Boomkat Product Review:
Vol.II of Edition RZ’s documentation for the Inventionen Festival which ran between 1982-2010. Following Vol. I, Horatio Radelescu’s String Quartet No.4, this volume collects nine pieces by Hildegard Westerkamp, Salvatore Sciarrino, John Cage, Sainkho Namtchylak, Joe Jones, Giacinto Scelsi, Masanori Fujita, John Driscoll.
Hildegard Westerkampf opens with a ten minute electro-acoustic study based on the sentence from Indian mystic Kirpal Sing, When there is no sound, hearing is alert, which she feathers out ionto Whisper Study (1975-79) from the festival’s 1986 edition. Salvatore Sciarrino’s Sciarrino: Codex Purpureus (1963-83) For String Trio follows in tense, quiet fashion from the 1994 festival.
John Cage’s super sparse Cage: Music For Piano 55-63 (1956) from the 1992 festival is an exercise in purposelessness, following structureless notation - “Nosies were crotchets without stems”. Sainkho Namtchylak’s haunting overtone singing and gong work in, Namatchylak: Roots And Vibrations (1994) comes next, from the 1994 edition of the festival.
Joe Jones Solar Orchestra (1982/90), is a binaural recording of the titular, solar and wind powered installation at work at the TU Berlin, 1990. John Cage’s Music For Piano 78-84 (1956), a piece dictated by the I-Ching, is performed by Herbert Henck and recorded at the 1992 festival.
Giacinto Scelsi’s Scelsi: From 20 Canti Del Capricorno (1962-72) (No. 1, No. 4) For Voice (And Additional Instruments) is written for and performed by japanese vocalist Michio Kirayama, including some remarkable extended technique trills and microtonal singing, recorded at the 1992 festival.
A strong highlight of the set is Fujita: From Jü-Jü-Shin (1986) For 15 Buddhist Monks, a complex 23 minute piece written 1200 years ago for the Shingon-Buddhist sect and recorded at the festival’s 1986 edition. John O’Driscoll’s kinetic sculptural sound installation A Hall Is All completes this volume.