NYC’s 29 Speedway label lasso modern electronic misfits Flora Yin Wong, Jake Muir, NEXCIYA, James Hoff, Maxwell Sterling, and many more, within the roving purview of their 3rd compilation
‘Ultra body’ hails five years of the label’s sparing but exacting examinations of the spaces between improvised music, performance and interdisciplinary arts, with a focus emerging on spatio-temporal proprioception, tone, and tongue-tip linguistic qualities. It leads on from the gauzy ambient-jazz enigma of J. Albert & Will August Park’s jams to sweep a butterfly net across the Atlantic, showcasing mutual spirits emerging from a diversity of work ranging from Jake Muir’s sensual ambient ‘Mirage’ via Flora Yin Wong’s clandestine downbeats and the smeared shoegaze ambient of Maxwell Sterling, to James K’s sublime dream-pop.
A number of the names are familiar to the contemporary music fringes, such as PAN alum and Primary Information head bod James Hoff, who impresses with the spectral glossolalic thizz of ‘A Cha A I feel like a ghost Uh’, and ambient club shapeshifters NEXCIYA & mu tate, here with the skudged dembow undertow and crackling atmosphere of ‘SansTitre’, but likewise many are new to us, at least. Pent & Dylan Kerr snag ears in the gyring, asymmetric designs of ‘Incoherences’ threaded with what sounds like Jonathan Davis channelling Phil Minton, and the Autechre or Sote-like angularities of Iranian-American artist Kamran Sadeghi with ‘Formula Fiction’, sharing uncanny valley space with the warped and screwed void plunge of ‘Creep’ by Muein.
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NYC’s 29 Speedway label lasso modern electronic misfits Flora Yin Wong, Jake Muir, NEXCIYA, James Hoff, Maxwell Sterling, and many more, within the roving purview of their 3rd compilation
‘Ultra body’ hails five years of the label’s sparing but exacting examinations of the spaces between improvised music, performance and interdisciplinary arts, with a focus emerging on spatio-temporal proprioception, tone, and tongue-tip linguistic qualities. It leads on from the gauzy ambient-jazz enigma of J. Albert & Will August Park’s jams to sweep a butterfly net across the Atlantic, showcasing mutual spirits emerging from a diversity of work ranging from Jake Muir’s sensual ambient ‘Mirage’ via Flora Yin Wong’s clandestine downbeats and the smeared shoegaze ambient of Maxwell Sterling, to James K’s sublime dream-pop.
A number of the names are familiar to the contemporary music fringes, such as PAN alum and Primary Information head bod James Hoff, who impresses with the spectral glossolalic thizz of ‘A Cha A I feel like a ghost Uh’, and ambient club shapeshifters NEXCIYA & mu tate, here with the skudged dembow undertow and crackling atmosphere of ‘SansTitre’, but likewise many are new to us, at least. Pent & Dylan Kerr snag ears in the gyring, asymmetric designs of ‘Incoherences’ threaded with what sounds like Jonathan Davis channelling Phil Minton, and the Autechre or Sote-like angularities of Iranian-American artist Kamran Sadeghi with ‘Formula Fiction’, sharing uncanny valley space with the warped and screwed void plunge of ‘Creep’ by Muein.
NYC’s 29 Speedway label lasso modern electronic misfits Flora Yin Wong, Jake Muir, NEXCIYA, James Hoff, Maxwell Sterling, and many more, within the roving purview of their 3rd compilation
‘Ultra body’ hails five years of the label’s sparing but exacting examinations of the spaces between improvised music, performance and interdisciplinary arts, with a focus emerging on spatio-temporal proprioception, tone, and tongue-tip linguistic qualities. It leads on from the gauzy ambient-jazz enigma of J. Albert & Will August Park’s jams to sweep a butterfly net across the Atlantic, showcasing mutual spirits emerging from a diversity of work ranging from Jake Muir’s sensual ambient ‘Mirage’ via Flora Yin Wong’s clandestine downbeats and the smeared shoegaze ambient of Maxwell Sterling, to James K’s sublime dream-pop.
