2t2
Cosey Fanni Tutti
2t2
Boomkat Product Review:
On her starkly absorbing 3rd solo album, proper, Industrial music’s grand dame imparts wisdom accrued during a singular, half-century career spanning work in duo with Chris Carter and crucial roles in the legendary groups COUM Transmissions and Throbbing Gristle.
Sharing strands of DNA with Cosey’s soundtrack to a Delia Derbyshire docudrama, as well as themes that lead directly from 2019 solo side ’Tutti’, the expansive arrangements of ‘2t2’ continue to frame Cosey Fanni Tutti among the leading figures of modern electronic music. Across nine parts the album sees her compress, parse, and negotiate personal strifes - from bereavements to the world’s psychic tristesse - thru a prism of voice, synths, and noise boxes to render an album that expresses her sense of modernity whilst trusting in more ancient, arcane techniques and modes of catharsis.
The results are cleft in two chiral sides of rhythmic and atmospheric fascinations that map onto enduring poles of fixation for the artist who blazed a trail for women in electronic music and experimental music at large, and whose full impact has really only begun to be acknowledged in more recent years, and especially since the publication of her incredible autobiography ‘Art Sex Music’. As she outlines in that book, life is art for Cosey, thus ‘2t2’ exists in an ongoing practice of translating her perception of the world into musical metaphors understood by sensation.
‘Curæ’ opens the LP with a martial rhythmic thrust that propels Cosey’s throat singing to heights of negative ecstasy that she tempers across its first half, from the tumult of ‘To Be’ and sleepwalker sashay of ‘Never The Same’ and ‘Stolen Time’, both streaked with her signature cornet. The album’s 2nd half follows a declension or yielding of energy into resounding atmospheric realms where she channels Ennio Morricone and Martin Denny in the lysergic shimmers of Respair’, and waltzes on optimistic choral updrafts in ‘Threnody’, to luxuriate in fathomless synth reverb with ‘Sonance’, and chase that dragon by her 6th senses into treacly bass and noise aether on ‘Limbic’.
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Boomkat Product Review:
On her starkly absorbing 3rd solo album, proper, Industrial music’s grand dame imparts wisdom accrued during a singular, half-century career spanning work in duo with Chris Carter and crucial roles in the legendary groups COUM Transmissions and Throbbing Gristle.
Sharing strands of DNA with Cosey’s soundtrack to a Delia Derbyshire docudrama, as well as themes that lead directly from 2019 solo side ’Tutti’, the expansive arrangements of ‘2t2’ continue to frame Cosey Fanni Tutti among the leading figures of modern electronic music. Across nine parts the album sees her compress, parse, and negotiate personal strifes - from bereavements to the world’s psychic tristesse - thru a prism of voice, synths, and noise boxes to render an album that expresses her sense of modernity whilst trusting in more ancient, arcane techniques and modes of catharsis.
The results are cleft in two chiral sides of rhythmic and atmospheric fascinations that map onto enduring poles of fixation for the artist who blazed a trail for women in electronic music and experimental music at large, and whose full impact has really only begun to be acknowledged in more recent years, and especially since the publication of her incredible autobiography ‘Art Sex Music’. As she outlines in that book, life is art for Cosey, thus ‘2t2’ exists in an ongoing practice of translating her perception of the world into musical metaphors understood by sensation.
‘Curæ’ opens the LP with a martial rhythmic thrust that propels Cosey’s throat singing to heights of negative ecstasy that she tempers across its first half, from the tumult of ‘To Be’ and sleepwalker sashay of ‘Never The Same’ and ‘Stolen Time’, both streaked with her signature cornet. The album’s 2nd half follows a declension or yielding of energy into resounding atmospheric realms where she channels Ennio Morricone and Martin Denny in the lysergic shimmers of Respair’, and waltzes on optimistic choral updrafts in ‘Threnody’, to luxuriate in fathomless synth reverb with ‘Sonance’, and chase that dragon by her 6th senses into treacly bass and noise aether on ‘Limbic’.
