lesser heard, cranky niche of their industry-dub aesthetics, whereas Seekersinternational dub it hauntological on TekWeh.
However, the main thrust of the set leans towards recent, new and upcoming No Corner sounds, taking in the elusive smoke curls of Hodge’s Body Drive along with new introduction to the label such as Kinlaw with the hall-of-mirrors chords of d.3 Hash and Lurka on the weightless pressure of Friday Night Sit In The Dark, plus highly promising new projects in Spiritflesh’s echo chamber excursion, Ever Impending Doom, an exclooosey SKRS dub, TroubleRoundDiCorner, a steeply abstract one from Robin Stewart (Giant Swan), and the gully drill of Wu-Yen’s Splurge.
Boomkat Product Review:
Bristol’s No Corner celebrate 5 years of singular-minded dub mutations with a killer gangbang of classic and new, exclusive gear from El Kid (Sam Kidel), Asda, Seekersinternational, Spiritflesh, October, Jabu, Andy Mac & Ossia, Lurka, Lily, Hodge, October, O$VMV$M, Mark, Japan Blues and more.
Since its inception in 2012, No Corner the label has been a wide open meeting place for contemporary dubbers of all stripes, setting a rooted yet loosely mutable precedent that strongly echoes Bristol’s sound system heritage and is best defined as a product of that city’s post-punk, house and dubstep-drenched environment.
At 28 tracks wide, there’s a lot to take in, so we’ll head to our highlights. The Asda tracks by Seb Gainsborough (Vessel) and Chester Giles (Jabu) exemplify the breadth and dilated focus of the label somewhere between dub poetry, chamber music and concrète, best in the wist of The Desire for Light and Stars and Jubilant Songs, and no less in Japan Blues’ cracking, dub-weighted remix. Filter Dread’s Oddity meanwhile renders lushly vaporous traces of techno and up-to-the-second electronica, and Vessel’s Psychosis remix of We Need Mirrors by El Kid (Sam Kidel) spies a lesser heard, cranky niche of their industry-dub aesthetics, whereas Seekersinternational dub it hauntological on TekWeh.
However, the main thrust of the set leans towards recent, new and upcoming No Corner sounds, taking in the elusive smoke curls of Hodge’s Body Drive along with new introduction to the label such as Kinlaw with the hall-of-mirrors chords of d.3 Hash and Lurka on the weightless pressure of Friday Night Sit In The Dark, plus highly promising new projects in Spiritflesh’s echo chamber excursion, Ever Impending Doom, an exclooosey SKRS dub, TroubleRoundDiCorner, a steeply abstract one from Robin Stewart (Giant Swan), and the gully drill of Wu-Yen’s Splurge.
200 copies only. Two cassettes, 145mins of music packaged in a vacuum seal, with DL. Tape 2 is 'cassette-only' and features the first ever Killing Sound recording from 2012 coupled with a 17min edit of Kahn & Neek's 'Gorgon Grime.
Out of Stock
Boomkat Product Review:
Bristol’s No Corner celebrate 5 years of singular-minded dub mutations with a killer gangbang of classic and new, exclusive gear from El Kid (Sam Kidel), Asda, Seekersinternational, Spiritflesh, October, Jabu, Andy Mac & Ossia, Lurka, Lily, Hodge, October, O$VMV$M, Mark, Japan Blues and more.
Since its inception in 2012, No Corner the label has been a wide open meeting place for contemporary dubbers of all stripes, setting a rooted yet loosely mutable precedent that strongly echoes Bristol’s sound system heritage and is best defined as a product of that city’s post-punk, house and dubstep-drenched environment.
At 28 tracks wide, there’s a lot to take in, so we’ll head to our highlights. The Asda tracks by Seb Gainsborough (Vessel) and Chester Giles (Jabu) exemplify the breadth and dilated focus of the label somewhere between dub poetry, chamber music and concrète, best in the wist of The Desire for Light and Stars and Jubilant Songs, and no less in Japan Blues’ cracking, dub-weighted remix. Filter Dread’s Oddity meanwhile renders lushly vaporous traces of techno and up-to-the-second electronica, and Vessel’s Psychosis remix of We Need Mirrors by El Kid (Sam Kidel) spies a lesser heard, cranky niche of their industry-dub aesthetics, whereas Seekersinternational dub it hauntological on TekWeh.
However, the main thrust of the set leans towards recent, new and upcoming No Corner sounds, taking in the elusive smoke curls of Hodge’s Body Drive along with new introduction to the label such as Kinlaw with the hall-of-mirrors chords of d.3 Hash and Lurka on the weightless pressure of Friday Night Sit In The Dark, plus highly promising new projects in Spiritflesh’s echo chamber excursion, Ever Impending Doom, an exclooosey SKRS dub, TroubleRoundDiCorner, a steeply abstract one from Robin Stewart (Giant Swan), and the gully drill of Wu-Yen’s Splurge.
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