Very rarely does a very interesting concept for an album translate itself into a very interesting album musically, but trust the Touch label to get it right. On '4 Rooms' (nothing to do with the crappy Tarantino-related hotel flick) Danish sound artist Jacob Kirkegaard explores the legacy of the nuclear disaster in Chernobyl. Kirkegaard recorded four rooms in the abandoned military bunkers, rooms that were active meeting points for people and have been left totally abandoned since the disaster. He recorded the silence of the room for a set time and then played it back to the empty room, recording the results. These recordings became layered over and over the sound, building up into dense and haunting drones - the results simply harrowing. For some strange reason (probably my brain interpreting it badly) the pieces actually bring to mind Andrei Tarkofky's classic post-apocalyptic mediation 'Stalker', the thick, moving drones taking me across deserted landscapes and into frightening, stark concrete bunkers. One of the most engrossing albums on Touch for some time, a big recommendation.
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Very rarely does a very interesting concept for an album translate itself into a very interesting album musically, but trust the Touch label to get it right. On '4 Rooms' (nothing to do with the crappy Tarantino-related hotel flick) Danish sound artist Jacob Kirkegaard explores the legacy of the nuclear disaster in Chernobyl. Kirkegaard recorded four rooms in the abandoned military bunkers, rooms that were active meeting points for people and have been left totally abandoned since the disaster. He recorded the silence of the room for a set time and then played it back to the empty room, recording the results. These recordings became layered over and over the sound, building up into dense and haunting drones - the results simply harrowing. For some strange reason (probably my brain interpreting it badly) the pieces actually bring to mind Andrei Tarkofky's classic post-apocalyptic mediation 'Stalker', the thick, moving drones taking me across deserted landscapes and into frightening, stark concrete bunkers. One of the most engrossing albums on Touch for some time, a big recommendation.
Very rarely does a very interesting concept for an album translate itself into a very interesting album musically, but trust the Touch label to get it right. On '4 Rooms' (nothing to do with the crappy Tarantino-related hotel flick) Danish sound artist Jacob Kirkegaard explores the legacy of the nuclear disaster in Chernobyl. Kirkegaard recorded four rooms in the abandoned military bunkers, rooms that were active meeting points for people and have been left totally abandoned since the disaster. He recorded the silence of the room for a set time and then played it back to the empty room, recording the results. These recordings became layered over and over the sound, building up into dense and haunting drones - the results simply harrowing. For some strange reason (probably my brain interpreting it badly) the pieces actually bring to mind Andrei Tarkofky's classic post-apocalyptic mediation 'Stalker', the thick, moving drones taking me across deserted landscapes and into frightening, stark concrete bunkers. One of the most engrossing albums on Touch for some time, a big recommendation.