Boomkat Product Review:
Lars T C F Holdhus follows one of the very best releases of the new millenium so far, the 'Untitled' tape for YYAA, with another cryptic future-shock, his 1st for Liberation Technologies.
Continuing a trajectory away from the calculated dance mash-ups of his now-defunct Cracksmurf alias, this project and mini-album is based on a whole other algorithmic strategy, rendering densely coded formulae into utterly mind-boggling and synaesthetically affective compositions. Once you've heard his music and done a little research into his academic background and visual practice - he studied at Frankfurt's famed Städelschule; is fascinated by data encryption; loves a good brew - it almost becomes really hard not to hear T C F's music as immensely complex, fluctuating plumes of code billowing and refracting across infinite virtual landscapes.
It's fxxking staggering stuff, soaring between hardstyle peaks and the kind of ultra-lucid FX you'd expect to hear while watching Transformers at the iMax, traversing wide-open, lysergic ambient space and majestic neo-classical (more Matrix than Max Richter, tho) gestures with an incisive balance of wry humour and emotional pathos that's all too rare, nay absent, from much stuff nowadays. Ultimately, words fall well short of adequately describing this stuff; it simply needs to be experienced, fully immersed, piloerect, pupils dilated. It's one of 2014's most crucial pieces of new music, no doubt.