Raw and wincingly bittersweet, Niagara’s pendulous grooves blush like they were freshly bruised onto the vinyl in 37, the latest edition on the trio’s Ascender label.
In the wake of their São João Baptista EP for Príncipe, they carve out four parts of see-sawing hooks and crimped grooves doing the raw house thing quite unlike anyone else.
Their arrangements are practically disco in terms of live, lithe movement and lack of looping structure, leading the dance between the itchy boogie of Tó and the lushest grasp of deep fried dissonance in 12, before nodding to Jamal Moss’ cubist psychedelia with the lacquer bubbling scree and nerve-biting tone of Paradela, or the Birds Songs For Amelie vibes of Jordão.
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Raw and wincingly bittersweet, Niagara’s pendulous grooves blush like they were freshly bruised onto the vinyl in 37, the latest edition on the trio’s Ascender label.
In the wake of their São João Baptista EP for Príncipe, they carve out four parts of see-sawing hooks and crimped grooves doing the raw house thing quite unlike anyone else.
Their arrangements are practically disco in terms of live, lithe movement and lack of looping structure, leading the dance between the itchy boogie of Tó and the lushest grasp of deep fried dissonance in 12, before nodding to Jamal Moss’ cubist psychedelia with the lacquer bubbling scree and nerve-biting tone of Paradela, or the Birds Songs For Amelie vibes of Jordão.
Raw and wincingly bittersweet, Niagara’s pendulous grooves blush like they were freshly bruised onto the vinyl in 37, the latest edition on the trio’s Ascender label.
In the wake of their São João Baptista EP for Príncipe, they carve out four parts of see-sawing hooks and crimped grooves doing the raw house thing quite unlike anyone else.
Their arrangements are practically disco in terms of live, lithe movement and lack of looping structure, leading the dance between the itchy boogie of Tó and the lushest grasp of deep fried dissonance in 12, before nodding to Jamal Moss’ cubist psychedelia with the lacquer bubbling scree and nerve-biting tone of Paradela, or the Birds Songs For Amelie vibes of Jordão.
Raw and wincingly bittersweet, Niagara’s pendulous grooves blush like they were freshly bruised onto the vinyl in 37, the latest edition on the trio’s Ascender label.
In the wake of their São João Baptista EP for Príncipe, they carve out four parts of see-sawing hooks and crimped grooves doing the raw house thing quite unlike anyone else.
Their arrangements are practically disco in terms of live, lithe movement and lack of looping structure, leading the dance between the itchy boogie of Tó and the lushest grasp of deep fried dissonance in 12, before nodding to Jamal Moss’ cubist psychedelia with the lacquer bubbling scree and nerve-biting tone of Paradela, or the Birds Songs For Amelie vibes of Jordão.
Hand-stamped 12". Limited edition of 250.
Out of Stock
Raw and wincingly bittersweet, Niagara’s pendulous grooves blush like they were freshly bruised onto the vinyl in 37, the latest edition on the trio’s Ascender label.
In the wake of their São João Baptista EP for Príncipe, they carve out four parts of see-sawing hooks and crimped grooves doing the raw house thing quite unlike anyone else.
Their arrangements are practically disco in terms of live, lithe movement and lack of looping structure, leading the dance between the itchy boogie of Tó and the lushest grasp of deep fried dissonance in 12, before nodding to Jamal Moss’ cubist psychedelia with the lacquer bubbling scree and nerve-biting tone of Paradela, or the Birds Songs For Amelie vibes of Jordão.