Boomkat Product Review:
On her starkly absorbing 3rd solo album, proper, Industrial music’s grand dame imparts wisdom accrued during a singular, half-century career spanning work in duo with Chris Carter and crucial roles in the legendary groups COUM Transmissions and Throbbing Gristle.
Sharing strands of DNA with Cosey’s soundtrack to a Delia Derbyshire docudrama, as well as themes that lead directly from 2019 solo side ’Tutti’, the expansive arrangements of ‘2t2’ continue to frame Cosey Fanni Tutti among the leading figures of modern electronic music. Across nine parts the album sees her compress, parse, and negotiate personal strifes - from bereavements to the world’s psychic tristesse - thru a prism of voice, synths, and noise boxes to render an album that expresses her sense of modernity whilst trusting in more ancient, arcane techniques and modes of catharsis.
The results are cleft in two chiral sides of rhythmic and atmospheric fascinations that map onto enduring poles of fixation for the artist who blazed a trail for women in electronic music and experimental music at large, and whose full impact has really only begun to be acknowledged in more recent years, and especially since the publication of her incredible autobiography ‘Art Sex Music’. As she outlines in that book, life is art for Cosey, thus ‘2t2’ exists in an ongoing practice of translating her perception of the world into musical metaphors understood by sensation.
‘Curæ’ opens the LP with a martial rhythmic thrust that propels Cosey’s throat singing to heights of negative ecstasy that she tempers across its first half, from the tumult of ‘To Be’ and sleepwalker sashay of ‘Never The Same’ and ‘Stolen Time’, both streaked with her signature cornet. The album’s 2nd half follows a declension or yielding of energy into resounding atmospheric realms where she channels Ennio Morricone and Martin Denny in the lysergic shimmers of Respair’, and waltzes on optimistic choral updrafts in ‘Threnody’, to luxuriate in fathomless synth reverb with ‘Sonance’, and chase that dragon by her 6th senses into treacly bass and noise aether on ‘Limbic’.
Boomkat Product Review:
On her starkly absorbing 3rd solo album, proper, Industrial music’s grand dame imparts wisdom accrued during a singular, half-century career spanning work in duo with Chris Carter and crucial roles in the legendary groups COUM Transmissions and Throbbing Gristle.
Sharing strands of DNA with Cosey’s soundtrack to a Delia Derbyshire docudrama, as well as themes that lead directly from 2019 solo side ’Tutti’, the expansive arrangements of ‘2t2’ continue to frame Cosey Fanni Tutti among the leading figures of modern electronic music. Across nine parts the album sees her compress, parse, and negotiate personal strifes - from bereavements to the world’s psychic tristesse - thru a prism of voice, synths, and noise boxes to render an album that expresses her sense of modernity whilst trusting in more ancient, arcane techniques and modes of catharsis.
The results are cleft in two chiral sides of rhythmic and atmospheric fascinations that map onto enduring poles of fixation for the artist who blazed a trail for women in electronic music and experimental music at large, and whose full impact has really only begun to be acknowledged in more recent years, and especially since the publication of her incredible autobiography ‘Art Sex Music’. As she outlines in that book, life is art for Cosey, thus ‘2t2’ exists in an ongoing practice of translating her perception of the world into musical metaphors understood by sensation.
‘Curæ’ opens the LP with a martial rhythmic thrust that propels Cosey’s throat singing to heights of negative ecstasy that she tempers across its first half, from the tumult of ‘To Be’ and sleepwalker sashay of ‘Never The Same’ and ‘Stolen Time’, both streaked with her signature cornet. The album’s 2nd half follows a declension or yielding of energy into resounding atmospheric realms where she channels Ennio Morricone and Martin Denny in the lysergic shimmers of Respair’, and waltzes on optimistic choral updrafts in ‘Threnody’, to luxuriate in fathomless synth reverb with ‘Sonance’, and chase that dragon by her 6th senses into treacly bass and noise aether on ‘Limbic’.
