The amazing Sandro Perri brings the likes of Brandon Hocura (Invisible City Editions) and various Constellation personnel on board his Off World vehicle for the 2nd part of an ongoing, esoteric saga which started with the Rashad Becker-meets-Pekka Airaksinen styles of 1.
This time it feels like they’ve located and touched down in the goldilocks zone of some distant solar system, reflected in their turn toward a sort of amorphous space age exotica and kosmiche folk for a whole other notional species.
Clad again in Karl Sirovy’s evocative artwork, this time dating to 1923 and 1931, and geared up with banks of vintage synths including Juno 106, VC-10, EMS Synthi and the krautrock staple, a Syntorchestra farfisa organ, among lots more, the eight players and engineers of Off World generate a sound quite literally dripping with classic reference, tended to with an economy and sound sensitivity that means it could have feasibly been made any time between the late ’60s and modern day.
Out of time and place, the squad embark on recon missions in teams of no more than four on any of the album’s ten tracks, returning with vivid, if abstract, descriptions of imagineered landscapes and cultures that resemble familiar earthly tropes, but somehow different, each according to stranger hybrid scales and rhythmic syntax that fluidly defy our meagre homo sapien powers of perception.
We recommend any daring or budding space cadets simply sign up for a one-way ticket andOff World’s uncanny parallel dimension open up before your keen ears.
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The amazing Sandro Perri brings the likes of Brandon Hocura (Invisible City Editions) and various Constellation personnel on board his Off World vehicle for the 2nd part of an ongoing, esoteric saga which started with the Rashad Becker-meets-Pekka Airaksinen styles of 1.
This time it feels like they’ve located and touched down in the goldilocks zone of some distant solar system, reflected in their turn toward a sort of amorphous space age exotica and kosmiche folk for a whole other notional species.
Clad again in Karl Sirovy’s evocative artwork, this time dating to 1923 and 1931, and geared up with banks of vintage synths including Juno 106, VC-10, EMS Synthi and the krautrock staple, a Syntorchestra farfisa organ, among lots more, the eight players and engineers of Off World generate a sound quite literally dripping with classic reference, tended to with an economy and sound sensitivity that means it could have feasibly been made any time between the late ’60s and modern day.
Out of time and place, the squad embark on recon missions in teams of no more than four on any of the album’s ten tracks, returning with vivid, if abstract, descriptions of imagineered landscapes and cultures that resemble familiar earthly tropes, but somehow different, each according to stranger hybrid scales and rhythmic syntax that fluidly defy our meagre homo sapien powers of perception.
We recommend any daring or budding space cadets simply sign up for a one-way ticket andOff World’s uncanny parallel dimension open up before your keen ears.
The amazing Sandro Perri brings the likes of Brandon Hocura (Invisible City Editions) and various Constellation personnel on board his Off World vehicle for the 2nd part of an ongoing, esoteric saga which started with the Rashad Becker-meets-Pekka Airaksinen styles of 1.
This time it feels like they’ve located and touched down in the goldilocks zone of some distant solar system, reflected in their turn toward a sort of amorphous space age exotica and kosmiche folk for a whole other notional species.
Clad again in Karl Sirovy’s evocative artwork, this time dating to 1923 and 1931, and geared up with banks of vintage synths including Juno 106, VC-10, EMS Synthi and the krautrock staple, a Syntorchestra farfisa organ, among lots more, the eight players and engineers of Off World generate a sound quite literally dripping with classic reference, tended to with an economy and sound sensitivity that means it could have feasibly been made any time between the late ’60s and modern day.
Out of time and place, the squad embark on recon missions in teams of no more than four on any of the album’s ten tracks, returning with vivid, if abstract, descriptions of imagineered landscapes and cultures that resemble familiar earthly tropes, but somehow different, each according to stranger hybrid scales and rhythmic syntax that fluidly defy our meagre homo sapien powers of perception.
We recommend any daring or budding space cadets simply sign up for a one-way ticket andOff World’s uncanny parallel dimension open up before your keen ears.
The amazing Sandro Perri brings the likes of Brandon Hocura (Invisible City Editions) and various Constellation personnel on board his Off World vehicle for the 2nd part of an ongoing, esoteric saga which started with the Rashad Becker-meets-Pekka Airaksinen styles of 1.
This time it feels like they’ve located and touched down in the goldilocks zone of some distant solar system, reflected in their turn toward a sort of amorphous space age exotica and kosmiche folk for a whole other notional species.
Clad again in Karl Sirovy’s evocative artwork, this time dating to 1923 and 1931, and geared up with banks of vintage synths including Juno 106, VC-10, EMS Synthi and the krautrock staple, a Syntorchestra farfisa organ, among lots more, the eight players and engineers of Off World generate a sound quite literally dripping with classic reference, tended to with an economy and sound sensitivity that means it could have feasibly been made any time between the late ’60s and modern day.
Out of time and place, the squad embark on recon missions in teams of no more than four on any of the album’s ten tracks, returning with vivid, if abstract, descriptions of imagineered landscapes and cultures that resemble familiar earthly tropes, but somehow different, each according to stranger hybrid scales and rhythmic syntax that fluidly defy our meagre homo sapien powers of perception.
We recommend any daring or budding space cadets simply sign up for a one-way ticket andOff World’s uncanny parallel dimension open up before your keen ears.
180g vinyl. Poly-line inner. Includes 12 x 24” poster and insert. Includes download.
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The amazing Sandro Perri brings the likes of Brandon Hocura (Invisible City Editions) and various Constellation personnel on board his Off World vehicle for the 2nd part of an ongoing, esoteric saga which started with the Rashad Becker-meets-Pekka Airaksinen styles of 1.
This time it feels like they’ve located and touched down in the goldilocks zone of some distant solar system, reflected in their turn toward a sort of amorphous space age exotica and kosmiche folk for a whole other notional species.
Clad again in Karl Sirovy’s evocative artwork, this time dating to 1923 and 1931, and geared up with banks of vintage synths including Juno 106, VC-10, EMS Synthi and the krautrock staple, a Syntorchestra farfisa organ, among lots more, the eight players and engineers of Off World generate a sound quite literally dripping with classic reference, tended to with an economy and sound sensitivity that means it could have feasibly been made any time between the late ’60s and modern day.
Out of time and place, the squad embark on recon missions in teams of no more than four on any of the album’s ten tracks, returning with vivid, if abstract, descriptions of imagineered landscapes and cultures that resemble familiar earthly tropes, but somehow different, each according to stranger hybrid scales and rhythmic syntax that fluidly defy our meagre homo sapien powers of perception.
We recommend any daring or budding space cadets simply sign up for a one-way ticket andOff World’s uncanny parallel dimension open up before your keen ears.