A number of the names are familiar to the contemporary music fringes, such as PAN alum and Primary Information head bod James Hoff, who impresses with the spectral glossolalic thizz of ‘A Cha A I feel like a ghost Uh’, and ambient club shapeshifters NEXCIYA & mu tate, here with the skudged dembow undertow and crackling atmosphere of ‘SansTitre’, but likewise many are new to us, at least. Pent & Dylan Kerr snag ears in the gyring, asymmetric designs of ‘Incoherences’ threaded with what sounds like Jonathan Davis channelling Phil Minton, and the Autechre or Sote-like angularities of Iranian-American artist Kamran Sadeghi with ‘Formula Fiction’, sharing uncanny valley space with the warped and screwed void plunge of ‘Creep’ by Muein.
NYC’s 29 Speedway label lasso modern electronic misfits Flora Yin Wong, Jake Muir, NEXCIYA, James Hoff, Maxwell Sterling, and many more, within the roving purview of their 3rd compilation
‘Ultra body’ hails five years of the label’s sparing but exacting examinations of the spaces between improvised music, performance and interdisciplinary arts, with a focus emerging on spatio-temporal proprioception, tone, and tongue-tip linguistic qualities. It leads on from the gauzy ambient-jazz enigma of J. Albert & Will August Park’s jams to sweep a butterfly net across the Atlantic, showcasing mutual spirits emerging from a diversity of work ranging from Jake Muir’s sensual ambient ‘Mirage’ via Flora Yin Wong’s clandestine downbeats and the smeared shoegaze ambient of Maxwell Sterling, to James K’s sublime dream-pop.
A number of the names are familiar to the contemporary music fringes, such as PAN alum and Primary Information head bod James Hoff, who impresses with the spectral glossolalic thizz of ‘A Cha A I feel like a ghost Uh’, and ambient club shapeshifters NEXCIYA & mu tate, here with the skudged dembow undertow and crackling atmosphere of ‘SansTitre’, but likewise many are new to us, at least. Pent & Dylan Kerr snag ears in the gyring, asymmetric designs of ‘Incoherences’ threaded with what sounds like Jonathan Davis channelling Phil Minton, and the Autechre or Sote-like angularities of Iranian-American artist Kamran Sadeghi with ‘Formula Fiction’, sharing uncanny valley space with the warped and screwed void plunge of ‘Creep’ by Muein.
Estimated Release Date: 20 September 2024
Please note that shipping dates for pre-orders are estimated and are subject to change
NYC’s 29 Speedway label lasso modern electronic misfits Flora Yin Wong, Jake Muir, NEXCIYA, James Hoff, Maxwell Sterling, and many more, within the roving purview of their 3rd compilation
‘Ultra body’ hails five years of the label’s sparing but exacting examinations of the spaces between improvised music, performance and interdisciplinary arts, with a focus emerging on spatio-temporal proprioception, tone, and tongue-tip linguistic qualities. It leads on from the gauzy ambient-jazz enigma of J. Albert & Will August Park’s jams to sweep a butterfly net across the Atlantic, showcasing mutual spirits emerging from a diversity of work ranging from Jake Muir’s sensual ambient ‘Mirage’ via Flora Yin Wong’s clandestine downbeats and the smeared shoegaze ambient of Maxwell Sterling, to James K’s sublime dream-pop.
A number of the names are familiar to the contemporary music fringes, such as PAN alum and Primary Information head bod James Hoff, who impresses with the spectral glossolalic thizz of ‘A Cha A I feel like a ghost Uh’, and ambient club shapeshifters NEXCIYA & mu tate, here with the skudged dembow undertow and crackling atmosphere of ‘SansTitre’, but likewise many are new to us, at least. Pent & Dylan Kerr snag ears in the gyring, asymmetric designs of ‘Incoherences’ threaded with what sounds like Jonathan Davis channelling Phil Minton, and the Autechre or Sote-like angularities of Iranian-American artist Kamran Sadeghi with ‘Formula Fiction’, sharing uncanny valley space with the warped and screwed void plunge of ‘Creep’ by Muein.