White vinyl
Estimated Release Date: 13 June 2025
Please note that shipping dates for pre-orders are estimated and are subject to change
Boomkat Product Review:
On her starkly absorbing 3rd solo album, proper, Industrial music’s grand dame imparts wisdom accrued during a singular, half-century career spanning work in duo with Chris Carter and crucial roles in the legendary groups COUM Transmissions and Throbbing Gristle.
Sharing strands of DNA with Cosey’s soundtrack to a Delia Derbyshire docudrama, as well as themes that lead directly from 2019 solo side ’Tutti’, the expansive arrangements of ‘2t2’ continue to frame Cosey Fanni Tutti among the leading figures of modern electronic music. Across nine parts the album sees her compress, parse, and negotiate personal strifes - from bereavements to the world’s psychic tristesse - thru a prism of voice, synths, and noise boxes to render an album that expresses her sense of modernity whilst trusting in more ancient, arcane techniques and modes of catharsis.
The results are cleft in two chiral sides of rhythmic and atmospheric fascinations that map onto enduring poles of fixation for the artist who blazed a trail for women in electronic music and experimental music at large, and whose full impact has really only begun to be acknowledged in more recent years, and especially since the publication of her incredible autobiography ‘Art Sex Music’. As she outlines in that book, life is art for Cosey, thus ‘2t2’ exists in an ongoing practice of translating her perception of the world into musical metaphors understood by sensation.
‘Curæ’ opens the LP with a martial rhythmic thrust that propels Cosey’s throat singing to heights of negative ecstasy that she tempers across its first half, from the tumult of ‘To Be’ and sleepwalker sashay of ‘Never The Same’ and ‘Stolen Time’, both streaked with her signature cornet. The album’s 2nd half follows a declension or yielding of energy into resounding atmospheric realms where she channels Ennio Morricone and Martin Denny in the lysergic shimmers of Respair’, and waltzes on optimistic choral updrafts in ‘Threnody’, to luxuriate in fathomless synth reverb with ‘Sonance’, and chase that dragon by her 6th senses into treacly bass and noise aether on ‘Limbic’.
Estimated Release Date: 13 June 2025
Please note that shipping dates for pre-orders are estimated and are subject to change
Boomkat Product Review:
On her starkly absorbing 3rd solo album, proper, Industrial music’s grand dame imparts wisdom accrued during a singular, half-century career spanning work in duo with Chris Carter and crucial roles in the legendary groups COUM Transmissions and Throbbing Gristle.
Sharing strands of DNA with Cosey’s soundtrack to a Delia Derbyshire docudrama, as well as themes that lead directly from 2019 solo side ’Tutti’, the expansive arrangements of ‘2t2’ continue to frame Cosey Fanni Tutti among the leading figures of modern electronic music. Across nine parts the album sees her compress, parse, and negotiate personal strifes - from bereavements to the world’s psychic tristesse - thru a prism of voice, synths, and noise boxes to render an album that expresses her sense of modernity whilst trusting in more ancient, arcane techniques and modes of catharsis.
The results are cleft in two chiral sides of rhythmic and atmospheric fascinations that map onto enduring poles of fixation for the artist who blazed a trail for women in electronic music and experimental music at large, and whose full impact has really only begun to be acknowledged in more recent years, and especially since the publication of her incredible autobiography ‘Art Sex Music’. As she outlines in that book, life is art for Cosey, thus ‘2t2’ exists in an ongoing practice of translating her perception of the world into musical metaphors understood by sensation.
‘Curæ’ opens the LP with a martial rhythmic thrust that propels Cosey’s throat singing to heights of negative ecstasy that she tempers across its first half, from the tumult of ‘To Be’ and sleepwalker sashay of ‘Never The Same’ and ‘Stolen Time’, both streaked with her signature cornet. The album’s 2nd half follows a declension or yielding of energy into resounding atmospheric realms where she channels Ennio Morricone and Martin Denny in the lysergic shimmers of Respair’, and waltzes on optimistic choral updrafts in ‘Threnody’, to luxuriate in fathomless synth reverb with ‘Sonance’, and chase that dragon by her 6th senses into treacly bass and noise aether on ‘Limbic’.
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