Acido land their 2nd 12” of 2018, a batch of frayed ambient-techno and simmering Soundhack-style disco-house from SUED mainman SVN
In three archival parts, SVN peels away from the plusher vibes of his ’SW:SVN’ output for Apollo and toward intimate, club-backroom vibes.
The percolated disco boops and lilting chord cadence of ‘2011’ feels like a Soundhack joint left to simmer and lave in its juices since the start of the decade, whereas ‘2006’ sounds like a deep Detroit house chassis that could use a bit of brasso, with the scudding chords and hi-hat spritz of the B-side’s ‘2014’ lending itself to comparison with Shinichi Atobe or a Basic Channel track with the bass cut out.
View more
Acido land their 2nd 12” of 2018, a batch of frayed ambient-techno and simmering Soundhack-style disco-house from SUED mainman SVN
In three archival parts, SVN peels away from the plusher vibes of his ’SW:SVN’ output for Apollo and toward intimate, club-backroom vibes.
The percolated disco boops and lilting chord cadence of ‘2011’ feels like a Soundhack joint left to simmer and lave in its juices since the start of the decade, whereas ‘2006’ sounds like a deep Detroit house chassis that could use a bit of brasso, with the scudding chords and hi-hat spritz of the B-side’s ‘2014’ lending itself to comparison with Shinichi Atobe or a Basic Channel track with the bass cut out.
Acido land their 2nd 12” of 2018, a batch of frayed ambient-techno and simmering Soundhack-style disco-house from SUED mainman SVN
In three archival parts, SVN peels away from the plusher vibes of his ’SW:SVN’ output for Apollo and toward intimate, club-backroom vibes.
The percolated disco boops and lilting chord cadence of ‘2011’ feels like a Soundhack joint left to simmer and lave in its juices since the start of the decade, whereas ‘2006’ sounds like a deep Detroit house chassis that could use a bit of brasso, with the scudding chords and hi-hat spritz of the B-side’s ‘2014’ lending itself to comparison with Shinichi Atobe or a Basic Channel track with the bass cut out.
Acido land their 2nd 12” of 2018, a batch of frayed ambient-techno and simmering Soundhack-style disco-house from SUED mainman SVN
In three archival parts, SVN peels away from the plusher vibes of his ’SW:SVN’ output for Apollo and toward intimate, club-backroom vibes.
The percolated disco boops and lilting chord cadence of ‘2011’ feels like a Soundhack joint left to simmer and lave in its juices since the start of the decade, whereas ‘2006’ sounds like a deep Detroit house chassis that could use a bit of brasso, with the scudding chords and hi-hat spritz of the B-side’s ‘2014’ lending itself to comparison with Shinichi Atobe or a Basic Channel track with the bass cut out.
Out of Stock
Acido land their 2nd 12” of 2018, a batch of frayed ambient-techno and simmering Soundhack-style disco-house from SUED mainman SVN
In three archival parts, SVN peels away from the plusher vibes of his ’SW:SVN’ output for Apollo and toward intimate, club-backroom vibes.
The percolated disco boops and lilting chord cadence of ‘2011’ feels like a Soundhack joint left to simmer and lave in its juices since the start of the decade, whereas ‘2006’ sounds like a deep Detroit house chassis that could use a bit of brasso, with the scudding chords and hi-hat spritz of the B-side’s ‘2014’ lending itself to comparison with Shinichi Atobe or a Basic Channel track with the bass cut out.