Slow techno guy Positive Centre and D&B producer Overlook merge styles as Carrier for the darkside inception of ‘47017’ on Tommy Four Seven’s label
In one of the few instances we can recall where these parallel style have crossed over, Carrier nail a mutant sound that can’t be accused of techno or D&B, but rather sits heavy in a noisily textured and highly pressurised no-person’s-land of the rave.
Up top they work out the crushing torque and divebombing dynamics of ‘Blue Nine’ beside the galloping grey area rolige of ‘Counter Illumination’. On the flipside they open out into more spacious, fluidly rhythmic terrain with the cold knocks and streaking underwater scenes of ’Suggestion’, and eaze off on the halfstep with the serious steppers techno rufige of ‘Foreshadow’.
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Slow techno guy Positive Centre and D&B producer Overlook merge styles as Carrier for the darkside inception of ‘47017’ on Tommy Four Seven’s label
In one of the few instances we can recall where these parallel style have crossed over, Carrier nail a mutant sound that can’t be accused of techno or D&B, but rather sits heavy in a noisily textured and highly pressurised no-person’s-land of the rave.
Up top they work out the crushing torque and divebombing dynamics of ‘Blue Nine’ beside the galloping grey area rolige of ‘Counter Illumination’. On the flipside they open out into more spacious, fluidly rhythmic terrain with the cold knocks and streaking underwater scenes of ’Suggestion’, and eaze off on the halfstep with the serious steppers techno rufige of ‘Foreshadow’.
Slow techno guy Positive Centre and D&B producer Overlook merge styles as Carrier for the darkside inception of ‘47017’ on Tommy Four Seven’s label
In one of the few instances we can recall where these parallel style have crossed over, Carrier nail a mutant sound that can’t be accused of techno or D&B, but rather sits heavy in a noisily textured and highly pressurised no-person’s-land of the rave.
Up top they work out the crushing torque and divebombing dynamics of ‘Blue Nine’ beside the galloping grey area rolige of ‘Counter Illumination’. On the flipside they open out into more spacious, fluidly rhythmic terrain with the cold knocks and streaking underwater scenes of ’Suggestion’, and eaze off on the halfstep with the serious steppers techno rufige of ‘Foreshadow’.
Slow techno guy Positive Centre and D&B producer Overlook merge styles as Carrier for the darkside inception of ‘47017’ on Tommy Four Seven’s label
In one of the few instances we can recall where these parallel style have crossed over, Carrier nail a mutant sound that can’t be accused of techno or D&B, but rather sits heavy in a noisily textured and highly pressurised no-person’s-land of the rave.
Up top they work out the crushing torque and divebombing dynamics of ‘Blue Nine’ beside the galloping grey area rolige of ‘Counter Illumination’. On the flipside they open out into more spacious, fluidly rhythmic terrain with the cold knocks and streaking underwater scenes of ’Suggestion’, and eaze off on the halfstep with the serious steppers techno rufige of ‘Foreshadow’.
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Slow techno guy Positive Centre and D&B producer Overlook merge styles as Carrier for the darkside inception of ‘47017’ on Tommy Four Seven’s label
In one of the few instances we can recall where these parallel style have crossed over, Carrier nail a mutant sound that can’t be accused of techno or D&B, but rather sits heavy in a noisily textured and highly pressurised no-person’s-land of the rave.
Up top they work out the crushing torque and divebombing dynamics of ‘Blue Nine’ beside the galloping grey area rolige of ‘Counter Illumination’. On the flipside they open out into more spacious, fluidly rhythmic terrain with the cold knocks and streaking underwater scenes of ’Suggestion’, and eaze off on the halfstep with the serious steppers techno rufige of ‘Foreshadow’.