Boomkat Product Review:
Snap on your lycra - Kraftwerk are back with their first release since 2004; across-section of live performances captured in world-renowned museums and galleries across the world between 2012-2016. OK, it’s not a new album, per se, but it does feature new recordings of total classics rendered in all new psychoacoustic 3-D to sate the fan’s thirst for something, anything after ten years of no releases from the world’s greatest man-machine band.
So, the 3-D thing, a sales gimmick or additional dimension to Kraftwerk’s sound? Listening on headphones right now, it’s definitely not a gimmick; the sound is super wide and lustrous, vividly swirling the head along multiple planes of geometry, making us involuntarily do that thing with our eyes, trying to pick out where the sound is coming from, just like someone trying to do mental arithmetic or retrieve forgotten information from your clump of grey matter between the eyes.
Like we said, there’s no new material, but every track is an alternate take on their, by-now, very familiar song structures, re-cycling the internal mechanisms of each piece into dynamic images of themselves, ranging from an abridged, 14 minute version of Autobahn and a glorious rendition of Radioactivity to hyper crisp, almost DJ style transitions between Trans Europe Express - Metal on Metal - Abzug - The Man-Machine on disc 1, and then strafing another ruck of classics from he Numbers-Computer World one-two, thru the ricocheting, extreme panning applied to the Boing Boom Tschak-Techno-Pop-Music Non Stop jabs, and finally onto a reorchestrated mix of the strings for the Prologue to the original Tour De France and its breezy, gear-shifting components from the 2003 release.